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George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth Beer Street
William Hogarth, 1697–1764
Beer Street
1751
William Hogarth Mr. Garrick in the Character of Richard III
after William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
William Hogarth John Wilkes, Esq.
William Hogarth, 1697–1764
John Wilkes, Esq
1763
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake The Serpent Attacking Buoso Donati (Plate 5)
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
William Blake Dante Striking against Bocca Degli Abati (Plate 7)
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Job and His Family Restored to Prosperity
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1826
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake Illustrations of The Book of Job; Title Page
Print made by William Blake, 1757–1827
Illustrations of The Book of Job; Title Page
1826
William Blake Satan Smiting Job with Sore Boils
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1826
William Blake Job and His Family
Print made by William Blake, 1757–1827
Job and His Family
1826
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake Europe a Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
William Blake Satan before the Throne of God
Print made by William Blake, 1757–1827
Satan before the Throne of God
1826
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Romney Two Studies of a Prostrate Woman, possibly Santa Cecilia
George Romney, 1734–1802
Two Studies of a Prostrate Woman, possibly Santa Cecilia
1770s
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
Frederick Catherwood Maya Stela at Copan, Honduras
Frederick Catherwood, 1799–1854
Maya Stela at Copan, Honduras
1843
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809
View in Wales
undated
Francis Nicholson Stourhead, Wiltshire
after Francis Nicholson, 1753–1844
Stourhead, Wiltshire
undated
Maria Turner Norwich Catherdral, Ambulatory
Maria Turner
Norwich Catherdral, Ambulatory
1814
John Hoppner Portrait Study of a Young Man, possibly Frank Issom
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
undated
William Green Landscape, Castle by a River
William Green, 1760–1823
Landscape, Castle by a River
undated
William Green View of Lakes Buttermere and Crummock Water
William Green, 1760–1823
View of Lakes Buttermere and Crummock Water
1803
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
Charles Gore Herstmonceux
Charles Gore, 1729–1807
Herstmonceux
1787
Lewis Vaslet The Spoiled Child, Scene V
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Benjamin West Design for a Wall of the Chapel of Revealed Religion
Benjamin West, 1738–1820
Design for a Wall of the Chapel of Revealed Religion
ca. 1780
Canaletto The City of Westminster from Near the York Water Gate
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
Nicholas Pocock The Sailor's Departure
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
Paul Sandby The Queen Elizabeth Gate
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
Sir James Thornhill Design for Ceiling Walls and Staircase
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
James Bruce Temple at Thignica Modern, Ain Tunga now totally Destroyed
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
James Bruce Rocks
James Bruce, 1730–1794
Rocks
ca. 1769
James Bruce Corinthian Temple at Assuras
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
James Bruce XXIV Lybian Mausoleum at Dougga
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
James Bruce Temple of Jupiter and Minerva, Thugga
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
James Bruce Cisterns at Carthage
James Bruce, 1730–1794
Cisterns at Carthage
undated
James Bruce Plan of upright of the semi circular Exedra of Temple at Baalbec
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
James Bruce Order of the two courts of the Temple at Baalbec
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
William Bernard Cooke Hurstmonceux Castle
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
Daniel Lysons Portrait of James Good, M.D. of New College Oxford
Daniel Lysons, 1762–1834
Portrait of James Good, M.D. of New College Oxford
between 1796 and 1811
Daniel Lysons Memorial to Nathaniel Crewe from Feltham Church
Daniel Lysons, 1762–1834
Memorial to Nathaniel Crewe from Feltham Church
between 1796 and 1811
Daniel Lysons Memorial to Mary Gardiner from Hampton Church
Daniel Lysons, 1762–1834
Memorial to Mary Gardiner from Hampton Church
between 1796 and 1811
Daniel Lysons Memorial to George Tilson from Hampton Church
Daniel Lysons, 1762–1834
Memorial to George Tilson from Hampton Church
between 1796 and 1811
Daniel Lysons Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
Daniel Lysons, 1762–1834
Memorial to Mrs. Elizabeth Lardner, from Stanwell Church
between 1796 and 1811
James Sowerby Bantam Cock and Farmpails
James Sowerby, 1756–1822
Bantam Cock and Farmpails
1820
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Frederick Catherwood Ruins at Sabachtsche
Frederick Catherwood, 1799–1854
Ruins at Sabachtsche
undated
Daniel Lysons Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church
Attributed to Daniel Lysons, 1762–1834
Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church
between 1796 and 1811
James Tibbits Willmore Alnwick Castle, Northumberland
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
James C. Allen Ehrenbreitstein, During the Demolition of the Fortress in 1817
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1824