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1
- Rome from San Spirito
- undated
2
- A Sussex Barn
- 1908
3
- Death of the Doe
- 1817
4
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
5
- A Rake's Progress, Plate V: He Marries
- 1735
6
- The Enraged Musician
- 1741
7
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
8
- Analysis of Beauty, Plate II: A Country Dance
- 1753
9
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
10
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
11
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
12
- The Enraged Musician
13
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
14
- The Deluge
- between 1813 and 1823
15
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
16
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
17
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
18
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
19
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
20
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
21
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
22
- Joseph and Potiphar's Wife
- 1803 to 1805
23
- Val di Roppa, Corfu, 22 May 1868
- 1868
24
- Santa Decca, Corfu, 28 May 1848 (126)
- 1848
25
- Corpo di Cava, 28 June 1838
- 1838
26
- Two Standing Youths
- late 1770s
27
- John Howard Visiting a Lazretto
- 1790
28
- Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
- late 1770s
29
- Prison Scene
- 1790
30
- Edinburgh Castle
- 1826
31
- Crichton Castle
- 1822
32
- Edinburgh from Leith Harbour
- 1826
33
- Tantallon Castle
- 1822
34
- Whitby
- ca. 1844
35
- Brass Plate for William and Jane Smith from Enfield Church
- between 1796 and 1811
36
- Memorial to Anthony and Katherine Nourse from Fulham Church
- between 1796 and 1811
37
- Memorial to Henry Dixon and Barbara, his Wife from Enfield Church
- between 1796 and 1811
38
- Memorial to Thomas Bonde from Fulham Church
- between 1796 and 1811
39
- Memorial to Thomas Lant also to Robert Harington from Hornsey Church
- between 1796 and 1811
40
- Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler
- between 1796 and 1811
41
- Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church
- between 1796 and 1811
42
- Memorials to Richard Carmarden and Thomas Wigg, Chislehurst
- between 1796 and 1811
43
- Brass Plate Monument for John Stockton, West Wickham Church
- between 1796 and 1811
44
- Brass plate for Sir John Andrew, from Hayes Church
- between 1796 and 1811
45
- The Environs of London: Brass plate for a Rector, illegible inscription, form Hayes Church
- between 1796 and 1811
46
- The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church
- between 1796 and 1811
47
- Brass Plate for John Heygge, from Hayes Church
- between 1796 and 1811
48
- 1 of 2 finished drawings of Arch at Hydra and a double page of details
- undated
49
- Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves
- undated
50
- View of Oxford from the South Side of Heddington Hill
- 1808
51
- View of the Cathedral of Christ Church, and Part of Corpus Christi College
- 1808
52
- Pl. IX Arch of Caracalla at Tebessa
- undated
53
- Pl. VIII Temple of Jupiter at Tebessa
- undated
54
- Seated Male Nude
- 1738
55
- Drifting
- 1885
56
- Portrait of a Judge
- undated
57
- Mrs. Smith
- 1783
58
- Miss Thompson
- ca. 1800
59
- Lavinia Bingham, Countess Spencer
- 1804
60
- Grolier with the Printer Aldus Manutius
- 1882
61
- Lady Gorget raising Recruits for Cox Heath
- 1781
62
- Damon and Pastora
- 1786
63
- Edwin
- 1776
64
- Noon
- 1758
65
- Morning
- 1758
66
- Teague's Ramble at Charing Cross
- 1747
67
- The Lover's Disguise
- 1782
68
- Archery
- 1794
69
- The Tenant's Daughter
- 1798
70
- Susanna and the Elders
- between 1670 and 1690
71
- St. Paulus
- between 1680 and 1690
72
- Hercules before the Temple of Janus
- between 1680 and 1690
73
- The Engineer
- ca. 1770
74
- Susanna and the Elders
- 1769
75
- Night
- 1758
76
- Virgin and Child
- undated
77
- Masquerade
- undated
78
- Venus Bathing
- undated
79
- Le depart de l'Enfant Prodigue
- undated
80
- L'Enfant Prodigue exigeant sa legitime
- undated
81
- Rejouissances pour le Retour de l'Enfant Prodigue
- undated
82
- L'Enfant Prodigue dans la plus grande Misere
- undated
83
- Vice Admiral Colpoys
- 1797
![John Faber the Younger Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew](https://media.collections.yale.edu/thumbnail/ycba/d2350461-bf7f-4c88-8c51-84d76ade2c40)
84
- Tomo Chachi Mico, or King of Yamacraw, and Tooanahowi [sic], His Nephew
- ca. 1734
85
- The Striking Likeness or Harlequin Turn'd Painter
- 1770s to 1790s
86
- Mon Seigneur Le Cox with his Snuff & Snuff Box
- 1774
87
- Virgin and Child
- undated
88
- Laugh and Grow Fat
- undated
89
- A Jewess
- undated
90
- Two Seated Women Reading a Letter
- undated
91
- The Element of Fire
- undated
92
- Evening
- 1758
93
- Girls Singing
- undated
94
- Spring
- undated
95
- Domestick Amusement: Playing the Guitar
- undated
96
- Winter
- undated
97
- Autumn
- undated
98
- Woman Sewing
- undated
99
- The Ragged Concert
- 1770
100
- The Lord of the Vineyard Paying His Labourers
- 1771