On-site Access: Accessible by appointment in the Study Room / Subject Terms: running

1. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 19 3/4 x 15 3/4 inches (50.2 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 18 1/2 x 15 1/4 inches (47 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 x 15 3/4 inches (48.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of platemark
Dimensions:: Sheet: 18 7/8 x 14 7/8 inches (47.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 18 x 14 1/2 inches (45.7 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper with traces of a platemark
Dimensions:: Sheet: 19 x 14 7/8 inches (48.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Cain and Abel

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A Bull Charging

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1794
Materials & Techniques:: Brown wash with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, red chalk, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Three Horses and Stable Lad

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. St. Paul's from Ludgate Hill

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

30. Madge and Bauldy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

31. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Cadger's Trot

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1823
Materials & Techniques:: Lithograph on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 1/4 inches (20.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hatchway's Eagerness to Meet Peregrine

Creator:: Print made by George Cruikshank, 1792–1878
Date:: ca. 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 5 11/16 inches (23.7 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

36. An Awkward Post

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

37. A Whipper-In and a Couple of Hounds Running Hard in Open Country

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Study for an Illustration for a Poem by Sir Herbert Read

Creator:: Henry Moore, 1898–1986
Date:: 1946
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 9 inches (28.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Henry IV, Part I,' Act II, Scene II

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 × 2 1/2 inches (10.2 × 6.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'How to Twist Your Neck'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A French Physician with His Retinue Going to Visit His Patients

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

47. St. Augustine's Gate, Canterbury

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sylvio and Dorinda

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1752 and 1768
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Sylvio and Dorinda

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1680 and 1703
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Messengers Tell Job of the Misfortunes that Have Befallen Him

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Peter and John Going to the Sepulchre

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1784
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 9/16 x 9 5/8 inches (47.1 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Young Squire

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 7 13/16 inches (17.7 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Death on a Pale Horse

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1775
Materials & Techniques:: Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Atalanta and Hippomanes

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Official for Winter: Shell Lubricating Oil

Creator:: Edward McKnight Kauffer, 1890–1954
Date:: 1936
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 29 3/4 x 44 5/8 inches (75.6 x 113.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

58. Who'll Have a Crown - Now's Your Time

Creator:: Print made by William Heath, 1795–1840
Date:: 1830
Materials & Techniques:: Etching, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 15 1/4 inches (27.3 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

59. Whitby, Yorkshire

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14in. (27.9 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

60. Butterfly Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1806
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 3/16 inches (13.3 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The North

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14in. (27.9 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

62. George Fox Is Challenged to Fight at Scarborough Castle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 5/8 x 12 11/16 inches (24.5 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

63. Official for Winter: Double Shell Lubricating Oil

Creator:: Edward McKnight Kauffer, 1890–1954
Date:: 1936
Materials & Techniques:: Gouache maquette
Dimensions:: Image: 10 3/8 x 22 3/8 inches (26.3 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

64. Mother Bundle in a Rage or Too late for the Stage

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1809
Materials & Techniques:: Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Returning to the Trenches

Creator:: Print made by C. R. W. Nevinson, 1889–1946
Date:: 1916
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 7/16 x 11 1/16 inches (21.4 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Two Sketches of Running Figure

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 5 5/8 inches (11.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

67. Leap Frog, Down Constitution Hill

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 1/16 inches (30.5 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

68. Louis Bernal

Creator:: Bill Jay, 1940–2009
Date:: 2004
Materials & Techniques:: Digital Ink jet print on medium, smooth, white wove paper
Dimensions:: Sheet: 11 × 8 1/2 inches (27.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

69. A Running Postillion

Creator:: David Allan, 1744–1796
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. War !!! Commencement of Hostilities --Combined movement of the Allied Powers.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 17 1/8 inches (30.3 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

71. Stop Thief!

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1831
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

72. On Lancaster Sands, Low Tide

Creator:: David Cox, 1783–1859
Date:: 1840s
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1789
Materials & Techniques:: Wood-engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bernard Quaritch Ltd.

74. Found, with further sketches in the margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash
Dimensions:: Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Gamekeeper

Creator:: Print made by Douglas Percy Bliss, 1900–1984
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 1/8 inches (14.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

76. Pan and Syrinx, No.2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

77. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 5/8 inches (29.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

78. Pan and Syrinx, No. 1

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching with mezzotint (trial proof of abandoned plate) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/4 inches (24.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

79. Pan and Syrinx

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/8 inches (30.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink (trial proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

81. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

82. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with gouache; touched proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

83. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

84. Good Days

Creator:: Print made by John Rankine Barclay, 1884–1963
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 8 7/8 inches (24.8 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

85. The Penny Trumpeter!

Creator:: Charles Jameson Grant, active 1830–1852
Date:: 1832
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 11 1/4 inches (44.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

86. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Human Figure, Lateral View

2. Human Figure, Lateral View

3. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

4. Human Figure, Lateral View (For the key figure to Table XIII)

5. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

6. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

7. Human Figure, Lateral View

8. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

9. Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)

10. Human Skeleton, Lateral View

11. Human Skeleton, Lateral View

12. Human Skeleton, Lateral View

13. Human Skeleton, Lateral View

14. Human Skeleton, Lateral View

15. Human Figure, Lateral View

16. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

17. Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)

18. Human Figure, Lateral View (Outline Study in Reverse of Table VIII)

19. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

20. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

21. Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)

22. Glaucus and Scylla

23. Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)

24. The Murder of Banquo

25. Cain and Abel

26. A Bull Charging

27. One of eighteen designs for a series of plates illustrating Venus and Adonis

28. Three Horses and Stable Lad

29. St. Paul's from Ludgate Hill

30. Madge and Bauldy

31. Pan and Syrinx

32. The Cadger's Trot

33. Ferdinand Reunited with his Father

34. A View of the Bridge at Walton-on-Thames in Surrey

35. Hatchway's Eagerness to Meet Peregrine

36. An Awkward Post

37. A Whipper-In and a Couple of Hounds Running Hard in Open Country

38. Study for an Illustration for a Poem by Sir Herbert Read

39. 'Henry IV, Part I,' Act II, Scene II

40. Fools; or Jesters

41. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

42. 'How to Twist Your Neck'

43. The Stone Bow, Lincoln

44. A French Physician with His Retinue Going to Visit His Patients

45. Pan and Syrinx

46. A Morning Ride

47. St. Augustine's Gate, Canterbury

48. Sylvio and Dorinda

49. Sylvio and Dorinda

50. St. Martin's Church

51. The Messengers Tell Job of the Misfortunes that Have Befallen Him

52. Peter and John Going to the Sepulchre

53. The Young Squire

54. Death on a Pale Horse

55. Atalanta and Hippomanes

56. Inverlochy Castle, Invernesshire

57. Official for Winter: Shell Lubricating Oil

58. Who'll Have a Crown - Now's Your Time

59. Whitby, Yorkshire

60. Butterfly Hunting

61. The North

62. George Fox Is Challenged to Fight at Scarborough Castle

63. Official for Winter: Double Shell Lubricating Oil

64. Mother Bundle in a Rage or Too late for the Stage

65. Returning to the Trenches

66. Two Sketches of Running Figure

67. Leap Frog, Down Constitution Hill

68. Louis Bernal

69. A Running Postillion

70. War !!! Commencement of Hostilities --Combined movement of the Allied Powers.

71. Stop Thief!

72. On Lancaster Sands, Low Tide

73. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

74. Found, with further sketches in the margin