View with several Vessels lying close to the Shore
1774
404
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
405
John Raphael Smith, 1752–1812
Eloisa
1792
406
Print made by Richard Earlom, 1743–1822
A Landscape with Buildings
1807
407
William Ward, 1766–1826
The Widow's Tale
1789
408
Print made by James Bromley, 1801–1838
Kirkstall Abbey, on the River Aire
1823 to 1827
409
unknown artist
Transporting Cows
undated
410
George Vertue, 1684–1756
Philip II King of Spain
1735
411
Print made by Edward Francis Finden, 1791–1857
Gibraltar
1832-1834
412
Print made by Edward Francis Finden, 1791–1857
Temple of Minerva, Cape Colonna
1832-1834
413
Isaac Cruikshank, 1764–1811
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)
1795
414
Isaac Cruikshank, 1764–1811
The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker
1796
415
Peltro W. Tomkins, 1760–1840
Three Actors in a Play
1785
416
Print made by John Cousen, 1804–1880
Honfleur
1834
417
Print made by James Tibbits Willmore, 1800–1863
Vernon
1835
418
Print made by William Radclyffe, 1780–1855
Mantes
1835
419
Print made by John Cousen, 1804–1880
Bridge of Meulan
1835
420
Print made by S. Fisher, active 1831–1844
Saint Denis
1835
421
Print made by James Tibbits Willmore, 1800–1863
The Lanterne of St. Cloud
1835
422
Print made by William Miller, 1796–1882
Pont-Neuf, Paris
1835
423
Print made by James Charles Armytage, 1802–1897
Troyes
1834
424
Print made by William Miller, 1796–1882
Melun
1835
425
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
426
Print made by James Baylis Allen, 1803–1876
Loch Leven Castle
1836-1837
427
J. Wells, active 1780–1791
4. Snipe Shooting
1789
428
T. Simpson, active 1790–1814
2. Hare Shooting
1790
429
T. Simpson, active 1790–1814
3. Duck Shooting
1790
430
T. Simpson, active 1790–1814
Set of four: 2. Duck Shooting
1790
431
T. Simpson, active 1790–1814
Set of four: 3. Duck Shooting ['Plate 2']
1790
432
Paul Arthur Hogarth, 1917–2001
Greenwich Village - The Riviera Bar
undated
433
Douglas England, active 1927
Say "Empire Please"
1927
434
Walter Crane, 1845–1915
Sky over Vesuvius
1872
435
attributed to John Ruskin, 1819–1900
Lausanne
undated
436
Print made by John Raphael Smith, 1752–1812
Mrs. Carnac
1778
437
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
438
Print made by Barry Flanagan, 1941–2009
Untitled
1996
439
T. Simpson, active 1790–1814
Set of four: 1. Hare Shooting
1790
440
Charles Catton the elder RA, 1728–1798
1. Partridge Shooting
1789
441
William Ward, 1766–1826
Sportsman's Hall
1788
442
Matthew Dubourg, active 1786–1838
Stage Coach
1822
443
unknown artist
The Foundling Hospital
444
unknown artist
The Royal Palace of St. James's next the Park
445
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
446
unknown artist
The Inside of St. Paul's Cathedral from the West End to the Choir
447
unknown artist
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
1799
448
unknown artist
Argile House
449
Louisa Augusta Greville, 1743–active 1762
Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
1770
450
Isaac Cruikshank, 1764–1811
A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!
1794
451
George Moutard Woodward, ca. 1760–1809
An Undertaker in Distress
1796
452
Thomas Rowlandson, 1756–1827
A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends
1799
453
unknown artist
Donotter Castle
454
Francois Vivares, 1709–1780
A View from Richmond Hill up the River
455
Print made by unknown artist
A View of the City of York from near ye Confluence of the Rivers Ouse & Foss
456
unknown artist
A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
457
unknown artist
A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford
458
Remi Parr, 1743–after 1750
How Sallies are defended and repulsed;..
459
Rev. James Bulwer, 1794–1879
Culbone
undated
460
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
461
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
462
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
463
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
464
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
465
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
466
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1839
467
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
468
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1831
469
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
470
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
471
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
472
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
473
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
474
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
475
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
476
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1834
477
William Ward, 1766–1826
[Golf] Henry Callender Esq're. To the Society of Goffers at Blackheath
1812
478
unknown artist
The Prospect of the Town of Dumblane
479
unknown artist
A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
480
Joseph Constantine Stadler, active 1780–1812
A View of Newcastle upon Tyne
1801
481
James Gillray, 1756–1815
The Death of the Great Wolf
1795
482
unknown artist
A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
483
unknown artist
A View of Her Imperial Majesty's Ancient Winter Palace, & of the Canal which joyns the Moika to the Neva at St. Petersburg
484
after unknown artist
Glen Crowe, Western Highlands, Scotland
1811
485
John Bruce, fl. 1826
Coaching: A Scene at the Devil's Dyke near Brighton in the country of Sussex
1826
486
Jean Baptiste Claude Chatelain, 1710–1771
A Perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a seat of Sr. Jeremy Sambrooke Bart
ca. 1750
487
Augustus Edwin John, 1878–1961
Casper John as a Child
undated
488
Caroline Watson, 1760–1814
Garrick Reading the Ode at the Shakespeare Jubilee
1784
489
unknown artist
Look at Me, I'm an Object
1797
490
unknown artist
The Prospect of ye Town of Perth
491
unknown artist
The Castle of Dumbritton from Kilpatrick
492
unknown artist
The Prospect of ye Town of Dundee
493
Charles Ansell, ca.1752–active 1790
John Bull Taking a Lunch - or Johnny's Purveyors Pampering His Appetite with Dainties From All Parts of the World (from: Caricature, vol. 3)
1798
494
unknown artist
The Prospect of the Town of Dunkeld
495
William Henry Toms, ca. 1700–ca. 1750
The South - West View of the Parish Church of Ecton in Northamptonshire
1749
496
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
497
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
498
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
499
Paul François Arnold Cardon, called "Dornac", 1859–1941
Whistler in his studio on the rue Notre-Dame-des-Champs, Paris
1893
500
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig