On-site Access: Accessible in the Study Room / Date: 1812 - YCBA Collections Search Search Results

101. Hackney Church and Chapel

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. St. Botolph, Bishopsgate

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. St.Clement's, Eastcheap United with St. Martin Organs

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/4 x 8 1/2in. (23.5 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Memorials - South Aisle

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1812
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Fourth and Fifth Window North Aisle

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Various Memorials in Westminster

Creator:: J. R. Hamble, active 1775–1825
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. St. Nicholas Chapel Westminster Abbey

Creator:: John Bluck, active 1791–1831
Date:: 1812
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. West Windows, Westminster Abbey

Creator:: J. R. Hamble, active 1775–1825
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. North Aisle Henry seventh Chapel

Creator:: Thomas Sunderland, 1744–1828
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Screen over the Chantry of Henry the Fifth

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Screen of Edward the Confessor

Creator:: George Robert Lewis, 1782–1871
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Autumn - Sowing Grain

Creator:: Print made by John Hassell, 1767–1825
Date:: 1812
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Autumn - Sowing Grain

Creator:: Print made by John Hassell, 1767–1825
Date:: 1812
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Autumn - Sowing Grain

Creator:: Print made by John Hassell, 1767–1825
Date:: 1812
Materials & Techniques:: Etching and aquatint, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 15 5/8 inches (30.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Autumn - Sowing Grain

Creator:: Print made by John Hassell, 1767–1825
Date:: 1812
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 7/8 inches (29.5 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Hammersmith Church

Creator:: H. Summons, active 1812
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Southwark Bridge

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Hampton Wick

Creator:: Print made by Henry Bellenden Ker, active ca. 1812–ca. 1852
Date:: 1812
Materials & Techniques:: Etching on thin, slightly textured, beige wove paper
Dimensions:: Plate: 4 1/8 x 5 3/4in. (10.5 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

119. The Hon. Samuel Barrington, 1729/30-1800

Creator:: Print made by Gaetano Stefano Bartolozzi, 1757–1821
Date:: 1812
Materials & Techniques:: Soft-ground etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 9 inches (34.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

120. North East view of Billingsgate

Creator:: Thomas Lord Busby, active 1804–1837
Date:: 1812
Materials & Techniques:: Engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 3/8 × 10 1/8 inches (16.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. South View of the Cold Baths, Cold Bath Field

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/4 x 8 1/4in. (17.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street

Creator:: Richard Sawyer, active 1820–1830
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/16 x 11 7/8in. (38.9 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. N. W. View of Clapham Church

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/4 x 10 1/4in. (21 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. St. James, Dukes Place

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 x 8 15/16in. (22.9 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. St. Katherine, Colman Street

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 9 3/16 x 9 3/8in. (23.3 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Leadenhall Chapel

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 x 9 1/2in. (30.2 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. St. Mary, Aldermary

Creator:: William Wise, Active 1823–1876
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 6 7/8in. (29.8 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. St. Mary, Woolnoth

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 5/8 x 7 5/8in. (29.5 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. St. Michael Queen-Lithe

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 5/8 x 10 1/2in. (34.6 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. St. Mary, Abchurch

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 x 6 3/4in. (27.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. St. Michael Paternoster Royal

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/4 x 7 1/4in. (29.8 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. St. Michael's Crooked Lane

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 1/8 x 7 1/4in. (28.3 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. St. Mildred's Poultry

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 10 3/8in. (31.1 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. St. Nicholas Cole Abbey

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 5/8 x 7 1/4in. (29.5 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Porch of Henry seventh Chapel

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

136. Tomb - Queen Eleanor

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

137. West Side of St. Erasmus Chapel

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. West View of St. Nicholas Chapel

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Memorials - South Aisle

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. St. Swithin

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. All Hallows Lombard Street

Creator:: William Wise, Active 1823–1876
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 x 7 1/4in. (30.2 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. All Hallows the Great

Creator:: Joseph Skelton, active 1820–1850
Date:: 1812
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 5/8 x 10 1/2in. (34.6 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Norman House, Northend, Fulham

Creator:: Simon Watts, active 1812
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Interior Quadrangle of the Bishop of London's Palace

Creator:: Simon Watts, active 1812
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Bishop of London's Palace, Fulham

Creator:: Simon Watts, active 1812
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Worcester

Creator:: Print made by William John Cooke, 1797–1865
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Frankley Chapel, S. E., Worcestershire

Creator:: Print made by James Basire II, 1769–1822
Date:: 1812
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Remains of Dudley Priory, Worcestershire

Creator:: Thomas A. Woolnoth, 1785–1857
Date:: 1812
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Sir Harry Burrard-Neale, 2nd Baronet

Creator:: Charles Turner, 1774–1857
Date:: 1812
Materials & Techniques:: Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 1/2 inches (37 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Sir Henry Moncrieff Willwood

Creator:: Charles Turner, 1774–1857
Date:: 1812
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 13 13/16 inches (49.5 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. A View of the South Front of the North Side of the Marshalsea Prison

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Interior of the King's Bench Prison

Creator:: Thomas Lord Busby, active 1804–1837
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. The Talbot Inn, Borough High Street, Southwark

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Steel Yard and Church, Thames Street

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. The Right Honourable Spencer Perceval

Creator:: Charles Turner, 1774–1857
Date:: 1812
Materials & Techniques:: Mezzotint and steel engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/16 × 13 1/8 inches (48.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1812
Materials & Techniques:: Stipple engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/16 × 16 3/8 inches (54.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Lady Dalrymple Hamilton

Creator:: John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 16 3/8 inches (55.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Lady Katherine Sophia (née Manners) Heathcote

Creator:: John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 16 1/16 inches (54 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort

Creator:: Anthony Cardon, 1772–1813
Date:: 1812
Materials & Techniques:: Stipple engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/16 × 15 13/16 inches (53.8 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Anne (née Bermingham) Caulfield, Countess of Charlemont

Creator:: Print made by John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/8 × 16 3/16 inches (54.9 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Mary Isabella, Duchess of Rutland

Creator:: Anthony Cardon, 1772–1813
Date:: 1812
Materials & Techniques:: Etching and stipple engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/16 × 16 1/8 inches (54.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Sleeping Boy

Creator:: John Summerfield, active 1817?
Date:: 1812
Materials & Techniques:: Line gnraving and stiplle engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 16 5/16 inches (32.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Brick Archway Adjoining the Great Gateway of St. Augustine's Monastery, Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1812
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 1/8 inches (17.1 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Undercroft, Cathedral of Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1812
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 1/2 inches (18.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Original Wrapper for : NO / OF/ LIBER STUDIORUM: ILLUSTRATIVE OF/ LANDSCAPE COMPSITIONS,/VIZ.../ by J.M.W. Turner, R.A.

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Westerham Mill, Kent

Creator:: unknown artist
Date:: 1812
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 13 7/8 x 10 1/4in. (35.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

167. George Vertue, Engraver

Creator:: Print made by James Basire II, 1769–1822
Date:: 1812
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 7 11/16 inches (28.1 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Richard Wilson

Creator:: William Bond, active 1772–1831, died 1842
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Preparatory sketch for 'Dr Syntax Sketching the Lake'

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1812
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Surprise

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Scold, with News of Olivia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Dr Syntax Alarmed by a Whale

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1812
Materials & Techniques:: Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Album B1977.14.9345-9394.Select Views in Saxony, France, Spain, Elba, Italy, Sicily, from original Drawings made on the spot by Sir Richard Colt Hoare, Bart., reduced and coloured by John Smith.

Album B1977.14.9345-9394.Select Views in Saxony, France, Spain, Elba, Italy, Sicily, from original Drawings made on the spot by Sir Richard Colt Hoare, Bart., reduced and coloured by John Smith.

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: ca. 1817
Materials & Techniques:: Album of drawings
Dimensions:: Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Clare College, Cambridge, From the Backs

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1812
Materials & Techniques:: Watercolor, pen and gray ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Dr. Syntax Sketching the Lake

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1812
Materials & Techniques:: Watercolor with pen and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 5/16 inches (13.7 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Fortune-Telling

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. The Dance

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. A Tandem

Creator:: R. Hixon, active 1813
Date:: 1812
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Barouche

Creator:: R. Hixon, active 1813
Date:: 1812
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. A Tandem

Creator:: R. Hixon, active 1813
Date:: 1812
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 18 3/4in. (47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. [Fox Hunting] Hunters at Grass; The Property of John Micklethwait Esq.

Creator:: William Ward, 1766–1826
Date:: 1812
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 20 1/2 x 23 3/8in. (52.1 x 59.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. View of Lambeth Chapel

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1812
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. North East View of Parts of the Chapel and Granary of Leadenhall

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. [Golf] Henry Callender Esq're. To the Society of Goffers at Blackheath

Creator:: William Ward, 1766–1826
Date:: 1812
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 25 1/2 x 16 13/16in. (64.8 x 42.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Our Saviour healing the sick in the Temple

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Plate: 22 1/2 x 30 1/2 inches (57.2 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Our Saviour healing the sick in the Temple

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Plate: 22 1/2 x 30 1/2 inches (57.2 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Houses on the South SIde of a Street called London Wall

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Landscape Near Newmarket, Suffolk

Creator:: Possibly Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1812
Materials & Techniques:: Watercolor with gold gilded border on sheet and white goache border line on mount on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 x 5 15/16 inches (5.1 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: Print made by James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 3/16 × 16 1/16 inches (38.5 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. The Cross and Moot Hall at Ipswich

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/2 x 20 3/4in. (41.9 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. [One from] Views in Saxony, France, Spain, Reba, Italy, Sicily...

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: ca. 1817
Materials & Techniques:: Watercolor and black ink over graphite on wove paper
Dimensions:: Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. [One from] Views in Saxony, France, Spain, Reba, Italy, Sicily...

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: ca. 1817
Materials & Techniques:: Watercolor and black ink over graphite on wove paper
Dimensions:: Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1812

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101. Hackney Church and Chapel

102. St. Botolph, Bishopsgate

103. St.Clement's, Eastcheap United with St. Martin Organs

104. Memorials - South Aisle

105. Fourth and Fifth Window North Aisle

106. Various Memorials in Westminster

107. St. Nicholas Chapel Westminster Abbey

108. West Windows, Westminster Abbey

109. North Aisle Henry seventh Chapel

110. Screen over the Chantry of Henry the Fifth

111. The Screen of Edward the Confessor

112. Autumn - Sowing Grain

113. Autumn - Sowing Grain

114. Autumn - Sowing Grain

115. Autumn - Sowing Grain

116. Hammersmith Church

117. Southwark Bridge

118. Hampton Wick

119. The Hon. Samuel Barrington, 1729/30-1800

120. North East view of Billingsgate

121. South View of the Cold Baths, Cold Bath Field

122. View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street

123. N. W. View of Clapham Church

124. St. James, Dukes Place

125. St. Katherine, Colman Street

126. Leadenhall Chapel

127. St. Mary, Aldermary

128. St. Mary, Woolnoth

129. St. Michael Queen-Lithe

130. St. Mary, Abchurch

131. St. Michael Paternoster Royal

132. St. Michael's Crooked Lane

133. St. Mildred's Poultry

134. St. Nicholas Cole Abbey

135. Porch of Henry seventh Chapel

136. Tomb - Queen Eleanor

137. West Side of St. Erasmus Chapel

138. West View of St. Nicholas Chapel

139. Memorials - South Aisle

140. St. Swithin

141. All Hallows Lombard Street

142. All Hallows the Great

143. Norman House, Northend, Fulham

144. Interior Quadrangle of the Bishop of London's Palace

145. Bishop of London's Palace, Fulham

146. Worcester

147. Frankley Chapel, S. E., Worcestershire

148. Remains of Dudley Priory, Worcestershire

149. Sir Harry Burrard-Neale, 2nd Baronet

150. Sir Henry Moncrieff Willwood

151. A View of the South Front of the North Side of the Marshalsea Prison

152. Interior of the King's Bench Prison

153. The Talbot Inn, Borough High Street, Southwark

154. The Steel Yard and Church, Thames Street

155. The Right Honourable Spencer Perceval

156. Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

157. Lady Dalrymple Hamilton

158. Lady Katherine Sophia (née Manners) Heathcote

159. Charlotte Sophia (née Leveson-Gower), Somerset, Duchess of Beaufort

160. Anne (née Bermingham) Caulfield, Countess of Charlemont

161. Mary Isabella, Duchess of Rutland

162. Sleeping Boy

163. Brick Archway Adjoining the Great Gateway of St. Augustine's Monastery, Canterbury

164. Undercroft, Cathedral of Canterbury

165. Original Wrapper for : NO / OF/ LIBER STUDIORUM: ILLUSTRATIVE OF/ LANDSCAPE COMPSITIONS,/VIZ.../ by J.M.W. Turner, R.A.

166. Westerham Mill, Kent

167. George Vertue, Engraver

168. Richard Wilson

169. Preparatory sketch for 'Dr Syntax Sketching the Lake'

170. The Surprise

171. Attendance on a Nobleman

172. The Scold, with News of Olivia

173. The Fair Penitent

174. The Vicar Preaching to the Prisoners