On-site Access: Accessible in the Study Room / Date: 1824 - YCBA Collections Search Search Results

1. A Bridge near Salisbury Court, Perhaps Milford Bridge

Creator:: John Constable, 1776–1837
Date:: ca. 1829
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 x 13 1/8 inches (22.9 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Cornfields with Barn, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Cow Lodge with a Mossy Roof

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Folkestone Harbour and Coast to Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 7/8in. (28.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. H. Bone, Esqr., R.A.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1824
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Collection of Drawings Volume 1

Creator:: Anne Rushout, ca. 1768–1849
Date:: 1824 to 1832
Materials & Techniques:: watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/4 inches (18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Sir Thomas Lawrence's Painting Room in 1824

Creator:: Emily Calmady, 19th century
Date:: 1824
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Walking Dress, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1824
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 7 1/2 inches (21.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Coliseum, Rome

Creator:: Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:: 1824
Materials & Techniques:: Graphite camera lucida drawing on medium, smooth, cream wove paper
Dimensions:: Mount: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Antwerp Cathedral

Creator:: Sir John Frederick William Herschel, first Baronet, 1792–1871
Date:: 1824
Materials & Techniques:: Graphite camera lucida drawing on medium, smooth, cream wove paper mounted on sheet of cream wove paper
Dimensions:: Mount: 7 5/8 × 11 1/2 inches (19.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Mausoleum, at Trentham (the Seat of the Marquis of Stratford)

Creator:: Print made by John Gendall, 1790–1865
Date:: 1824
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

12. The Gothic Bridge of Eudes, Tours

Creator:: Print made by Henry Adlard, active 19th century
Date:: between 1824 and 1848
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

13. Untitled Images of Livestock, Plate 3

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

14. Untitled Images of Livestock

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

15. View from the Cowgate of the Buildings on the South of the Parliament Close

Creator:: Print made by Robert Scott, 1771–1841
Date:: 1824
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

16. Covent Garden Market

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

17. Cuyp

Creator:: Print made by John Young, 1755–1825
Date:: 1824
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

18. Shakspeare's Desk

Creator:: James Fahey, 1804–1885
Date:: 1824
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Sydney, New South Wales, S. View

Creator:: Print made by unknown artist
Date:: 1824
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

20. Untitled Images of Livestock, Plate 16

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

21. Untitled Images of Livestock, Plate 12

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

22. Untitled Images of Livestock, Plate 15

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

23. Untitled Images of Livestock, Plate 13

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

24. Untitled Images of Livestock, Plate 9

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

25. Untitled Images of Livestock, Plate 8

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

26. Untitled Images of Livestock, Plate 6

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

27. Untitled Images of Livestock, Plate 5

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

28. Untitled Images of Livestock, Plate 14

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1824
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

29. Turk on a Horse

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: undated
Materials & Techniques:: Pen and sepia ink
Dimensions:: Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. An Irish Tilting Match, or the Poissardes against the Poignards

Creator:: Henry Heath, active 1824–1835
Date:: 1824
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Creator:: J. W. Wageman, active 1824
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Study of Country Boys

Creator:: William Evans of Bristol, 1809–1858
Date:: undated
Materials & Techniques:: Watercolor and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 6 5/8 inches (18.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Study for Master William Wilberforce

Creator:: John Linnell, 1792–1882
Date:: 1824
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 x 6 1/4 inches (17.1 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of R. M. M. Pryor, Esq., (Hitchin, Herts), 1983.

52. A High Caste Woman Standing by a Wall

Creator:: William Daniell, 1769–1837
Date:: ca. 1829
Materials & Techniques:: Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Bramber Castle

Creator:: unknown artist
Date:: between 1824 and 1835
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hotel de Ville, Bruges

Creator:: John Coney, 1786–1833
Date:: 1824
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 14 7/8in. (24.4 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Figure Studies

Creator:: George Richmond, 1809–1896
Date:: between 1824 and 1896
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

56. Entrance to Calais Harbour

Creator:: David Cox, 1783–1859
Date:: ca. 1829
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Collection of Drawings Volume 2

Creator:: Anne Rushout, ca. 1768–1849
Date:: 1824 to 1832
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/4 inches (18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Collection of Drawings Volume 3

Creator:: Anne Rushout, ca. 1768–1849
Date:: 1824 to 1832
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/4 inches (18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Heads of Fisherman

Creator:: Joseph Stannard, 1797–1830
Date:: 1824
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 5 1/2 inches (24.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mount Honey, Fonthill, Wiltshire

Creator:: William Rider, active 1824–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Summer Room in the Artist's House at Patna

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1824
Materials & Techniques:: Watercolor and graphite, with pinpricks on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Entrance to the Hudson Highlands

Creator:: William Henry Bartlett, 1809–1854
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

63. The Winter Room in the Artist's House at Patna

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1824
Materials & Techniques:: Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Peat-Gatherers

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. A Welsh Funeral

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Lancaster Sands

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Outskirts of the Forest

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Changing Pasture

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Fashionable Bores, or Coolers in High Life

Creator:: Daniel Thomas Egerton, c.1800–1842
Date:: 1824
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. One of a set of 6 (3): A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. One of a set of 6 (4): A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. One of a set of 6 (6): A Day's Journal of a Sponge

Creator:: Peter Pasquin, active 1824–1826
Date:: 1824
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (5) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Dunbar

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 18 7/8 inches (33.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 1/2 inches (26.4 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Set of Seven: Shakespeare's Seven Ages of Man

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching, 1 leaf of letterpress and the original wrappers
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection