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Collection
Prints and Drawings
2
Creator
Kneller, Godfrey, Sir, 1646–1723
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2
Smith, John, 1652–1743
2
Date
1739
12
1745
7
1690
6
1733
6
1748
6
1705
5
1732
5
1735
5
1741
5
1688
4
1695
4
1715
4
1738
4
1667
3
1683
3
1697
3
1702
3
1720
3
1728
3
1730
3
1742
3
1744
3
1661
2
1680
2
1685
2
1694
2
1696
2
1699
2
1700
2
1701
2
1704
2
1710
2
1717
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2
1722
2
1731
2
1736
2
1747
2
1676
1
1679
1
1681
1
1686
1
1689
1
1691
1
1692
1
1698
1
1703
1
1706
1
1707
1
1713
1
1714
1
1716
1
1719
1
1727
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1740
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1743
1
1746
1
1749
1
1779
1
1788
1
1800
1
1821
1
1836
1
On-site Access
Accessible in the Study Room
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2
Image Use
Free to Use
2
Image Available
Available
1
Unavailable
1
Classification
Prints
2
Creator Gender
male
2
Collective Title
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
2
Materials & Techniques
laid paper
2
mezzotint
2
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38
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24
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29
Work Type
intaglio print
2
Genre
portrait
2
religious and mythological subject
1
Subject Terms
portrait
2
cap
1
chair
1
coat of arms
1
man
1
religious and mythological subject
1
tippet
1
Associated People
Caroline, Queen consort of George II (British queen consort, 1683–1737)
1
Fowler, Edward (1632–1714), Lord Bishop of Gloucester
1
Exhibition History
William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
1
Yale Center for British Art, Paul Mellon Fund
1
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On-site Access
Accessible in the Study Room
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Date
1717
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Creator
Kneller, Godfrey, Sir, 1646–1723
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1
John Smith, the mezzotinter, 1652–1743
Reverend Edward Fowler, Lord Bishop of Gloucester
1717
2
Print made by John Smith, the mezzotinter, 1652–1743
Serenissima Carolina DG Magnae Britanniae Franciae et Hiberniae Regina
1717