On-site Access: Accessible in the Study Room / Date: 1853 / Image Use: Free to Use

George Bryant Campion, 1796–1870

Camp at Chobham, 1853 with Officers and Sentry

1853

Harry John Johnson, 1826–1884

Alicante, Spain

1853

Sir John Everett Millais, 1829–1896

The Blind Man

1853

Newton Limbird Smith Fielding, 1799–1856

Death

1853

Sir Edwin Henry Landseer, 1802–1873

Reading out the List of the Aberdeen Ministry

1853

Godfrey Thomas Vigne, 1801–1863

Fort Snelling

1853

George Richmond, 1809–1896

Margate, Great Cloud

1853

Sir John Everett Millais, 1829–1896

Accepted

1853

Sir John Everett Millais, 1829–1896

Rejected

1853

Frank W. Warwick Topham, 1838–1924

Coastal Landscape

undated

James Ward, 1769–1859

Snowdon, an Approaching Storm

1853

George C. Finden, 1811–1885

A Mythological Battle

1853

David George Thompson, active 1852–died 1870

Fox-hunting: Thomas Assheton Smith Esq

1853

Ford Madox Brown, 1821–1893

The Artist's Wife Emma, on her Wedding Day

1853

unknown artist

Kentish Town Chapel

1853

James Baylis Allen, 1803–1876

Westminster Bridge

1853

Print made by William Miller, 1796–1882

Venice, the Piazzetta

1853-1874

William Haydon Fuge, active ca. 1849–1866

Archdeacon Forster

1853

Thomas Henwood, 1797–1861

The Procession of the Lewes Bonfire Boys

1853

Print made by Thomas Picken, 1815–1870

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852

1853

Print made by Robert Brandard, 1805–1862

The Rhine - Neuwied and Weissenthurm

1853

Thomas Webster, 1800–1886

Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs

1853

James Baylis Allen, 1803–1876

London Bridge, 1745

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: The Start / Doe, Harkaway, Nun, Pontiff, General, Thurgarton, Physician, Dearest Mae, Ploughboy

1853

John Frederick Tayler, 1802–1889

Two Huntsmen

1853

Sir John Everett Millais, 1829–1896

Awful Protection Against Midges

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy

1853

Print made by William Miller, 1796–1882

Loch Achray

1853 reprint

Charles Denton, active 1853

Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy

1853

Charles Denton, active 1853

Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy

1853

Cornelius Varley, 1781–1873

Landscape with Windmill

1853

Print made by William Miller, 1796–1882

Venice, the Piazzetta

1853-1874

Print made by William Miller, 1796–1882

Venice, the Piazzetta

1853-1874

Print made by James Tibbits Willmore, 1800–1863

Farne Island - Shipwreck

1853-1874

Print made by James Tibbits Willmore, 1800–1863

Farne Island - Shipwreck

1853-1874

Print made by Henry J. Townsend, 1810–1890

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

unknown artist

The Rose in Fenchurch St. - Taken down in 1730

1853

William B. Rye, active 1851–1853

The Old Assembly House, Kentish Town

1853

unknown artist

Nakula Sahadeva Ratha, Mamallapuram

ca. 1858

unknown artist

Descent of the Ganges, Mamallapuram

ca. 1858

Henry White, 1819–1903

Study of Foreground near Betws-y-Coed

ca. 1858

Print made by George Baxter, 1804–1867

Australia, News from Home

1853

Richard Dadd, 1817–1886

Juvenile Members of the Yacht Club

1853

Richard Dadd, 1817–1886

Sketch for the Passions: Love

1853

Richard Dadd, 1817–1886

Sketch for the Passions: Jealousy

1853

Richard Dadd, 1817–1886

Sketch to Illustrate the Passions: Treachery

1853

Horatio Ross, 1801–1886

The Lone Pine Tree

ca. 1858

Horatio Ross, 1801–1886

The Lone Pine Tree

ca. 1858

unknown artist

Ganesha Ratha, Mamallapuram

ca. 1858

Augustus Hare, 1834–1903

From my First Rooms; Winter, St. Albans Hall

1853 to 1857

Augustus Hare, 1834–1903