The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
2
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
3
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
4
Imitator of James Gillray, 1756–1815
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
5
James Gillray, 1756–1815
A London Street Crier
undated
6
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
7
unknown artist
Four Figures on a Sheet
undated
8
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
9
Charles Williams, active 1796–1830
The Union Club
undated
10
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
11
James Gillray, 1756–1815
Evacuation Before Resignation
1782
12
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
13
James Gillray, 1756–1815
A Morning Ride
1804
14
James Gillray, 1756–1815
The Republican - Attack
1795
15
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
16
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
17
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
18
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
19
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
20
James Gillray, 1756–1815
A Man of Importance
1799
21
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
22
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
23
James Gillray, 1756–1815
Independence
1799
24
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
25
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
26
James Gillray, 1756–1815
A Portrait ------------
1799
27
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
28
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
29
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
30
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
31
James Gillray, 1756–1815
A Hackney Meeting
1796
32
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
33
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
34
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
35
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
36
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
37
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
38
James Gillray, 1756–1815
Patience on a Monument
1791
39
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
40
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
41
James Gillray, 1756–1815
A Uniform Whig ---
1791
42
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
43
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
44
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
45
James Gillray, 1756–1815
The Royal Academy
1786
46
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
47
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
48
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
49
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
50
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
51
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
52
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
53
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
54
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
55
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
56
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
57
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
58
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
59
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
60
James Gillray, 1756–1815
Destruction of the French Collossus
1798
61
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
62
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
63
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
64
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
65
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
66
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
67
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
68
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
69
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
70
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
71
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
72
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
73
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
74
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
75
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
76
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
77
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
78
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
79
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
80
James Gillray, 1756–1815
The Friendly Agent
1787
81
James Gillray, 1756–1815
The Bubbles of Opposition
1788
82
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
83
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
84
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
85
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
86
James Gillray, 1756–1815
John Bull Triumphant
1780
87
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
88
James Gillray, 1756–1815
The Triumphant Britons
1780
89
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
90
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
91
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
92
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
93
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
94
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
95
James Gillray, 1756–1815
Jack A Both Sides!
1783
96
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
97
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
98
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
99
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance