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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Lago d'Iseo
Edward Lear, 1812–1888
Lago d'Iseo
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
William Blake The Book of Thel, Title Page (Plate 2)
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 16)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 27)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake "Los howld in a dismal stupor..." (Plate 10)
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 11)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
William Blake Los Falls through Fire (Plate 21)
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake The First Book of Urizen, Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
George Romney Woman Attending Recumbent Man
George Romney, 1734–1802
Woman Attending Recumbent Man
undated
George Romney Young Man with Two Younger Women
George Romney, 1734–1802
Young Man with Two Younger Women
late 1770s
George Romney Scene in Hell
George Romney, 1734–1802
Scene in Hell
1790s
George Romney Study of a Reclining Nude Woman
George Romney, 1734–1802
Study of a Reclining Nude Woman
1790
George Romney Study for a Portrait of an Officer
George Romney, 1734–1802
Study for a Portrait of an Officer
undated
George Romney Three Women
George Romney, 1734–1802
Three Women
1770s
George Romney Study for a Full Length Portrait of a Woman Standing on a Staircase
George Romney, 1734–1802
Study for a Full Length Portrait of a Woman Standing on a Staircase
1770s
George Romney Seated Woman with Child
George Romney, 1734–1802
Seated Woman with Child
late 1790s
Sir John Gilbert Wayfarers
Sir John Gilbert, 1817–1897
Wayfarers
undated
James Holland The Zattere, Sunset
James Holland, 1799–1870
The Zattere, Sunset
undated
Mary Harcourt Tournon Opposite to Teint on the Rhone
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
Charles Gore Hubertusburg Château
Charles Gore, 1729–1807
Hubertusburg Château
undated
John Hassell Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.
John Hassell, 1767–1825
Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq
ca. 1812
John Hassell The Entrance to King John's Palace, Eltham, Kent
John Hassell, 1767–1825
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
Julius Caesar Ibbetson Study of a Woman Seated on a Horse
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
Samuel Howitt Deer Before a Thicket
Samuel Howitt, 1756–1822
Deer Before a Thicket
undated
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
Charles Green The Visiting Card - Langham Sketching Club Subject
Charles Green, 1840–1898
The Visiting Card - Langham Sketching Club Subject
undated
Francis Hayman Standing Figure of a Lady
Francis Hayman, 1707/8–1776
Standing Figure of a Lady
undated
Sir George Hayter Stormy Sunset, Legh Park, Wiltshire
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
John Hassell Sluice House, Hornsey, Middlesex
John Hassell, 1767–1825
Sluice House, Hornsey, Middlesex
ca. 1812
William Payne Distant View of Exmouth from Exeter
William Payne, active 1850s
Distant View of Exmouth from Exeter
undated
William Payne On the River Tivy, near Cardigan, Wales
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
Giles F. Phillips Storm Over a Coast
Giles F. Phillips, 1780–1867
Storm Over a Coast
undated
George Jones Interior of a Blacksmith's Forge
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
George Jones Cliffs and a Cove
attributed to George Jones, 1786–1869
Cliffs and a Cove
1813
Isaac Oliver Classical Study with Numerous Nude Figures
Isaac Oliver, ca. 1565–1617
Classical Study with Numerous Nude Figures
undated
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
William Pars A Glade in a Wood
William Pars, 1742–1782
A Glade in a Wood
undated
unknown artist Ram and Two Sheep
unknown artist
Ram and Two Sheep
undated
Thomas Streatfield Wanstead House, Essex
Thomas Streatfield, 1777–1848
Wanstead House, Essex
1807
Robert Streatfeild Stowe House, Buckingham
Robert Streatfeild, 1786–1852
Stowe House, Buckingham
1797
unknown artist Shed
unknown artist
Shed
undated
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
Francis Nicholson Cader Idris, North Wales
Francis Nicholson, 1753–1844
Cader Idris, North Wales
undated
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
John Nixon On the Sands at Brighton: Figures Walking on the Shore
John Nixon, ca. 1760–1818
On the Sands at Brighton: Figures Walking on the Shore
undated
James Wyatt Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790