On-site Access: Accessible in the Study Room / Period: 18th century / Height [cm]: 36

1. Beer Street

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 19 3/8 inches (66.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

2. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Analysis of Beauty, Plate II: A Country Dance

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

10. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

11. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

12. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 20 1/2 x 22in. (52.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale School of Music

13. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Two Standing Youths

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 9 1/4 inches (35.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

21. Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 8 1/8 inches (34 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

22. John Howard Visiting a Lazretto

Creator:: George Romney, 1734–1802
Date:: 1790
Materials & Techniques:: Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

23. Prison Scene

Creator:: George Romney, 1734–1802
Date:: 1790
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

24. Design for an Unidentified Gothic Structure

Creator:: attributed to William Kent, ca.1686–1748
Date:: undated
Materials & Techniques:: Graphite, pen and black ink with brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 8 1/8in. (35.6 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Mount Palatine

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1783
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:: Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Seated Male Nude

Creator:: John Vanderbank, 1694–1739
Date:: 1738
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 8 3/16 inches (35.9 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery and the Yale University Medical Library

28. The Colosseum, Rome

Creator:: George Robertson, 1749–1788
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on medium, slightly textured, beige wove paper laid down on card
Dimensions:: Sheet: 12 11/16 x 16 7/16 inches (32.2 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Acacia Tree - Figures in a Park

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 3/8 inches (35.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

Creator:: George Barret, ca. 1728/32–1784
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 18 1/2 × 23 1/2 inches (47 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. No. 7 the interior part of the 3rd temple looking from the west front

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Pl. IX Arch of Caracalla at Tebessa

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and black, brown ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 21 3/8 inches (36.2 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Sagittarius serpentarius (Secretary Bird)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Pl. VIII Temple of Jupiter at Tebessa

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 21 1/2 inches (36.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dieppe

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, red ink, green ink, brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 1/16 × 20 1/2 inches (38.3 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

36. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1789
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Miss Nelly O'Brien

Creator:: Print made by Samuel Okey, active 1765–1780
Date:: ca. 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Cartouche

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 11 3/16 inches (39.1 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. A Shepherd Boy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 11/16 x 11 15/16 inches (42.4 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Mrs. Chambers

Creator:: Print made by C. Corbutt
Date:: ca. 1756
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 11 7/16 inches (39.5 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Her Grace the Duchess of Devonshire, and the Rt Honble Lady Georgiana Cavendish

Creator:: Print made by George Keating, 1762–1842
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 17 1/4 inches (37.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Lady Fortescue

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on medium, slightly textured, laid paper
Dimensions:: Sheet: 14 9/16 × 10 3/8 inches (37 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Old Man Reading a Ballad

Creator:: Print made by Samuel Okey, active 1765–1780
Date:: 1787
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Alope

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 18 3/16 inches (35.5 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Phoebe Hoppner as Caroline de Lichtfield

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 11 9/16 inches (36.3 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. A Shepherdess

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. A Shower

Creator:: Print made by John Hoppner, 1758–1810
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/16 × 11 inches (38.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Mrs. Turner

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: ca. 1760
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/8 × 10 1/16 inches (35.9 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Catherine Trapaud

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1762
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 1/8 x 9 15/16 inches (35.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Miss Ann Parry

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Fragments of Architecture at Temple of Thignica Ain Tunga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 1 of 2 finished drawings of Arch at Hydra and a double page of details

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Neophron percnopterus (Egyptian Vulture)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Archery

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Lady Time Present and Lady Time Past

Creator:: Print made by unknown artist
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 x 11 1/4 inches (42.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Courtship for Money

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Noon

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Morning

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Night

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. The Italian Bird Catcher

Creator:: Print made by Johnson, active 1766
Date:: 1766
Materials & Techniques:: Mezzotint on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 11 1/4 inches (44.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. The Roguish Boy

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 × 10 13/16 inches (38.9 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Teague's Ramble at Charing Cross

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1747
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 9 15/16 inches (35.6 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. The Seamstress

Creator:: Print made by Richard Purcell, active 1746–1766
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Virgin and Child

Creator:: Print made by Richard Purcell, active 1746–1766
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 10 1/16 inches (35.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Laugh and Grow Fat

Creator:: Print made by Richard Purcell, active 1746–1766
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 10 7/16 inches (36.8 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. A Jewess

Creator:: Print made by Richard Purcell, active 1746–1766
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 7/8 × 11 7/8 inches (45.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Girl with Candle

Creator:: Print made by Richard Purcell, active 1746–1766
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. The Sleeping Beauty

Creator:: Print made by James Wilson, c.1735–c.1786
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 × 10 1/16 inches (36 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. The Brickdust Man

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/16 inches (35.9 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. L'Enfant Prodigue exigeant sa legitime

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 x 17 15/16 inches (36 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. L'Enfant Prodigue dans la plus grande Misere

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 1/4 x 18 inches (36.2 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Rejouissances pour le Retour de l'Enfant Prodigue

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/16 x 18 1/4 inches (36.3 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Domestic Employment: Needlework

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755 to 1760
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. The Striking Likeness or Harlequin Turn'd Painter

Creator:: Print made by unknown artist
Date:: 1770s to 1790s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 12 inches (47 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. April

Creator:: Print made by unknown artist
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 10 3/4 inches (43.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. July

Creator:: Print made by unknown artist
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 11 inches (43.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. August

Creator:: Print made by unknown artist
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 11 inches (43.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. November

Creator:: Print made by unknown artist
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 11 inches (43.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Deny It If You Can - Nine Taylors Makes a Man

Creator:: Print made by unknown artist
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 inches (41.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Feathered Fair, Feeding the Feathered Fowl

Creator:: Print made by unknown artist
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 11 5/8 inches (47 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Compliance

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Mon Seigneur Le Cox with his Snuff & Snuff Box

Creator:: Print made by unknown artist
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 1/8 inches (35.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Damon and Pastora

Creator:: Print made by unknown artist
Date:: 1786
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 1/2 inches (40.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Susanna and the Elders

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1769
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Sta. Maria Magdelena

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paaper
Dimensions:: Sheet: 14 3/16 x 10 1/8 inches (36.1 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Edwin

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 x 10 1/16 inches (36 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Morning

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Evening

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1758
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Spring

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 11 1/8 inches (39.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Domestick Amusement: Playing the Guitar

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 3/16 × 11 1/8 inches (41.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Winter

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 × 11 3/8 inches (39.4 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Autumn

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 11 5/16 inches (39.5 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk

Creator:: Print made by Nathaniel Hone, 1718–1784
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. The Lord of the Vineyard Paying His Labourers

Creator:: Print made by M. A. Picot, 1782–1838
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

99. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

100. Rochefort 1776

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, red ink, gray wash and graphite on thick, rough, beige laid paper
Dimensions:: Mount: 14 7/16 × 19 7/8 inches (36.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

YCBA Collections Search

Refine your search

Search Constraints

On-site Access Accessible in the Study Room

Period 18th century

Height [cm] 36

Search Results

1. Beer Street

2. A Rake's Progress, Plate II: His Levee

3. A Rake's Progress, Plate I: He Takes Possession

4. A Rake's Progress, Plate V: He Marries

5. The Enraged Musician

6. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

7. Analysis of Beauty, Plate II: A Country Dance

8. Analysis of Beauty, Plate I: A Statuary's Yard

9. The Fourth Stage of Cruelty: The Reward of Cruelty

10. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

11. The First Stage of Cruelty: Children Torturing Animals

12. The Enraged Musician

13. Visions of the Daughters of Albion; Title Page (Plate 2)

14. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

15. "And none but Bromian can hear my lamentations..." (Plate 6)

16. "But when the morn arose, her lamentation renewd..." (Plate 8)

17. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

18. Visions of the Daughters of Albion; Frontispiece (Plate 1)

19. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

20. Two Standing Youths

21. Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")

22. John Howard Visiting a Lazretto

23. Prison Scene

24. Design for an Unidentified Gothic Structure

25. Mount Palatine

26. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

27. Seated Male Nude

28. The Colosseum, Rome

29. The Acacia Tree - Figures in a Park

30. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

31. No. 7 the interior part of the 3rd temple looking from the west front

32. Pl. IX Arch of Caracalla at Tebessa

33. Sagittarius serpentarius (Secretary Bird)

34. Pl. VIII Temple of Jupiter at Tebessa

35. Dieppe

36. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

37. Set of sixteen: Outlines of Figures and Landscapes

38. Miss Nelly O'Brien

39. Cartouche

40. A Shepherd Boy

41. Mrs. Chambers

42. Her Grace the Duchess of Devonshire, and the Rt Honble Lady Georgiana Cavendish

43. Lady Fortescue

44. Old Man Reading a Ballad

45. Alope

46. Phoebe Hoppner as Caroline de Lichtfield

47. A Shepherdess

48. A Shower

49. Mrs. Turner

50. Catherine Trapaud

51. Miss Ann Parry

52. Fragments of Architecture at Temple of Thignica Ain Tunga

53. 1 of 2 finished drawings of Arch at Hydra and a double page of details

54. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots

55. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves

56. Neophron percnopterus (Egyptian Vulture)

57. Archery

58. Lady Time Present and Lady Time Past

59. Courtship for Money

60. Noon

61. Morning

62. Night

63. The Italian Bird Catcher

64. The Roguish Boy

65. Teague's Ramble at Charing Cross

66. The Seamstress

67. Virgin and Child

68. Laugh and Grow Fat

69. A Jewess

70. Girl with Candle

71. The Sleeping Beauty

72. The Brickdust Man

73. L'Enfant Prodigue exigeant sa legitime