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Collection
Prints and Drawings
441
Rare Books and Manuscripts
59
Archives
15
Creator
Green, Amos, 1735–1807
59
Green, Harriet, 1751–1807
59
Girtin, Thomas, 1775–1802
57
Waring, Frances Miss, active 1801–1826
40
Hayley, William, 1745–1820
26
Lewis, Frederick Christian the Elder, 1779–1856
26
Smirke the Younger, Robert, Sir, 1781–1867
22
Unknown artist
20
Blake, William, 1757–1827
14
Smirke, Robert, 1752–1845
14
Vernor, & Hood, active 1795–1807
14
Simon, Peter, 1750–1810
13
Thew, Robert, 1758–1802
13
Chinnery, George, 1774–1852
10
Fuseli, Henry, 1741–1825
10
Ryder, Thomas, 1746–1810
10
Greig, John, active 1803–1853
9
Storer, James Sargant, 1771–1853
9
Woodward, George Moutard, ca. 1760–1809
9
Piozzi, Hester Lynch, 1741–1821
8
more
Creator
»
Date
1800
1,812
1791
1,240
1802
1,160
1794
1,011
1834
860
1790
857
1795
750
1830
740
1825
732
1796
729
1793
720
1827
697
1835
691
1826
655
1832
653
1820
652
1745
636
1930
630
1814
603
1792
602
1789
598
1804
592
1771
585
1836
585
1799
570
1840
563
1808
557
2004
557
1823
553
1833
534
1775
530
1850
525
1797
524
1700
518
1803
[remove]
515
1772
513
1784
510
1855
494
1818
483
1880
480
1853
463
1780
460
1801
460
1807
457
1821
456
1828
455
1812
450
1960
446
1824
436
1770
434
1867
428
1810
421
1782
418
1819
411
1839
409
1815
408
1809
405
1817
401
1805
400
1785
399
1870
399
1831
398
1811
396
1890
394
1813
392
1798
388
1949
385
1829
384
1837
379
1822
378
1886
373
1768
371
1846
370
1816
366
1765
363
2000
362
1851
358
1788
351
1767
349
1838
348
1860
347
0
339
1999
337
1806
327
1900
324
1787
323
1854
321
1783
320
1845
318
2016
315
1989
310
2006
310
1778
307
1748
305
1786
305
1773
300
1841
295
1764
290
1752
286
1861
284
On-site Access
Accessible in the Study Room
[remove]
515
Image Use
Free to Use
451
Under Certain Circumstances
64
Image Available
Available
360
Unavailable
155
Classification
Prints
283
Drawings & Watercolors
158
Books
50
Archives and Manuscripts
15
Drawing & Watercolors-Architectural
4
Archives & Manuscripts
1
Drawings & Watercolors-Miniatures
1
Maps & Atlas (printed)
1
Periodicals
1
Creator Gender
male
391
female
106
unknown
79
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
43
Twelve Views in Scotland, Delineated by a Lady, in the Polyautographic Art of Drawing Upon Stone
40
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
22
The Life, and Posthumous Writings, of William Cowper
19
The Triumphs of Temper
7
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
5
Iconographie Anglaise par Reynolds et Autres
5
Specimens of Polyautography
4
Views of the London Docks
4
Byrne's Britannia Depicta
3
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
2
The Tragedy of Othello, the Moor of Venice
2
Views in England, Scotland and Wales: Tour in Scotland
2
Views in England, Scotland, and Wales: Tour in Scotland
2
Liber Studiorum, 1838
1
The Environs of London
1
Period
19th century
497
18th century
2
18th century-19th century
1
Materials & Techniques
wove paper
173
graphite
77
etching (printing process)
64
watercolor
53
aquatint
49
lithography
46
laid paper
30
line engraving
30
gouache
22
hand coloring
21
mezzotint
21
soft-ground etching
18
black ink
12
brown ink
11
pen
11
gray wash
8
stipple engraving
8
brown wash
7
gray ink
4
black chalk
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
99
Unknown
197
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
140
Unknown
200
Work Type
intaglio print
123
drawing
89
watercolor
58
planographic print
46
aquatint
16
engraving
6
landscape
5
advertisement
4
armorial bookplates (provenance)
4
auction catalog
3
ephemera
3
hand coloring
3
stipple engraving
3
wood engraving
3
broadside
2
etching
2
frontispiece
2
map
2
woodcut
2
annotations (provenance)
1
more
Work Type
»
Genre
architectural subject
105
landscape
87
cityscape
60
literary theme
30
portrait
25
genre subject
21
marine art
19
figure study
4
historical subject
4
animal art
3
religious and mythological subject
2
military art
1
Subject Terms
river
45
architectural subject
38
landscape
20
genre subject
14
portrait
14
trees
13
cityscape
12
Engraving -- Specimens -- 1803.
9
boats
9
clouds
9
literary theme
9
marine art
9
Authors, English
8
First Coalition, War of the, 1792-1797
8
Gout
8
Medicine
8
Napoleonic Wars, 1800-1815
8
Physicians
8
Politics and government
8
man
8
more
Subject Terms
»
Subject Period
18th century
12
1789-1820
8
19th century
5
20th century
2
Associated Places
Europe
61
France
58
Île-de-France
56
Seine
43
Paris
32
Great Britain
28
England
16
Pont Neuf
15
United Kingdom
15
Val-de-Marne
15
Cathédrale Notre-Dame de Paris
12
Charenton-le-Pont
10
Pont de Charenton-le-Pont
10
Pont de la Concorde
8
Acqueduct of Louveciennes
7
Bourse de Paris
7
Louveciennes
7
Marly-le-Roi
7
Panthéon
7
Saint-Germain-en-Laye
7
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
79
Piozzi, Hester Lynch, 1741-1821
8
Thackeray, William Makepeace, 1811-1863
8
Piozzi, Gabriele Mario, 1740-1809
7
Desdemona (character in Othello)
2
Napoleon I (1769–1821), Emperor of the French
2
Othello (character in Othello, the Moor of Venice)
2
Aeschylus
1
Banks, Thomas, 1735-1805
1
Barrington, George, 1755–1804
1
Barry, James, 1741–1806
1
Billington, Elizabeth (1765–1818), singer
1
Brookes, Joshua, -1803
1
Brookes, Joshua, 1761–1833
1
Brookes, Paul, active 1803
1
Burgess, Richard Rundle, Captain
1
Cowper, William, 1731–1800
1
Davy, Sir Humphry, baronet (1778–1829), chemist and inventor
1
Dibdin, Charles, 1745–1814
1
Engelmann, Godefroy (1788–1839), lithographer and publisher
1
more
Associated People
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
12
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
6
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
5
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
2
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
2
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
403
Yale Center for British Art, Paul Mellon Fund
10
Yale Center for British Art; Yale University Art Gallery Collection
9
Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library
3
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
2
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art; Gift of Michael Zinman
2
Yale Center for British Art; Gift of Peter R. Spokes in memory of Charles Beecher Hogan
2
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerlin, B.A. 1932
2
22607669210008651|Yale Center for British Art, Paul Mellon Collection
1
22608713890008651|Yale Center for British Art, Paul Mellon Collection
1
22614487360008651|Yale Center for British Art, Paul Mellon Collection
1
22614775560008651|Yale Center for British Art, Paul Mellon Collection
1
22636085150008651|Yale Center for British Art, Paul Mellon Collection
1
22639547530008651|Yale Center for British Art, Paul Mellon Fund
1
22647820350008651|Yale Center for British Art, Paul Mellon Collection
1
22666742090008651|Yale Center for British Art, Paul Mellon Fund
1
22677252220008651|Yale Center for British Art, Paul Mellon Collection
1
22677252240008651|Yale Center for British Art, Paul Mellon Collection
1
22682138650008651|Yale Center for British Art, Paul Mellon Collection
1
more
Credit Line
»
Language
English
53
French
5
Archival Collections
Hester Lynch Piozzi Letters to Dr. William Makepeace Thackeray
8
Extra-illustrated Life of Nollekens
7
Archival Level
object
15
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Date
1803
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101
Amos Green, 1735–1807
Views in England, Scotland and Wales: Furness Abbey
1803
102
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Pass of Penmanmawr
1803
103
George Cruikshank, 1792–1878
Devoted Wife
undated
104
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
105
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
106
Amos Green, 1735–1807
Views in England, Scotland and Wales: Between Llanrwst and Capel Cerrig, The Mountain is Moel Shiabod, The River is Lligwy
1803
107
Amos Green, 1735–1807
Views in England, Scotland and Wales: Capel Cerrig and Snowdon
1803
108
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Tan-y-bwlch
1803
109
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Capel Cerrig
1803
110
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper Park Cascade
1803
111
Amos Green, 1735–1807
Views in England, Scotland and Wales: Park Cascade
1803
112
Amos Green, 1735–1807
Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
1803
113
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
1803
114
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
115
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
116
George Morland, 1763–1804
The Hard Bargain
1803
117
Print made by John Young, 1755–1825
George Canning
1803
118
Print made by James Ward, 1769–1859
Mrs. Billington as St. Cecilia
1803
119
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
120
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
121
John Varley, 1778–1842
Under the Ouse Bridge, Bathing
between 1803 and 1804
122
James Parker, 1750–1805
Henry Addington, 1st Viscount Sidmouth
1803
123
Samuel William Reynolds, 1773–1835
William Windham
undated
124
Sir Robert Smirke the younger, 1781–1867
Terracina, Italy
1803
125
Sir Robert Smirke the younger, 1781–1867
View in the Suburbs of Messina
1803
126
Sir Robert Smirke the younger, 1781–1867
Views Near the Town of Senta
1803
127
Sir Robert Smirke the younger, 1781–1867
Patras, Greece
1803
128
Sir Robert Smirke the younger, 1781–1867
Remains of the Temple of Jupiter in the Plains of Nemea, Greece
1803
129
Sir Robert Smirke the younger, 1781–1867
Ruins of the Temple of Jupiter on the Plains of Nemea
1803
130
Sir Robert Smirke the younger, 1781–1867
The Ruins of the Temple of Jupiter in the Plains of Nemea
1803
131
Print made by Charles Turner, 1774–1857
Mrs Hamilton
between 1803 and 1857
132
William Sharp, 1749–1824
Kemble
1803
133
unknown artist
Sir Humphrey Davy
1803
134
William Collins, 1788–1847
Dartmouth
undated
135
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
136
Amos Green, 1735–1807
Trossacs
1803
137
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
1803
138
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
1803
139
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
140
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness
1803
141
Amos Green, 1735–1807
Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
1803
142
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; View at Dalmally
1803
143
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Glen Lochy
1803
144
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
1803
145
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Scenery in the Vicinity of Keswick
1803
146
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde
1803
147
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Scene above the Corie Lin
1803
148
Amos Green, 1735–1807
Near Wyburn Lake
1803
149
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Wyburn Lake
1803
150
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with lake
1803
151
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Derwent Water
1803
152
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Landscape near Wyburn?
1803
153
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Lowdoor
1803
154
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Distant View of Keswick and Basenth Waite
1803
155
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with bridge
1803
156
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Mountainous landscape with road
1803
157
Amos Green, 1735–1807
Views in England, Scotland and Wales: Ilkley Bridge and Church
1803
158
Amos Green, 1735–1807
Views in England, Scotland and Wales: Waterfall, Views in 1799
1803
159
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Vale of Newlands, AG
1803
160
Amos Green, 1735–1807
Views in England, Scotland and Wales: The North Homes near Ilkley
1803
161
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Lowdoor Cascade
1803
162
Amos Green, 1735–1807
Views in England, Scotland and Wales: Colwith Force
1803
163
Amos Green, 1735–1807
Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
1803
164
Amos Green, 1735–1807
Views in England, Scotland and Wales: Beyond Barden Tower
1803
165
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
166
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
167
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
168
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
169
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
170
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
171
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
172
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
173
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
174
Anker Smith, 1759–1819
Love's Labour Lost, Act IV, Sc. 3
1803
175
Robert Bremmel Schnebbelie, active 1803–1849
Westminster, during Queen Caroline's Trial
undated
176
John Neagle, 1796–1865
Winter's Tale, Act 3, Scene 3
1803
177
William Williamson, active 1803
Bombay from Malabar Point, the Night of 17th February 1803
1803
178
Charles Towne, 1763–1840
Woman with Cattle
1803
179
Godefroy Engelmann, 1788–1839
Aloys Senefelder
undated
180
unknown artist
Tea Table or Five Figures Around a Table
1803
181
Print made by Sir Robert Ker Porter, 1777–1842
Charge
1803
182
Print made by Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Old Trees by Water
1803, published 1807
183
Print made by John Thomas Serres, 1759–1825
Harbour Scene
1803, published 1806
184
unknown artist
Mutual Politeness; or Reasons for Delay!!
1803
185
unknown artist
The Village of Charing &c. from Rodolphus Aggas's Map
1803
186
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
187
Isaac Taylor, 1759–1829
The Murder of David Rizzio on the 9th of March 1566
1803
188
William Watts, 1752–1851
Sheerness Dockyard
1803
189
Thomas Ryder, 1746–1810
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1803
190
James Girtin, ca. 1780–after 1820
Title page for: A Selection of the most Picturesque Views in Paris and its environs
1803
191
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
192
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
193
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
194
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
195
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
196
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
197
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
198
Print made by Caroline Watson, 1760–1814
Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
1803
199
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
200
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
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