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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms literary theme
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1
- Oberon and Titania
- 1837
2
- The Bellman
- 1879
3
- The Bellman
- 1879
4
- The Homeward Star
- begun ca. 1880
5
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
6
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
7
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
8
- The Sleeping Shepherd
- 1857
9
- Moeris and Galatea
- 1880-1883
10
- The Vine
- 1852
11
- The Lonely Tower
- 1879
12
- The Sepulchre
- between 1880 and 1883
13
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
14
- The Lonely Tower
- 1879
15
- Opening the Fold
- 1880
16
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
17
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
18
- The Farmer's Wife and the Raven
- 1788
19
- Hudibras Vanquished by Trulla
20
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
21
- Mr. Garrick in the Character of Richard III
- 1746
22
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
23
- Apuleia in Search of Apuleius
- between 1813 and 1823
24
- Apuleia in Search of Apuleius
- between 1813 and 1823
25
- The Deluge
- between 1813 and 1823
26
- Aesacus and Hesperie
- 1819
27
- Procris and Cephalus
- 1812
28
- From Spenser's Fairy Queen
- 1811
29
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
30
- Witches' Cavern: MacBeth's Second Visit
- undated
31
- Daphnis and Chloe
- undated
32
- Standing Figure, Probably for Lady Macbeth
- undated
33
- Prospero and Miranda
- ca. 1787
34
- Titania's Attendants Chasing Bats
- undated
35
- MacBeth: Banquet Scene
- undated
36
- MacBeth at the Witches' Cave: Second Visit
- undated
37
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
38
- Unidentified Subjects
- undated
39
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
40
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
41
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
42
- Sketchbook Drawing
- ca. 1793
43
- Sketchbook Drawing
- ca. 1793
44
- Sketchbook Drawing
- ca. 1793
45
- Sketchbook Drawing
- ca. 1793
46
- Sketchbook Drawing
- ca. 1793
47
- Sketchbook Drawing
- ca. 1793
48
- Sketchbook Drawing
- ca. 1793
49
- Sketchbook Drawing
- ca. 1793
50
- Sketchbook Drawing
- ca. 1793
51
- Sketchbook Drawing
- ca. 1793
52
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
53
- Lear Awakened by Cordelia
- between 1774 and 1775
54
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
55
- Paradise Lost Sketchbook
- ca. 1793
56
- Witches' Cavern: MacBeth's Second Visit
- undated
57
- MacBeth: Banquet Scene
- undated
58
- Sketchbook Drawing
- ca. 1793
59
- MacBeth: Banquet Scene
- undated
60
- MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
- undated
61
- The Banquet Scene
- ca. 1792
62
- MacBeth: Banquet Scene
- undated
63
- Birth of Man
- undated
64
- Sketchbook Drawing
- ca. 1793
65
- Sketchbook Drawing
- ca. 1793
66
- Sketchbook Drawing
- ca. 1793
67
- Sketchbook Drawing
- ca. 1793
68
- Sketchbook Drawing
- ca. 1793
69
- Sketchbook Drawing
- ca. 1793
70
- Sketchbook Drawing
- ca. 1793
71
- Sketch for Canidia and the Youth
- undated
72
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
73
- Lear Awakened by Cordelia
- ca. 1774
74
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
75
- The Witches' Cavern
- between 1792 and 1793
76
- Miranda, Prospero, and Caliban: The Tempest
- undated
77
- MacBeth: Banquet Scene
- undated
78
- Tempest, Version A
- undated
79
- John Henderson as Falstaff
- 1780
80
- Sketchbook Drawing
- ca. 1793
81
- Sketchbook Drawing
- ca. 1793
82
- Sketchbook Drawing
- ca. 1793
83
- Sketchbook Drawing
- ca. 1793
84
- Sketchbook Drawing
- ca. 1793
85
- Sketchbook Drawing
- ca. 1793
86
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
87
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
88
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
89
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
90
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
91
- The Christian Triumph; Title Page
- ca. 1797
92
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
93
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
94
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
95
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
96
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
97
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
98
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
99
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
100
- 'O treacherous conscience!' (Page 27)
- ca. 1797