On-site Access: Accessible in the Study Room / Width [cm]: 27 - YCBA Collections Search Search Results

1. Borrowdale: Evening after a Fine Day, 1 October 1806

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Guildford

Creator:: Samuel Palmer, 1805–1881
Date:: 1844
Materials & Techniques:: Watercolor and gouache and scraping out with some varnish over graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Rock Slip near Boscastle

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache, black chalk, yellow chalk, and blue chalk on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 10 5/8 inches (24.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Study of Old Buildings

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Plate X, Fowl Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

8. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Human Skeleton, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 10 3/4 inches (43.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 1/2 inches (39.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles

Creator:: George Stubbs, 1724–1806
Date:: undated
Materials & Techniques:: Red chalk and graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 5/8 inches (17.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Opposite Beni Hassan, Looking North

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/16 x 10 5/8 inches (8.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Gebel Sheikh Eredi

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 10 3/4 inches (7.6 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Dendera, 9:00 am, 15 January 1867 (156)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 10 1/2 inches (8.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Dendera, 9:15 am, 15 January 1867 (157)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 10 1/2 inches (8.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Rizaghat

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 15/16 x 10 9/16 inches (7.5 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Dawn on the Nile

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, beige wove paper
Dimensions:: Sheet: 2 3/4 x 10 11/16 inches (7 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Aswan

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on medium, slightly textured, gray wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/4 x 10 1/2 inches (7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Shelaal, 2:30 am, 29 January 1867 (260)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen in black ink and gouache over graphite on moderately thick, slightly textured wove paper mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 10 3/4 inches (7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Shelaal, 5:30 am, 29 January 1867 (264)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and black ink and gouache over graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 3 × 10 5/8 inches (7.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Dehmyt, 7:30 am, 31 January 1867 (278)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 7/8 x 10 5/8 inches (7.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Near Gamille

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 7/16 x 10 11/16 inches (6.2 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Near Tapha, 9:45 am, 31 January 1867 (287)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/8 x 10 5/8 inches (6.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Near Sabooa

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, wove paper, mounted on thick, moderately textured, wove paper
Dimensions:: Sheet: 2 7/8 x 10 5/8 inches (7.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Korosko

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 3/8 x 10 3/4 inches (6 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Between Derr and Ibreem

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, gray wove paper
Dimensions:: Sheet: 2 3/4 x 10 5/8 inches (7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. (Swindern's Parrakeet) (Plate 42)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph with chine collé; proof
Dimensions:: Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. Near Abu Simbel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper, mounted on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/8 x 10 1/2 inches (6.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. Near Wady Halfeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 15/16 x 10 9/16 inches (7.5 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

30. Abu Seer, Wady Halfeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 1 13/16 x 10 9/16 inches (4.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

31. Faras Westbank

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 2 1/2 x 10 9/16 inches (6.4 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32. Abu Simbel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 1/2 x 10 5/8 inches (6.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

33. Abu Simbel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 5/16 x 10 5/8 inches (5.9 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. Ibreem

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 2 x 10 11/16 inches (5.1 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

35. Villa d'Este

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 6 7/8 x 10 11/16 inches (17.5 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

36. Sketchbook of Shipping Scenes, from August 1845 to July 1846

Creator:: Edward Lear, 1812–1888
Date:: 1845 to 1846
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, gray-green wove paper
Dimensions:: Sheet: 7 3/8 × 10 5/8 inches (18.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Windsor Castle

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 11/16 x 10 1/2 inches (19.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. Leonessa, 3 October 1844

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/8 × 10 1/2 inches (30.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

39. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Bridge over the River Rye at Helmsley, with the Castle Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1792–1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/8 inches (26.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Frontispiece to the 'Liber Studiorum'

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. London from Greenwich

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 3/4 inches (29.2 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. London from Greenwich

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; fifth published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 3/8 inches (27 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Dumbarton Rock

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching printed in brown ink, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Crowhurst

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (e) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Raglan Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Apuleia in Search of Apuleius

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Stork and Aqueduct

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Stonehenge at Daybreak

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Rivaux Abbey, Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Solway Moss

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Rivaux Abbey, Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Near Blair Athol, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

93. Standing Classical Nude

Creator:: George Romney, 1734–1802
Date:: mid-1770s
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 10 3/4 inches (49.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, Yale BA 1938

94. Mother, Child, and Nurse

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 10 1/4 x 10 3/4 inches (26 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Figure Composition Study

Creator:: George Romney, 1734–1802
Date:: mid-1790s
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 3/4 inches (19.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

96. Job and His Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

97. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

98. Illustrations of The Book of Job; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

99. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

100. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

YCBA Collections Search

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1. Borrowdale: Evening after a Fine Day, 1 October 1806

2. The Weald of Kent

3. Opening the Fold

4. Guildford

5. The Rock Slip near Boscastle

6. Study of Old Buildings

7. Plate X, Fowl Body, Lateral View

8. Human Skeleton, Lateral View

9. Human Skeleton, Anterior View

10. Owl Standing, Anterior View

11. Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles

12. Opposite Beni Hassan, Looking North

13. Gebel Sheikh Eredi

14. Dendera, 9:00 am, 15 January 1867 (156)

15. Dendera, 9:15 am, 15 January 1867 (157)

16. Rizaghat

17. Dawn on the Nile

18. Aswan

19. Shelaal, 2:30 am, 29 January 1867 (260)

20. Shelaal, 5:30 am, 29 January 1867 (264)

21. Dehmyt, 7:30 am, 31 January 1867 (278)

22. Near Gamille

23. Near Tapha, 9:45 am, 31 January 1867 (287)

24. Near Sabooa

25. Korosko

26. Between Derr and Ibreem

27. (Swindern's Parrakeet) (Plate 42)

28. Near Abu Simbel

29. Near Wady Halfeh

30. Abu Seer, Wady Halfeh

31. Faras Westbank

32. Abu Simbel

33. Abu Simbel

34. Ibreem

35. Villa d'Este

36. Sketchbook of Shipping Scenes, from August 1845 to July 1846

37. Windsor Castle

38. Leonessa, 3 October 1844

39. London from Greenwich

40. Man with Horse and Cart Entering a Quarry

41. St. Augustine's Gate, Canterbury

42. Interior of St. John's Palace, Eltham

43. The Bridge over the River Rye at Helmsley, with the Castle Beyond

44. Christ Church Gate, Canterbury

45. The Drawing of the Clyde

46. Winchelsea, Sussex

47. The Woman and Tambourine

48. Frontispiece to the 'Liber Studiorum'

49. London from Greenwich

50. London from Greenwich

51. Procris and Cephalus

52. Calm

53. Calm

54. Calm

55. Bonneville, Savoy

56. Dumbarton Rock

57. Crowhurst

58. Dumbarton Rock

59. River Wye

60. Entrance of Calais Harbour

61. Raglan Castle

62. The Source of the Arveron in the Valley of Chamouni, Savoy

63. The Source of the Arveron in the Valley of Chamouni, Savoy

64. Bonneville, Savoy

65. Ben Arthur, Scotland

66. Apuleia in Search of Apuleius

67. Apuleia in Search of Apuleius

68. The Temple of Jupiter in the Island of Aegina

69. The Stork and Aqueduct

70. Stonehenge at Daybreak

71. Rivaux Abbey, Yorkshire

72. Dumblain Abbey, Scotland

73. Entrance of Calais Harbour

74. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham