On-site Access: Accessible in the Study Room / Width [cm]: 41 - YCBA Collections Search Search Results

1. Design for Omega Workshops Fabric

Creator:: Vanessa Bell, 1879–1961
Date:: 1913
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:: Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. A Lake in Norway

Creator:: Francis Danby, 1793–1861
Date:: ca. 1825
Materials & Techniques:: Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: 1843
Materials & Techniques:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Human Skeleton, Anterior View (Finished Study for Table I)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Human Skeleton, Posterior View (Finished Study for Table II)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Figure, Anterior View (Intended for a Plate That was Never Published)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: soft-ground etching on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 1/8 inches (53.3 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Figure, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 16 inches (53.7 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Human Figure, Anterior View (Outline figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 20 1/8 inches (45.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale School of Music

28. The Four Times of Day, Plate II: Noon

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching and engraving, second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 16 inches (49.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Four Times of Day, Plate IV: Night

Creator:: William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 16 inches (49.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Rake's Progress, Plate 2: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Rake's Progress, Plate 3: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Rake's Progress, Plate 4: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/4 inches (35.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Rake's Progress, Plate 1: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Rake's Progress, Plate 6: He Gambles

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Rake's Progress, Plate 5: He Marries

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Rake's Progress, Plate 7: In Fleet Street Prison

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Rake's Progress, Plate 8: In Bedlam

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 inches (35.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Lake of Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Crypt of Kirkstall Abbey

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Scene in the Campagna

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Alcove, Isleworth

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. East Gate, Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Isis

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Dumbarton Rock

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching printed in brown ink, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Hindoo Worshipper

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and aquatint, printed in brown ink First Published State on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint with chine collé, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Water Mill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Plains of Bengal, from above Siligoree

Creator:: Edward Lear, 1812–1888
Date:: 1874
Materials & Techniques:: Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

69. The Gardens of the Villa Albani

Creator:: Edward Lear, 1812–1888
Date:: 1840
Materials & Techniques:: Graphite, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 16 1/4 inches (21.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

70. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

71. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

72. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Weather Patterns, Calais, France

Creator:: Michael Kenna, born 1953
Date:: 1998
Materials & Techniques:: Sepia toned gelatin silver print; artist's proof on photographic paper
Dimensions:: Sheet: 7 3/4 × 7 5/8 inches (19.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

74. Moai, Study 20, Ahu Tongariki, Easter Island #5/45

Creator:: Michael Kenna, born 1953
Date:: 2000
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/4 × 7 5/8 inches (19.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

75. Suspended Vine, Marly, France #40/45

Creator:: Michael Kenna, born 1953
Date:: 1995
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 8 1/8 × 7 1/2 inches (20.6 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

76. Hillside Fence, Study 2, Teshikaga, Hokkaido, Japan #42/45

Creator:: Michael Kenna, born 1953
Date:: 2002
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

77. Fifteen Poles,Yamanaka Lake, Honshu, Japan

Creator:: Michael Kenna, born 1953
Date:: 2001
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 1/2 × 8 inches (19.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

78. Field of Snow, Biei, Hokkaido, Japan #13/45

Creator:: Michael Kenna, born 1953
Date:: 2004
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

79. Twenty Fences, Obira, Hokkaido, Japan #14/45

Creator:: Michael Kenna, born 1953
Date:: 2004
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 7/8 × 7 1/2 inches (20 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

80. Deckchairs, Bournemouth, Dorset, England

Creator:: Michael Kenna, born 1953
Date:: 1983
Materials & Techniques:: Sepia toned gelatin silver print; artist's proof on photographic paper
Dimensions:: Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

81. Mill Demolition, Huddersfield, England #8/45

Creator:: Michael Kenna, born 1953
Date:: 1985
Materials & Techniques:: Sepia and selenium toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

82. Montacute House, Somerset, England #26/45

Creator:: Michael Kenna, born 1953
Date:: 1990
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/4 × 7 1/2 inches (19.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

83. Rousham Folly, Oxfordshire, England #22/45

Creator:: Michael Kenna, born 1953
Date:: 1982
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

84. Receding Poles, North Umberland, England #36/45

Creator:: Michael Kenna, born 1953
Date:: 1991
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 5/8 × 7 1/2 inches (19.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

85. Bruton Dovecote, Somerset, England

Creator:: Michael Kenna, born 1953
Date:: 1990
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

86. Small Trees, Anchorage, Alaska, USA #13/45

Creator:: Michael Kenna, born 1953
Date:: 1989
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 1/2 × 7 1/2 inches (19.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

87. Stonehenge, Wiltshire, England #19/45

Creator:: Michael Kenna, born 1953
Date:: 1990
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/4 × 7 5/8 inches (19.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

88. High Chair, Anchorage, Alaska #14/45

Creator:: Michael Kenna, born 1953
Date:: 1989
Materials & Techniques:: Sepia and selenium toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 1/2 × 7 5/8 inches (19.1 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

89. Railway Station, Buchenwald, Germany

Creator:: Michael Kenna, born 1953
Date:: 1994
Materials & Techniques:: Gelatin silver print on photographic paper
Dimensions:: Sheet: 8 × 7 1/2 inches (20.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

90. Field Fence, Lublin-Majdanek, Poland

Creator:: Michael Kenna, born 1953
Date:: 1993
Materials & Techniques:: Gelatin silver print on photographic paper
Dimensions:: Sheet: 7 7/8 × 7 1/4 inches (20 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

91. Windsor Castle from the Glacis of the Round Tower

Creator:: Henry Edridge, 1769–1821
Date:: 1804
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Landscape with a Temple and Figures by a River

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 × 16 5/16 inches (29.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of the Great Eruption of Morne Soufriere, St. Vincent

Creator:: Rev. Lansdown Guilding, 1798–1831
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, beige card
Dimensions:: Sheet: 20 1/2 × 16 inches (52.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Landscape and Cattle

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Watercolor over traces of graphite on medium, slightly textured, cream wove paper laid down on old mount with black ruled lines, in turn laid on card
Dimensions:: Sheet: 11 1/4 x 14 5/8 inches (28.6 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Ratcliffe Power Station, Study 66, Nottinghamshire, England

Creator:: Michael Kenna, born 1953
Date:: 2003
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/4 × 87 1/4 inches (19.7 × 221.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

96. The Rouge, Study 10, Dearborn, Michigan, USA

Creator:: Michael Kenna, born 1953
Date:: 1993
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/4 × 7 3/4 inches (19.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

97. Ratcliffe Power Station, Study 67, Nottinghamshire, England

Creator:: Michael Kenna, born 1953
Date:: 2003
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 3/4 × 7 3/4 inches (19.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

98. The Rouge, Study 13, Dearborn, Michigan, USA

Creator:: Michael Kenna, born 1953
Date:: 1993
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

99. The Rouge, Study 14, Dearborn, Michigan, USA

Creator:: Michael Kenna, born 1953
Date:: 1993
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 1/2 × 7 1/2 inches (19.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

100. The Rouge, Study 47, Dearborn, Michigan, USA

Creator:: Michael Kenna, born 1953
Date:: 1994
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 7/8 × 7 1/2 inches (20 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

YCBA Collections Search

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1. Design for Omega Workshops Fabric

2. A Lake in Norway

3. View from Rook's Hill, Kent

4. Human Skeleton, Anterior View (Finished Study for Table I)

5. Human Skeleton, Posterior View (Finished Study for Table II)

6. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

7. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

8. Fowl Skeleton, Lateral View (Finished Study for Table V)

9. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

10. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

11. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

12. Human Figure, Anterior View (Intended for a Plate That was Never Published)

13. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

14. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

15. Human Figure, Posterior View

16. Human Figure, Lateral View (For the key figure to Table XIII)

17. Human Figure, Lateral View

18. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

19. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

20. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

21. Human Skeleton, Lateral View

22. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

23. Human Figure, Anterior View (Outline figure)

24. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

25. Fowl Body, Lateral View

26. Fowl Body, Lateral View

27. The Enraged Musician

28. The Four Times of Day, Plate II: Noon

29. The Four Times of Day, Plate IV: Night

30. A Rake's Progress, Plate 2: His Levee

31. A Rake's Progress, Plate 3: He Revels

32. A Rake's Progress, Plate 4: Goes to Court

33. A Rake's Progress, Plate 1: He Takes Possession

34. A Rake's Progress, Plate 6: He Gambles

35. A Rake's Progress, Plate 5: He Marries

36. A Rake's Progress, Plate 7: In Fleet Street Prison

37. A Rake's Progress, Plate 8: In Bedlam

38. Gloucester Cathedral

39. Holy Island Cathedral

40. Lake of Thun, Switzerland

41. The Source of the Arveron in the Valley of Chamouni, Savoy

42. Ville de Thun, Switzerland

43. Entrance of Calais Harbour

44. Crypt of Kirkstall Abbey

45. Scene in the Campagna

46. Junction of Severn and Wye

47. Little Devil's Bridge over the Russ above Altdorft, Switzerland

48. Flint Castle, Vessels Unloading

49. Basle

50. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

51. The Alcove, Isleworth

52. Bonneville, Savoy

53. East Gate, Winchelsea, Sussex

54. Ben Arthur, Scotland

55. Isis

56. Dumbarton Rock

57. Procris and Cephalus

58. Water Mill

59. Jason

60. Mer de Glace, Valley of Chamouni, Savoy

61. Dumblain Abbey, Scotland

62. Original Sketch of a Picture for W. Leader, Esq.

63. The Hindoo Worshipper

64. Hind Head Hill

65. Junction of Severn and Wye

66. Water Mill

67. Calm

68. Plains of Bengal, from above Siligoree

69. The Gardens of the Villa Albani

70. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

71. Sealing the Stone and Setting a Watch

72. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

73. Weather Patterns, Calais, France

74. Moai, Study 20, Ahu Tongariki, Easter Island #5/45