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1. Two Goblets and Mug

Creator:: Ben Nicholson, 1894–1982
Date:: 1967
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 x 13 1/4in. (27.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

2. Pisa (vertical)

Creator:: Ben Nicholson, 1894–1982
Date:: 1967
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 x 7 7/8in. (30.5 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

3. Pulling Up

Creator:: John R. Skeaping, 1901–1980
Date:: 1962
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 19 1/4 × 16 1/4 inches (48.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Open Ditch

Creator:: John R. Skeaping, 1901–1980
Date:: 1962
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 16 × 21 inches (40.6 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Coming Home Alone

Creator:: John R. Skeaping, 1901–1980
Date:: 1963
Materials & Techniques:: Watercolor and gouache on thick, rough, cream wove paper
Dimensions:: Sheet: 17 × 23 1/2 inches (43.2 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. No Danger

Creator:: John R. Skeaping, 1901–1980
Date:: 1963
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 18 3/4 × 15 inches (47.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Taking Down Steady

Creator:: John R. Skeaping, 1901–1980
Date:: 1963
Materials & Techniques:: Watercolor on thick, rough cream wove paper
Dimensions:: Sheet: 17 × 21 1/2 inches (43.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Setting Off, No. 1

Creator:: John R. Skeaping, 1901–1980
Date:: 1963
Materials & Techniques:: Watercolor on thick, rough, cream wove paper
Dimensions:: Sheet: 19 1/4 × 16 1/4 inches (48.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Imitation Australian

Creator:: John R. Skeaping, 1901–1980
Date:: 1962
Materials & Techniques:: Watercolor and gouache on thick, rough, white wove paper
Dimensions:: Sheet: 14 3/4 × 21 inches (37.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Study for the Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Graphite, squared for transfer
Dimensions:: Sheet: 11 3/4 x 11 1/4in. (29.8 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Pink Apron

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1904
Materials & Techniques:: Charcoal and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 9/16 × 10 1/2 inches (42.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 11/16 × 18 1/8 inches (37.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Meet, with further sketches in margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash heightened with white
Dimensions:: Sheet: 13 1/2 x 20 5/16in. (34.3 x 51.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Caller at the Mill, with sketches outside margin

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1918-1919
Materials & Techniques:: Crayon
Dimensions:: Sheet: 13 3/4 x 17 1/16in. (34.9 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Found, with further sketches in the margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash
Dimensions:: Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Fields Farm, Clayhidon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 14 7/8 inches (35.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hounds in Covert

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Black chalk and graphite, incised for transfer on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Hunt

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and red watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hay Carts, Cumberland Market (sketch)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 14 × 18 1/4 inches (35.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1893
Materials & Techniques:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Black chalk and graphite, incised for transfer; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 1/16 inches (34 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1898
Materials & Techniques:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1898
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 16 3/8 inches (28.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Sussex Cart Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1905 and 1906
Materials & Techniques:: Black crayon
Dimensions:: Sheet: 9 13/16 x 13 1/4in. (24.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Two Bridges

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1912-1913
Materials & Techniques:: Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Horse in Breton Yard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Charcoal on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Horse Dealers at the Barbican (Barbican No. 2)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Lithograph on handmade paper
Dimensions:: Sheet: 15 x 17in. (38.1 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Horse Dealers (Ward's Repository, No.1)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1919
Materials & Techniques:: Lithograph on laid paper
Dimensions:: Sheet: 14 x 18in. (35.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

34. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Simon Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Album Collection of Sixty-six Engravings after William Hogarth

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732 to 1793
Materials & Techniques:: Bound album of sixty six engravings on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. False Perspective Exemplified

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

50. A Rake's Progress, Plate 8: In Bedlam

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 3/4 inches (43.5 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

51. The Invasion, Plate 2: England

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 17 inches (36.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

52. A Harlot's Progress, Plate 1

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 5/8 inches (46.4 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

53. A Harlot's Progress, Plate 3

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

54. A Harlot's Progress, Plate 4

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

55. A Harlot's Progress, Plate 5

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

56. A Harlot's Progress, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 5/8 inches (46.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

57. Hanging by the Thumbs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

58. Moses Brought to Pharaoh's Daughter

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 20 3/4 inches (42.5 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

59. Crowns, Mitres, Maces, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1754
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 8 1/4 inches (24.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

60. The Invasion, Plate 1: France

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 19 1/4 inches (43.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

61. A Harlot's Progress, Plate 2

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 24 1/2 inches (46.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

62. Emerald Vessel

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1723
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 × 15 1/8 inches (12.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

63. Four Heads from the Raphael Cartoons at Hampton Court

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1781
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 18 1/8 inches (26 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

64. Paul before Felix

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 20 7/8 inches (42.5 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

65. The Stage-Coach, or A Country Inn Yard

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 15 1/4 inches (26 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

66. Paul before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching, engraving, and mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 21 inches (46.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

67. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching and engraving; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

68. Before

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 5/8 × 17 1/2 inches (57.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

69. After

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 17 1/2 inches (56.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

70. Tail Piece, or The Bathos

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 5/8 inches (46.4 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

71. Fustigatio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/4 inches (7.6 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

72. Decimation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 inches (7.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

73. Beheading

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 5/8 × 4 1/8 inches (6.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

74. Crucifixion, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 3 3/4 inches (7 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

75. Dismemberment, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 4 inches (7 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

76. Breaking the Legs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 3 3/4 inches (7 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

77. Fustium Admonitio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

78. Shameful Discharge

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/8 inches (7.3 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

79. Taking Away the Military Belt or Girdle

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 4 inches (7 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

80. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 1 5/8 × 3 inches (4.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

81. Cutting off the Nose

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 1 3/4 × 3 1/8 inches (4.4 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

82. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Pit of Disease: The Falsifiers (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Whirlwind of Lovers (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Anacreon Ode LII

Creator:: Print made by William Blake, 1757–1827
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 22 inches (55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Life, and Posthumous Writings, of William Cowper (volume 1)

Creator:: Prints made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Bound volume with engraved illustrations on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Collecton of seven engravings on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Gymnastics for Youth, or a Practical Guide to Healthful and Amusing Exercises

Creator:: Attributed to William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Bound volume with ten engravings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Book of Thel

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Eight hand-colored relief etchings printed in brown ink, with watercolor and pen and ink
Dimensions:: Spine: 12in. (30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Bound volume of seven prints on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 22 1/4 inches (56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Pastorals of Virgil, Volume 1

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Bound volume of wood-engravings and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Two Goblets and Mug

2. Pisa (vertical)

3. Pulling Up

4. Open Ditch

5. Coming Home Alone

6. No Danger

7. Taking Down Steady

8. Setting Off, No. 1

9. Imitation Australian

10. Study for the Horse Dealers

11. The Pink Apron

12. Sussex Cart Horse

13. The Meet, with further sketches in margin

14. The Caller at the Mill, with sketches outside margin

15. Found, with further sketches in the margin

16. Fields Farm, Clayhidon

17. The Flying Pack

18. Hounds in Covert

19. The Hunt

20. Hay Carts, Cumberland Market (sketch)

21. Study for Hay Carts, Cumberland Market

22. Horses Threshing, Pont Aven

23. Horse Dealers

24. The Meet

25. The Meet

26. Huntsman and Hounds

27. A Sussex Cart Horse

28. Two Bridges

29. Horse in Breton Yard

30. Horse Dealers at the Barbican (Barbican No. 2)

31. Horse Dealers (Ward's Repository, No.1)

32. The Early Ploughman

33. Christmas

34. The Early Ploughman

35. Christmas

36. Christmas

37. The Early Ploughman

38. The Early Ploughman

39. The Morning of Life

40. Opening the Fold

41. Opening the Fold

42. The Skylark

43. The Skylark

44. The Weary Ploughman

45. The Willow

46. The Skylark

47. Simon Lord Lovat

48. Album Collection of Sixty-six Engravings after William Hogarth

49. False Perspective Exemplified

50. A Rake's Progress, Plate 8: In Bedlam

51. The Invasion, Plate 2: England

52. A Harlot's Progress, Plate 1

53. A Harlot's Progress, Plate 3

54. A Harlot's Progress, Plate 4

55. A Harlot's Progress, Plate 5

56. A Harlot's Progress, Plate 6

57. Hanging by the Thumbs

58. Moses Brought to Pharaoh's Daughter

59. Crowns, Mitres, Maces, etc.

60. The Invasion, Plate 1: France

61. A Harlot's Progress, Plate 2

62. Emerald Vessel

63. Four Heads from the Raphael Cartoons at Hampton Court

64. Paul before Felix

65. The Stage-Coach, or A Country Inn Yard

66. Paul before Felix Burlesqued

67. A Midnight Modern Conversation

68. Before

69. After

70. Tail Piece, or The Bathos

71. Fustigatio

72. Decimation

73. Beheading

74. Crucifixion, etc.