Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
2
Edward Lear, 1812–1888
Jericho, 7 May 1858
1858
3
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
4
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
5
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
6
Sir Richard Colt Hoare, 1758–1838
The Convent of St. Cosimato, and part of the Claudian Aqueduct
1786 to 1819
7
Sir Richard Colt Hoare, 1758–1838
Remains of the Claudian Aqueduct near the Convent of S. Cosimato
1786 to 1819
8
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
9
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
10
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
11
Willey Reveley, 1760–1799
Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
ca. 1785
12
John Warwick Smith, 1749–1831
The Colosseum, Rome
1802
13
Robert Dunkarton, 1744–1811
Portrait of Mr. James Brindley
1770
14
Print made by John Luard, 1790–1875
Simla
between 1832 and 1838
15
Attributed to John Ruskin, 1819–1900
Study after the Story of Apollo and Daphne
undated
16
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
17
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna