On-site Access: Accessible in the Study Room / Width [cm]: 47 - YCBA Collections Search Search Results

201. Off to the Fishing Grounds

Creator:: Thomas Sewell Robins, 1814–1880
Date:: between 1830 and 1880
Materials & Techniques:: Watercolor and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 x 18 1/2 inches (30.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

202. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 18 1/2 inches (15.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Mozart C in E flat for Two Pianos Cristoph Eschenbach Justin Frank

Creator:: Patrick Procktor, 1936–2003
Date:: 1982
Materials & Techniques:: Black wash on medium, smooth, cream wove paper
Dimensions:: Image: 7 1/2 x 11 1/2 inches (19.1 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

204. Excavation

Creator:: Bernard Sickert, 1863–1932
Date:: 1923
Materials & Techniques:: Pastel and black chalk on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 12 3/8 x 18 3/8 inches (31.4 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin

205. Lilleshall, Shropshire: The South and East Fronts

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/2 inches (29.5 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Lilleshall, Shropshire: West Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Lilleshall, Shropshire: East View

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 3/8 × 13 7/8 inches (11.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Victorious Hero Takes Occasion to Conclude Peace

Creator:: Bernard Lens III, 1682–1740
Date:: 1720
Materials & Techniques:: Watercolor and gouache heightened with gold on vellum
Dimensions:: Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

209. The Rocky Bank of a River

Creator:: John Ruskin, 1819–1900
Date:: ca. 1853
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

210. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by William Ward, 1766–1826
Date:: December 1, 1801
Materials & Techniques:: Color printed mezzotint with hand coloring in waterclor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

211. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Windsor Castle, Berkshire: Elevation of the North Terrace

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/2 inches (31.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. George Fox Comes to London After the Great Fire

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

216. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

Creator:: Robert Havell, 1769–1832
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/8 x 18 1/2in. (30.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Stage Coach Setting Off

Creator:: Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1770
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Marriage A-la-Mode, Plate V: The Death of the Earl

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 26 1/4 × 18 5/8 inches (66.7 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 9/16 × 18 1/2 inches (62.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. `Hold Back, Sir!'

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1904
Materials & Techniques:: Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Marriage A-la-Mode, Plate I: The Contract

Creator:: Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Marriage A-la-Mode, Plate III: The Scene with the Quack

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Marriage A-la-Mode, Plate II: The Breakfast Scene

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Marriage A-la-Mode, Plate IV: The Toilet Scene

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. West Front of the Pavillon Towards the Garden, Brighton

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 x 18 3/8in. (35.6 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Marriage A-la-Mode, Plate VI: The Death of the Countess

Creator:: Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Glen Crowe, Western Highlands, Scotland

Creator:: after unknown artist
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Study for a Portrait of Two Women

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/16 × 18 1/2 inches (58.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

231. The South - West View of the Parish Church of Ecton in Northamptonshire

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1749
Materials & Techniques:: Etching and engraving on thick, rough, beige laid paper
Dimensions:: Mount: 25 1/4 × 18 7/16 inches (64.1 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

232. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Self-portrait

Creator:: Print made by Stephen Conroy, born 1964
Date:: 2002
Materials & Techniques:: Etching on wove paper
Dimensions:: Plate: 12 x 10 1/4in. (30.5 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with contributions from family and friends in memory of Risha Stone, Yale Center for British Art volunteer (1981-2005)

234. My Mother Seated

Creator:: Celia Paul, born 1959
Date:: 1997
Materials & Techniques:: Soft ground etching on wove paper
Dimensions:: Plate: 11 1/2 x 9 1/4in. (29.2 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with contributions from family and friends in memory of Risha Stone, Yale Center for British Art volunteer (1981-2005)

235. Sir Thomas Lawrence's Painting Room in 1824

Creator:: Emily Calmady, 19th century
Date:: 1824
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

236. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Wooded Upland Landscape with Riders and Packhorse

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Officers and Their Ladies Dancing to a Band of Musicians...

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 7/16 inches (29.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. A Meet at Bachelors' Hall in the Vale of Neath, Wales

Creator:: Thomas Horner, 1785–1844
Date:: undated
Materials & Techniques:: Pen and gray ink, blue wash, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Image: 9 13/16 × 17 15/16 inches (24.9 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 13 5/16 x 18 5/16in. (33.8 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

243. Arrival of the Stage Coach

Creator:: Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Foxhunting: The Kill

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Pen and black ink, over graphite, with gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/4 × 18 1/2 inches (32.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Design for a Chapel at Enfield: Transverse Sections of the East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Illanoan Pirates of Tampassook (Tempasuk)

Creator:: Samuel Francis Marryat, 1826–1855
Date:: 1848
Materials & Techniques:: Brown ink, brown wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 18 1/2 inches (13.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

Creator:: Thomas Daniell, 1749–1840
Date:: July 1795
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 13/16 × 20 5/16 inches (45.2 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

250. Landscape of Dayboro, Queensland

Creator:: Herbert Clarke Simpson, 1879–1966
Date:: 1947
Materials & Techniques:: Watercolor on thick, smooth, cream wove paper
Dimensions:: Frame: 16 9/16 × 18 1/2 inches (42 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

251. Peaks Hole, Derbyshire

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1805
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

252. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 20 5/8 inches (40.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 21 1/4 inches (42.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. A Summer Day

Creator:: John Sell Cotman, 1782–1842
Date:: 1827 to 1837
Materials & Techniques:: Watercolor and graphite on Medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.8 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Osprey

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

256. Farmer in a Field near Charleston

Creator:: Duncan Grant, 1885–1978
Date:: 1934
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 31 7/8 × 18 1/2 inches (81 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

257. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 3/8 inches (38.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Family Posed in Front of a Doorway

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 14 13/16 x 18 7/8 inches (37.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Cookham, near Maidenhead

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Trees on a Bank

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 13 1/2 x 18 5/8 inches (34.3 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Uneasy Street

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 7/16 inches (33 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

266. Rhaidar Ogwen, North Wales

Creator:: Charles Knight, 1743–c.1826
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 18 1/2 inches (35.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

267. Military Frieze

Creator:: Edward Henry Corbould, 1815–1905
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 19 5/8 inches (10.2 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

268. The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

Creator:: Print made by James Basire, 1730–1802
Date:: 1780
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 7/8 inches (35.9 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Design for Ardgowan House, Scotland: North North West Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. View of Jamestown, St. Helena, From the Sea with Shipping

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor, graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 3/8 inches (30.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Study of Fishermen and Gear

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Design for Ardgowan House, Scotland: Ground Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Design for Ardgowan House, Scotland: Attic Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Design for Ardgowan House, Scotland: Chamber Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Design for Ardgowan House, Scotland: Principal Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 3/16 × 18 9/16 inches (28.4 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Design for Ardgowan House, Scotland: South South East Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Gefaler Cathedral

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: 1901
Materials & Techniques:: Etching on medium, smooth, beige wove paper mounted on linen
Dimensions:: Sheet: 35 7/16 × 25 13/16 inches (90 × 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

280. TiT

Creator:: Print made by Richard Hamilton, 1922–2011
Date:: 2002
Materials & Techniques:: Screen print on white 400gsm Somerset Satin paper
Dimensions:: Sheet: 35 × 26 3/8 inches (88.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

281. Marriage A-la-Mode, Plate I: The Contract

Creator:: Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

282. Marriage A-la-Mode, Plate VI: The Death of the Countess

Creator:: Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

283. Marriage A-la-Mode, Plate IV: The Toilet Scene

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

284. Marriage A-la-Mode, Plate III: The Scene with the Quack

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

285. Marriage A-la-Mode, Plate V: The Death of the Earl

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

286. View of the Royal Hospital, Chelsea

Creator:: Francois Gasselin, ca. 1683–1703
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 18 7/16 inches (16.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Dr Graham's Bathing Establishment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Plan of Westminster Showing the Coronation Route of George II

Creator:: unknown artist
Date:: ca. 1727
Materials & Techniques:: Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. The Baths of Caracalla, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

292. The Old Stables, Petworth

Creator:: John Melchior Barralet, active 1750–1787
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. The Castle on the Hill

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 18 5/8 inches (34.9 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Julius Caesar: Act IV Scene III: Brutus' Tent ...

Creator:: Edward Scriven, 1775–1841
Date:: 1802
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2in. (64.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Lyson's Cottage, Cowes, Isle of Wight

Creator:: attributed to Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Archdeacon Forster

Creator:: William Haydon Fuge, active ca. 1849–1866
Date:: 1853
Materials & Techniques:: Black chalk, white chalk, red chalk, and blue chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 24 1/4 × 18 5/8 inches (61.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Professor S.W. Jackman in recognition of his friendship with Mr. and Mrs. Paul Mellon, April 1994.

298. Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Creator:: Print made by Thomas Burke, 1749–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Fowl Island, Bay of Bengal, Coast of Arakan

Creator:: Thomas Daniell, 1749–1840
Date:: 1786 (?)
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 18 1/2 inches (27 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

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201. Off to the Fishing Grounds

202. View of the Palace and Village of Choisi, on the Banks of the Seine

203. Mozart C in E flat for Two Pianos Cristoph Eschenbach Justin Frank

204. Excavation

205. Lilleshall, Shropshire: The South and East Fronts

206. Lilleshall, Shropshire: West Front

207. Lilleshall, Shropshire: East View

208. Victorious Hero Takes Occasion to Conclude Peace

209. The Rocky Bank of a River

210. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

211. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

212. The Water Works at Marli and St. German en Laye seen in the distance

213. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

214. Windsor Castle, Berkshire: Elevation of the North Terrace

215. George Fox Comes to London After the Great Fire

216. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

217. Stage Coach Setting Off

218. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

219. Marriage A-la-Mode, Plate V: The Death of the Earl

220. Design after a Greek Vase

221. Design after a Greek Vase

222. `Hold Back, Sir!'

223. Marriage A-la-Mode, Plate I: The Contract

224. Marriage A-la-Mode, Plate III: The Scene with the Quack

225. Marriage A-la-Mode, Plate II: The Breakfast Scene

226. Marriage A-la-Mode, Plate IV: The Toilet Scene

227. West Front of the Pavillon Towards the Garden, Brighton

228. Marriage A-la-Mode, Plate VI: The Death of the Countess

229. Glen Crowe, Western Highlands, Scotland

230. Study for a Portrait of Two Women

231. The South - West View of the Parish Church of Ecton in Northamptonshire

232. North East View of Henry VII Chapel Westminster

233. Self-portrait

234. My Mother Seated

235. Sir Thomas Lawrence's Painting Room in 1824

236. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

237. Wooded Upland Landscape with Riders and Packhorse

238. Officers and Their Ladies Dancing to a Band of Musicians...

239. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

240. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

241. A Meet at Bachelors' Hall in the Vale of Neath, Wales

242. View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.

243. Arrival of the Stage Coach

244. Unloading the Luggage From The Exeter Coach

245. Foxhunting: The Kill

246. Design for a Chapel at Enfield: Transverse Sections of the East and West End

247. Design for a Chapel at Enfield: Transverse Sections, East and West End

248. Illanoan Pirates of Tampassook (Tempasuk)

249. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

250. Landscape of Dayboro, Queensland

251. Peaks Hole, Derbyshire

252. Mousehold Heath--The Lane to the Left above Col. Harveys House

253. Mousehold Heath--The Lane to the Left above Col. Harveys House

254. A Summer Day

255. Osprey

256. Farmer in a Field near Charleston

257. Prospero and Miranda

258. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

259. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

260. Antigonus Disposing of Perdita

261. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

262. Family Posed in Front of a Doorway

263. Cookham, near Maidenhead

264. Trees on a Bank

265. Uneasy Street

266. Rhaidar Ogwen, North Wales

267. Military Frieze

268. The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

269. Design for Ardgowan House, Scotland: North North West Elevation

270. View of Jamestown, St. Helena, From the Sea with Shipping

271. The Temple of Apollo Epikourios: Details of the Ionic Order

272. Study of Fishermen and Gear

273. Design for Ardgowan House, Scotland: Ground Floor Plan

274. Design for Ardgowan House, Scotland: Attic Floor Plan