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Samuel Palmer Rome from San Spirito
Samuel Palmer, 1805–1881
Rome from San Spirito
undated
Robert Polhill Bevan A Sussex Barn
Robert Polhill Bevan, 1865–1925
A Sussex Barn
1908
George Stubbs Death of the Doe
George Stubbs, 1724–1806
Death of the Doe
1817
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth John Wilkes Esq.
Print made by William Hogarth, 1697–1764
John Wilkes Esq
1763
William Hogarth A Rake's Progress, Plate 6: He Gambles
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 6: He Gambles
1735
William Hogarth Southwark Fair
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
William Hogarth The Enraged Musician
Print made by William Hogarth, 1697–1764
The Enraged Musician
1741
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
1751
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection
1751
William Hogarth Southwark Fair
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
William Hogarth A Rake's Progress, Plate 2: His Levee
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 2: His Levee
1735
William Hogarth A Rake's Progress, Plate 1: He Takes Possession
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 1: He Takes Possession
1735
William Hogarth A Rake's Progress, Plate 4: Goes to Court
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 4: Goes to Court
1735
William Hogarth A Rake's Progress, Plate 3: He Revels
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 3: He Revels
1735
William Hogarth A Rake's Progress, Plate 5: He Marries
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 5: He Marries
1735
William Hogarth A Rake's Progress, Plate 8: In Bedlam
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8: In Bedlam
1735
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection
1751
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
1751
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth Beer Street
Print made by William Hogarth, 1697–1764
Beer Street
1751
William Hogarth The Enraged Musician
Print made by William Hogarth, 1697–1764
The Enraged Musician
1741
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
Edward Lear Santa Decca, Corfu, 28 May 1848 (126)
Edward Lear, 1812–1888
Santa Decca, Corfu, 28 May 1848 (126)
1848
Edward Lear Corpo di Cava, 28 June 1838
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
William Blake Visions of the Daughters of Albion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
William Blake Visions of the Daughters of Albion; Title Page (Plate 2)
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
1790
George Romney John Howard Visiting a Lazretto
George Romney, 1734–1802
John Howard Visiting a Lazretto
1790
George Romney Two Standing Youths
George Romney, 1734–1802
Two Standing Youths
late 1770s
George Romney Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
late 1770s
William Hamilton Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
Sir Nicholas Hawksmoor Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
ca. 1690
Thomas Hearne Cottage
Thomas Hearne, 1744–1817
Cottage
undated
John Linnell Mrs. William Wilberforce and Child
John Linnell, 1792–1882
Mrs. William Wilberforce and Child
1824
Amelia Long Old Church and House
Amelia Long, 1762–1837
Old Church and House
undated
William Marlow The Amphitheater at Nimes
William Marlow, 1740–1813
The Amphitheater at Nimes
undated
William Marlow A Street in Florence with the Duomo and Campanile in the Background
William Marlow, 1740–1813
A Street in Florence with the Duomo and Campanile in the Background
ca. 1765
William H. Overend The Wreck of the Apollo Frigate, 1803
William H. Overend, 1851–1898
The Wreck of the Apollo Frigate, 1803
undated
Alfred Parsons Rocky Landscape
Alfred Parsons, 1847–1920
Rocky Landscape
undated
George Morland A Sportsman Loading His Gun
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Arthur Severn Ruskin's Residence, "Brandtwood", from Lake Coniston
Arthur Severn, 1842–1931
Ruskin's Residence, "Brandtwood", from Lake Coniston
undated
John Sanderson Unidentified Country House: Ground Floor Plan
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Ground Floor Plan
undated
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873
Hartwell, Buckinghamshire
1833
Thomas Rowlandson The Picnic
Thomas Rowlandson, 1756–1827
The Picnic
undated
unknown artist Unidentified Country House
unknown artist
Unidentified Country House
between 1700 and 1715
unknown artist A Regency House
unknown artist
A Regency House
undated
Adam Callander High Cliff Castle (Hants)
Adam Callander, active 1780–1811
High Cliff Castle (Hants)
undated
William Simpson The Ganges
William Simpson, 1823–1899
The Ganges
1863
unknown artist Portrait of a Man in a Full Bottomed Wig and Yellow Brocade Coat
unknown artist
Portrait of a Man in a Full Bottomed Wig and Yellow Brocade Coat
ca. 1680
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphis (four of four)
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
George Richmond Samuel Palmer
George Richmond, 1809–1896
Samuel Palmer
1830
Paul Sandby Caricature of George Bubb Dodington and Sir Thomas Robinson
Paul Sandby, 1731–1809
Caricature of George Bubb Dodington and Sir Thomas Robinson
ca. 1761
Jonathan Richardson the Elder Self-Portrait
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1730
John Gendall View of Westminster Hall and Abbey from the Bridge
John Gendall, 1790–1865
View of Westminster Hall and Abbey from the Bridge
1818
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
Augustus Edwin John Head of a Woman (The Artist's First Wife?)
Augustus Edwin John, 1878–1961
Head of a Woman (The Artist's First Wife?)
undated
Sir Stanley Spencer Deposition
Sir Stanley Spencer, 1891–1959
Deposition
1910
Edward John Gregory Drifting
Edward John Gregory, 1850–1909
Drifting
undated
Paul Arthur Hogarth Peep Show / 42 Street
Paul Arthur Hogarth, 1917–2001
Peep Show / 42 Street
undated
John Frederick Lewis Study of a Lioness
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
William Kent The Cascade at Chiswick House, Middlesex: Elevation and Plan
William Kent, ca.1686–1748
The Cascade at Chiswick House, Middlesex: Elevation and Plan
between 1720 and 1735
William Kent Design for an Unidentified Gothic Structure
attributed to William Kent, ca.1686–1748
Design for an Unidentified Gothic Structure
undated
George Barret The Acacia Tree - Figures in a Park
George Barret, ca. 1728/32–1784
The Acacia Tree - Figures in a Park
undated
George Barret Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
George Barret, ca. 1728/32–1784
Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
ca. 1775
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
Samuel Lover Notes at an Irish Election
Samuel Lover, 1797–1868
Notes at an Irish Election
undated
Alexander Monro Classical Landscape
Alexander Monro, 1802–1844
Classical Landscape
undated
Thomas Lound The Keep and Gate, Ludlow Castle, Shropshire
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
James Ward Study for the View of Cambridge from Castle Hill
James Ward, 1769–1859
Study for the View of Cambridge from Castle Hill
undated
William Simpson The Dilkoosha, Lucknow in the Distance
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
William Simpson Dust Storm Coming On, near Jeypore, Rajpootana
William Simpson, 1823–1899
Dust Storm Coming On, near Jeypore, Rajpootana
1863
George Robertson The Colosseum, Rome
George Robertson, 1749–1788
The Colosseum, Rome
undated
Sir George Howland Beaumont seventh Baronet Vatican from the road to Ponte Mola
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
Sir George Howland Beaumont seventh Baronet Temple of Venus Monday, March 18th, 1782
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus Monday, March 18th, 1782
1782
Henry William Bunbury Entrance to Pidcock's Exhibition Tent at a Fair
Henry William Bunbury, 1750–1811
Entrance to Pidcock's Exhibition Tent at a Fair
undated
Thomas Telford Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
Studio of Thomas Telford, 1757–1834
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
1819
Joseph Severn Caulking the Schooner, Falmouth Harbour
Joseph Severn, 1793–1879
Caulking the Schooner, Falmouth Harbour
undated
unknown artist The Destruction of Sodom and Gomorrah
unknown artist
The Destruction of Sodom and Gomorrah
undated
unknown artist H.M.S. 'Time' in Deptford Dry Dock
unknown artist
H.M.S. 'Time' in Deptford Dry Dock
1815
James Bruce No. 7 the interior part of the 3rd temple looking from the west front
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
James Bruce 1 of 2 finished drawings of Arch at Hydra and a double page of details
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
James Bruce Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots
James Bruce, 1730–1794
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots
undated
James Bruce Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves
James Bruce, 1730–1794
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves
undated
James Basire II A View of Worcester College &c.
Print made by James Basire II, 1769–1822
A View of Worcester College &c
1804
James Basire II View of Exeter College, All Saints Church, &c. from the Turl
Print made by James Basire II, 1769–1822
View of Exeter College, All Saints Church, &c. from the Turl
1806
James Basire II View of Oxford from the South Side of Heddington Hill
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808