Standing Figure with Upraised Arms, probably Prospero
late 1780s
7
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
late 1780s-early 1790s
8
George Romney, 1734–1802
Pharmarus and Kunaza
late 1780s
9
George Romney, 1734–1802
Aerial Group
ca. 1790
10
George Romney, 1734–1802
Four Sketches of a Child at Play
ca. 1790
11
George Romney, 1734–1802
Refugee Group
late 1780s-early 1790s
12
George Romney, 1734–1802
Macbeth Meeting the Three Witches
late 1780s
13
George Romney, 1734–1802
Pharmarus Raises the Phantom before Kunaza
late 1780s
14
George Romney, 1734–1802
Canidia and the Youth
late 1780s
15
George Romney, 1734–1802
Two Sketches for Canidia and the Youth
late 1780s
16
George Romney, 1734–1802
Canidia and the Youth
late 1780s
17
George Romney, 1734–1802
Seated Peasant Girl
late 1780s-early 1790s
18
George Romney, 1734–1802
Kneeling Figure
ca. 1790
19
George Romney, 1734–1802
Figure Study for Lady Macbeth
late 1780s
20
George Romney, 1734–1802
Woman in a Bonnet Standing at a Plinth, possibly Lady Newdegate
late 1780s
21
George Romney, 1734–1802
Anger, Envy, and Fear
late 1780s
22
George Romney, 1734–1802
Lady Hamilton as a Bacchante
after 1785
23
George Romney, 1734–1802
The Wave
late 1780s
24
George Romney, 1734–1802
Study for a Full Length Portrait of a Woman, possibly Lady Newdegate
ca. 1790
25
Charles Howard Hodges, 1764–1837
Mrs. Sophia (née Heywood) Musters as Hebe
1785
26
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
27
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
28
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
29
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
30
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
31
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
32
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
33
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
34
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
35
Attributed to Thomas Barker, 1769–1847
Study of a Young Girl Resting her Head on her Knee
undated
36
George Shepheard, ca. 1770–1842
Haughton, Field and Shepheard Fighting
undated
37
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
38
Charles Knight, 1743–c.1826
A Band of Savoyards
1785
39
Print made by Charles Catton the elder RA, 1728–1798
The Margate Hoy
1785
40
Robert Pollard, 1755–1838
Vaux-Hall
1785
41
Print made by James Heath, 1757–1834
Tett
ca. 1790
42
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
43
Benjamin Thomas Pouncey, active 1772–1799
Dissolution of a Cutter
1785
44
unknown artist
The Origin of Gout
1785
45
Francis Jukes, 1747–1812
Canterbury
ca. 1790
46
Robert Dodd, 1748–1816
The Royal Dockyard at Plymouth
ca. 1790
47
Robert Dodd, 1748–1816
The Royal Dockyard at Portsmouth
ca. 1790
48
Joseph Constantine Stadler, active 1780–1812
View of London Bridge
ca. 1790
49
Joseph Constantine Stadler, active 1780–1812
View of Westminster Bridge Including Westminster Abbey
ca. 1790
50
Benjamin Thomas Pouncey, active 1772–1799
Ulanding of a Cutter
1785
51
Richard Bernard Godfrey, 1728–op.1794
Bermondsey Abbey, Surrey
1785
52
Francis Jukes, 1747–1812
A View Near Briton Causway
1785
53
John Preston Neale, 1771/80–1847
London after the Fire Anno Domini 1666 Plan
undated
54
John Goldar, 1729–1795
Perspective View of the New Public Offices in the Inner Court of Somerset House
1785
55
Samuel Middiman, ca. 1750–1831
Barn-Elms, Surrey
1785
56
unknown artist
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
57
James Newton, 1748–c. 1804
The New Temple
1785
58
Jacob Hogg, active 1751
The Hand Maid
1785
59
unknown artist
Sam Adams
ca. 1790
60
Print made by John Young, 1755–1825
The Water Cress Girl
1785
61
Francesco Bartolozzi, 1728–1815
The Judgment of Paris
1785
62
Print made by Francesco Bartolozzi, 1728–1815
Samuel Johnson
1785
63
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
64
Francesco Bartolozzi, 1728–1815
Catherine II Empress of Russia
1785
65
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Siddons
1785
66
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Hannah Sparke
1785
67
Francis Jukes, 1747–1812
A Satirical View of the Stock Exchange
1785
68
Willey Reveley, 1760–1799
Views in the Levant: The Columns of Augustus at Brundisium
1785
69
Francesco Bartolozzi, 1728–1815
Classical Figures Including Woman With Cornucopia Of Coins
ca.1790
70
Francesco Bartolozzi, 1728–1815
Martin Van Juchen, Colonel En Commandeur Der Stad Wesel En Onderhoorige Fotressen, Blanchi Sous Le Harnois
1785
71
Francesco Bartolozzi, 1728–1815
Pulto Carrying Apples, Bride Leading Eros
c.1785
72
Francesco Bartolozzi, 1728–1815
Sleeping Child
c.1785
73
Print made by Francesco Bartolozzi, 1728–1815
John Foster, 1st Baron Oriel
between 1785 and 1800
74
John Jones, ca. 1745–1797
Emma
1785
75
Samuel Alken, 1756–1815
An Italian Family
1785
76
Francesco Bartolozzi, 1728–1815
The Distressed Mother
1785
77
James Sayers, 1748–1823
Concerto Coalitionale
1785
78
Francesco Bartolozzi, 1728–1815
The Right Honorable Harriet Viscountess Bulkeley
1785
79
John Jones, ca. 1745–1797
Emma
1785
80
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Hannah Sparke, Widow
1785
81
Francesco Bartolozzi, 1728–1815
The Happy Father
1785
82
James Sayers, 1748–1823
A Whisper Across the Channel
1785
83
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
84
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
85
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
86
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
87
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
88
Francesco Bartolozzi, 1728–1815
Wynnstay Theatre Ticket
1785
89
Francesco Bartolozzi, 1728–1815
Visiting Card of Mrs. Parker
1785
90
unknown artist
Shipping in a Calm
ca. 1790
91
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
92
James Wyatt, 1746–1813
Cobham Hall, Kent: Sketch of Stables
ca. 1790
93
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of North Front
ca. 1790
94
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
95
Thomas Sunderland, 1744–1828
The Head of Ullswater, With the Lodge of Patterdale on the Left
ca. 1790
96
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Stables
ca. 1790
97
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
98
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Stables and Part of Brewhouse
ca. 1790
99
James Wyatt, 1746–1813
Cobham Hall, Kent: Unidentified Plan for a Passage
ca. 1790
100
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Building with Design for New Roof