Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
7
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
8
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
9
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
10
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
11
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
12
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
13
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
14
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
15
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
16
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
17
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
18
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
19
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
20
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
21
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
22
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
23
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
24
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
25
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
26
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
27
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
28
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
29
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
30
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
31
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
32
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
33
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
34
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
35
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
36
Edward Lear, 1812–1888
Albenga
1864
37
Edward Lear, 1812–1888
Calder Abbey, September 12. 1836
1836
38
Edward Lear, 1812–1888
Ullswater
1836
39
Edward Lear, 1812–1888
Burpham Oct.4.1834
1834
40
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
41
Edward Lear, 1812–1888
Calder Bridge
1836
42
Edward Lear, 1812–1888
A Ruined Tower House
1836
43
Edward Lear, 1812–1888
Derwentwater, September 1836
1836
44
Edward Lear, 1812–1888
Furness Abbey East, 29 August 1836
1836
45
Edward Lear, 1812–1888
Bassenthwaite
1836
46
Edward Lear, 1812–1888
North Stoke. Oct. 21.1834
1834
47
Edward Lear, 1812–1888
Nice from the Genoa Road
1865
48
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
49
Edward Lear, 1812–1888
La Cava, 20 July 1838
1838
50
Edward Lear, 1812–1888
Corfu
ca. 1856
51
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
52
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
53
Edward Lear, 1812–1888
Harb. Gozo
1866
54
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
55
Edward Lear, 1812–1888
A View of the Pine Woods Above Cannes
1869
56
Edward Lear, 1812–1888
Albania
between 1848 and 1849
57
Edward Lear, 1812–1888
Gozo, near Malta
1866
58
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta
1867
59
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
60
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
1867
61
Edward Lear, 1812–1888
Kurayim
1867
62
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
63
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
64
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
65
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
66
Thomas Girtin, 1775–1802
A Border Tower
undated
67
Print made by Sybil Andrews, 1898–1992
Fall of the Leaf
1934
68
James Sowerby, 1756–1822
Elephant with Rider
undated
69
James Sowerby, 1756–1822
Quagga Zebra
ca. 1824
70
Print made by Robert Barnes, 1840–1895
Two Girls Under an Umbrella
undated
71
Print made by Alfred W. Cooper, active 1850–1901
The Young Squire
undated
72
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
73
Print made by Sir Frank Short, 1857–1945
Old Wind-Pump on Hayling Island
1908
74
Print made by Anthony Cardon, 1772–1813
Credulity
1796
75
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
76
Print made by Alfred W. Cooper, active 1850–1901
The Deserted Nest
undated
77
Print made by Alfred W. Cooper, active 1850–1901
Lambing Time
undated
78
Print made by Alfred W. Cooper, active 1850–1901
The Deserted Nest (tail piece)
undated
79
Print made by Alfred W. Cooper, active 1850–1901
Lambing Time (tail piece)
undated
80
unknown artist
A Donkey
1756
81
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
82
Sir Francis Seymour Haden, 1818–1910
Windmill Hill, no. 1
1877
83
Sir Francis Seymour Haden, 1818–1910
Windmill Hill, no. 2
1877
84
Sir Francis Seymour Haden, 1818–1910
Windmill Hill, no. 2
1877
85
Sir Francis Seymour Haden, 1818–1910
Encombe Woods, no. 2
1881-1882
86
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
87
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
88
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
89
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
90
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
91
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
92
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
93
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
94
Print made by Jean B. C. Chatelain, 1710–1771
Man Chopping Wood
1737
95
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
96
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
97
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
98
Print made by George Bickham the Elder, 1683/4–1758
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)