Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists in Composing their Figures and Groupes
1796
7
Thomas Girtin, 1775–1802
St. Bride's, Fleet Street, London
ca. 1801
8
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: South Elevation
ca. 1801
9
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: East Elevation
ca. 1801
10
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Hall, Nottingham: Elevation
ca. 1801
11
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: South Elevation
ca. 1801
12
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Hall, Nottingham: Elevation
ca. 1801
13
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: Elevation
ca. 1801
14
Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot
1796
15
Thomas Girtin, 1775–1802
Bolton Abbey, Yorkshire
ca. 1801
16
Thomas Girtin, 1775–1802
Kirkstall Abbey, Yorkshire
ca. 1801
17
Thomas Girtin, 1775–1802
Romantic Landscape
ca. 1801
18
Anthony Cardon, 1772–1813
A New Love Song only Ha' Penny a Piece
1796
19
Thomas Rowlandson, 1756–1827
Modern Grace...The Ballet of Alonzo e Cara
1796
20
Print made by Thomas Prattent, active 1780–1810
The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan
1796
21
George Dance, 1741–1825
Portrait of an Elderly Lady
1796
22
Samuel Daniell, 1775–1811
A Scene between Galle and Matura, about Six Miles from Galle
ca. 1801
23
Samuel Daniell, 1775–1811
Study of a Deer Resting, back view
ca. 1801
24
Print made by William Nutter, 1754–1802
Captain Thomas Coram
1796
25
Engraved by Joseph Constantine Stadler, active 1780–1812
View of London from Greenwich Park
1796
26
Attributed to Luke Clennell, 1781–1840
Man in a Brimmed Hat
undated
27
Luke Clennell, 1781–1840
Ships at Wharf with Passengers Disembarking
undated
28
Luke Clennell, 1781–1840
Ruined Gambler
undated
29
Luke Clennell, 1781–1840
Figure in a Landscape
undated
30
Attributed to Luke Clennell, 1781–1840
St. Michael's Mount, Cornwall
undated
31
Print made by John Chapman, act. 1772–1778
James Pettit Andrews Esqr. F.A.S
1796
32
Thomas Rowlandson, 1756–1827
The Billiard Room
ca. 1801
33
Published by John Sewell, active 1735–1802
View of Annecy, in Savoy
1796
34
Print made by William Bromley, 1769–1842
Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
1796
35
Print made by Isaac Taylor, 1759–1829
The Imposture of the Holy Maid of Kent
1796
36
Print made by Thomas Gaugain, 1748–1812
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
1796
37
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
38
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
39
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
40
Thomas Holloway, 1748–1827
Henry Fuseli Esqr., R. A
1796
41
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting
1796
42
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting
1796
43
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [set of six]: 4.Woodcock shooting
1796
44
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting
1796
45
Samuel Howitt, 1756–1822
Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting
1796
46
Daniel Orme, 1766–1837
Animals [a pair]: 2. Evening or the Post Boy's Return
1796
47
James Gillray, 1756–1815
National Conveniences
1796
48
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
49
James Gillray, 1756–1815
Fashionable Jockeyship
1796
50
James Gillray, 1756–1815
The Grand - Signior retiring
1796
51
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
52
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
53
Prints made by George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists in Composing their Figures and Groupes
1796
54
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
55
James Gillray, 1756–1815
The Generae of Patriotism
1796
56
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
57
James Basire, 1730–1802
Dr. Johnson's Monument in St. Paul's Church
1796
58
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
59
Elizabeth Pringle, active ca. 1800
A Tiger Lying in the Entrance of a Cave
1796
60
Samuel Daniell, 1775–1811
Studies of Pallah Deer Resting
ca. 1801
61
Samuel Daniell, 1775–1811
Studies of Deer - Three on on Sheet
ca. 1801
62
Samuel Daniell, 1775–1811
A Kaffir Village
ca. 1801
63
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for a Rector, illegible inscription, form Hayes Church
between 1796 and 1811
64
Daniel Lysons, 1762–1834
Tombs of Thomas Anguish, and Anna Glasse, from Hanwell Churchyard
between 1796 and 1811
65
Daniel Lysons, 1762–1834
Brass plate for Sir John Andrew, from Hayes Church
between 1796 and 1811
66
Daniel Lysons, 1762–1834
The Environs of London:Tomb of George Earl of Macartney, from Chiswick Churchyard
between 1796 and 1811
67
Daniel Lysons, 1762–1834
Memorial to William Thompson, and to Elizabeth and Samuel Wegg, and Sarah Leheup, from Acton Church
between 1796 and 1811
68
Daniel Lysons, 1762–1834
The Environs of London: Memorial to Philip Cocks, from Acton Church
between 1796 and 1811
69
Daniel Lysons, 1762–1834
Memorial to Ann Wainewright, from Chiswick Church
between 1796 and 1811
70
Daniel Lysons, 1762–1834
Brass Plate for John Heygge, from Hayes Church
between 1796 and 1811
71
Daniel Lysons, 1762–1834
Tomb of Philip James de Loutherbourg, from Chiswick Churchyard
between 1796 and 1811
72
Daniel Lysons, 1762–1834
Memorial to Frances Elizabeth Aust, from Paddington Church
between 1796 and 1811
73
Daniel Lysons, 1762–1834
Memorial to Elizabeth Hatsell, from Fulham Church
between 1796 and 1811
74
Daniel Lysons, 1762–1834
Memorial to Bright Hemming, from Acton Church
between 1796 and 1811
75
Daniel Lysons, 1762–1834
Memorial to John Crofts, from Ealing Church
between 1796 and 1811
76
Daniel Lysons, 1762–1834
Tomb of Jane Jaforest, from Fulham Church
between 1796 and 1811
77
Daniel Lysons, 1762–1834
Memorials to Martha Ogle, and to Sir Thomas Kinsey and his grandchildren Rober and Elizabeth Kinsey of Fulham Church
between 1796 and 1811
78
Daniel Lysons, 1762–1834
Memorial to John Davenport from Wickernham Church
between 1796 and 1811
79
Daniel Lysons, 1762–1834
Memorial to Mrs. Lucretia Gazeley and her children Sarah Maria, Lucretia, Joseph, Joseph-William, Eliza and Eliza Gazeley, from Hornsey Church
between 1796 and 1811
80
Daniel Lysons, 1762–1834
Memorial to Mary Bantock from West Ham Church
between 1796 and 1811
81
Daniel Lysons, 1762–1834
Memorial to James Scott and to Francis Wolley from Fulham Church
between 1796 and 1811
82
Daniel Lysons, 1762–1834
Memorial to Thomas Wildman from Twickenham Church
between 1796 and 1811
83
Daniel Lysons, 1762–1834
Memorial to Anne Littledale from Twickenham Church
between 1796 and 1811
84
Sir Charles D'Oyly, 1781–1845
View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul
undated
85
Daniel Lysons, 1762–1834
Memorial to George Keated from Isleworth Church
between 1796 and 1811
86
Cornelius Varley, 1781–1873
Small Boats in Harbor
undated
87
Cornelius Varley, 1781–1873
View of a House
undated
88
Amos Green, 1735–1807
Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun