On-site Access: Accessible in the Study Room / Date: 1822 / Period: 19th century

Samuel Palmer, 1805–1881

A Moonlit Scene with a Winding River

ca. 1827

Samuel Palmer, 1805–1881

A Shepherd and his Flock under the Moon and Stars

ca. 1827

Aaron Edwin Penley, 1807–1870

River Landscape

undated

Aaron Edwin Penley, 1807–1870

Sheet of Studies of Deer, Figures and Landscape

undated

Henry Morton, ca. 1807–1825

The Fish Ponds

undated

Henry Morton, ca. 1807–1825

Windmill on the Sea Coast Near Hastings

undated

Aaron Edwin Penley, 1807–1870

Cloud Study

undated

Thomas Henry Wyatt, 1807–1880

Design for the Mechanics' Institution, Basingstoke: Elevation

undated

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

unknown artist

Heidelberg

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

Henry Morton, ca. 1807–1825

Ore Church and House

undated

Henry Morton, ca. 1807–1825

Strand Gateway, Winchelsea

undated

Henry Morton, ca. 1807–1825

St. Thomas' Church, Winchelsea

undated

James Ward, 1769–1859

A Stunted Oak

1822

unknown artist

Sale Notice of Capel House above (c)

1822

Bartholomew Howlett, 1767–1827

Interior of the Choir of St. Barts the Great

1822

unknown artist

West View of the Interior of St. Barts the Great

1822

Bartholomew Howlett, 1767–1827

Interior of the Choir of the Priory Church of St. Barts the Great

1822

unknown artist

West View of the Interior of the Chapel

1822

unknown artist

Interior of Salters Hall Meeting

1822

Charles Turner, 1774–1857

Coronation of King George IV in Westminster Abbey

1822

John Bluck, active 1791–1831

The Quadrant, Regent Street

1822

unknown artist

Richmond, from the Duke of Buedeugh's Garden, Western Suburb

1822

Charles J. Hullmandel, 1789–1850

Richmond, from Petersham Fields

1822

unknown artist

West Entrance to the Tunnell, Regent's Canal, Islington

1822

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

Robert Smirke, 1752–1845

Viola and Olivia

1822

Robert Smirke, 1752–1845

Malvolio abusing Maria, Fabian and Sir Toby

1822

Robert Smirke, 1752–1845

Feste, as Sir Topas, addressing Malvolio

1822

Robert Smirke, 1752–1845

Isabella and Mariana Kneeling Before the Duke

1822

Print made by Edward Calvert, 1799–1883

The Bacchante

ca. 1827

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Joseph Nash, 1808–1878

Street Activity

ca. 1827

Joseph Nash, 1808–1878

Fashionable Men and Women Conversing

ca. 1827

John Baverstock Knight, 1785–1859

Studland Dock Yard

1822

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

unknown artist

Sir John Hawkins Knt

1822

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

William Henry Hunt, 1790–1864

A Dead Hare and a Cooked Lobster on a Bench

ca. 1827

Sir George Hayter, 1792–1871

Kitchen: Interior, Stone Crouch

1822

Robert Smirke, 1752–1845

Tempest

1822

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Robert Smirke, 1752–1845

Olivia and Maria

1822

William Heath, 1795–1840

A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge

1822

Matthew Dubourg, active 1786–1838

Stage Coach

1822

Charles Turner, 1774–1857

The Hampshire Hunt

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Henry Thomas Alken, 1785–1851

Foxhunting: The Start

1822

Henry Thomas Alken, 1785–1851

Foxhunting: The Meet

1822

Henry Thomas Alken, 1785–1851

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

between 1822 and 1827

Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Henry Thomas Alken, 1785–1851

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory

between 1822 and 1827

Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Henry Thomas Alken, 1785–1851

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827

Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Henry Thomas Alken, 1785–1851

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

between 1822 and 1827