On-site Access: Accessible by appointment in the Study Room / Width [cm]: 53

1. Design for Omega Workshops Fabric

Creator:: Vanessa Bell, 1879–1961
Date:: 1913
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:: Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Pistil Mawddach, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: between 1835 and 1836
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen and iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 20 1/4 inches (38.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. New Harbour, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/8 x 20 7/8 inches (18.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: between 1749 and 1802
Materials & Techniques:: Black ink with watercolor over graphite on moderately thick moderately textured white laid paper
Dimensions:: Sheet: 14 1/4 x 21 inches (36.2 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

16. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

17. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

18. Design for a Fan

Creator:: Angelica Kauffmann, 1741–1807
Date:: 1775
Materials & Techniques:: Watercolor, gouache and gold over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Apollo and Daphne

Creator:: Master of the Giants, active 1779
Date:: between 1770 and 1799
Materials & Techniques:: Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Church of Notre Dame, Bruges

Creator:: Samuel Austin, 1796–1834
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 5/8 × 22 3/4 inches (47.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. An English Man of War, Starboard Quarter View: Possibly the Victory

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Cobham Hall, Kent: Section of a Turret

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Cobham Hall, Kent: Plan of Parlor Floor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Album of 30 Views in the Tyrol and Italy: South View of the Barqello or State Prison and Spire of the Badia 3.d May 1842

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Ranger, Private Ship of War, with her Prizes

Creator:: Nicholas Pocock, 1740–1821
Date:: 1780
Materials & Techniques:: Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:: Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Gateway of an Old Fort, Benares

Creator:: Lt. John Ritso, 1772–1866
Date:: 1793 or 179(8)
Materials & Techniques:: Watercolor, brown ink and black ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Design of Masks

Creator:: Francois Boitard, ca. 1670–1715
Date:: 1710
Materials & Techniques:: Pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 20 13/16 inches (37.1 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. M. Kearney's "Brown Red"

Creator:: Harry Lyman, active 1886
Date:: 1886
Materials & Techniques:: Pastel on moderately thick, slightly textured, brown wove paper mounted on linen
Dimensions:: Sheet: 25 × 21 inches (63.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Melville and Naomi Stone

30. M. Kearney's "Ginger Red"

Creator:: Harry Lyman, active 1886
Date:: 1886
Materials & Techniques:: Pastel on moderately thick, slightly textured, brown wove paper mounted on linen
Dimensions:: Sheet: 25 × 21 inches (63.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Melville and Naomi Stone

31. Fisherman and Dog Sitting by the Coast

Creator:: George Morland, 1763–1804
Date:: 1803
Materials & Techniques:: Graphite touched with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 1/4 x 20 7/8 inches (46.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Album of 30 Views in the Tyrol and Italy: Entrance to the Barqello, Florence 1st. May 1842

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Welsh Mountain Stream

Creator:: David Cox Jr., 1809–1885
Date:: ca. 1850
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, graphite, and scratching out on thick, rough, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 3/4 inches (37.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View on the Thames at Battersea

Creator:: pupil of John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 7/8 inches (33.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Cape Aia and Balaklava Bay, 1854

Creator:: Gaspard Le Marchant Tupper, 1862–1906
Date:: 1854
Materials & Techniques:: Watercolor and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 21 inches (18.7 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Troops Disembarking

Creator:: Attributed to Dominic Serres, 1722–1793
Date:: 1758-1793
Materials & Techniques:: Pen and brown ink and brown wash on Thin, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 20 7/8 inches (33.7 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Unidentified Temple Faustana (?)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A View of the Chapel and Hall of Oriel College

Creator:: Print made by James Basire, Sr., British, 1730 - 1802
Date:: 1807
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. No. 21 view from the North Angle of the peristyle of the temple

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 21 inches (40.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. No. 25 drawing of temple remains at Baalbec or Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 20 3/4 inches (40 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 20 3/4 inches (36.8 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. [Shooting] The Spanish Pointer

Creator:: William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Engraving and etching, first state
Dimensions:: Sheet: 17 1/2 x 22 1/8in. (44.4 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Le Havre and Le Manche: A Map of Le Havre

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

44. Shooting, Plate I

Creator:: William Woollett, 1735–1785
Date:: 1769
Materials & Techniques:: Engraving and etching, fifth published state
Dimensions:: Sheet: 17 1/2 x 21 3/4in. (44.5 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Shooting, Plate III

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching
Dimensions:: Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Shooting, Plate II

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving with etching, fifth state
Dimensions:: Image: 15 1/2 x 20 13/16in. (39.4 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Shooting, Plate IV

Creator:: William Woollett, 1735–1785
Date:: 1771
Materials & Techniques:: Engraving with etching
Dimensions:: Sheet: 17 1/2 x 21 15/16in. (44.4 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. [Racing]: (2) Darley Arabian - "Roxana"

Creator:: James R. Mackrell, c.1815–1846
Date:: 1842
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 7/8in. (42.5 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Road Near Bettws-y-Coed

Creator:: George Price Boyce, 1826–1897
Date:: 1851
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/8 x 20 7/8 inches (37.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Sir Charles Cotton

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1812
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 3/8 x 20 7/8in. (39.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

52. The Spanish Pointer

Creator:: John Buckler FSA, 1770–1851
Date:: ca. 1799
Materials & Techniques:: Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sketch of Temple Ruins

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 3/4 inches (39.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. River Landscape with Castles

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 21 inches (32.7 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

55. Shops and Livery Stable, in Bishopsgate

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 3/8 × 21 inches (36.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Penmanmawr

Creator:: David Cox, 1783–1859
Date:: 1855
Materials & Techniques:: Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:: Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. South East View of St. Paul's Cathedral

Creator:: Daniel Havell, 1785–1826
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A Red Throated Diver, June 1742

Creator:: Charles Collins, 1680–1744
Date:: 1742
Materials & Techniques:: Watercolor, gouache, brown ink on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A Guillemot, June 1742

Creator:: Charles Collins, 1680–1744
Date:: 1742
Materials & Techniques:: Watercolor, gouache, brown pen on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 14 7/8 × 21 inches (37.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. North East View of a House at Ringmer with Cattle and Sheep by a Pond

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1787
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 20 15/16 inches (37.9 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Storm

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 × 21 inches (47.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Mountain Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 20 7/8 inches (33.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

63. Landscape with River, Castle and Mountains

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 x 21in. (32.1 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

64. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. We Won't Fight Anybody

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, black wash, blue chalk, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 11/16 inches (34.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

70. Reconstruction of the Second Theatre at Laodicea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 13/16 x 20 15/16 inches (37.6 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Castle of Balzerrano, in Abbruzo

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 20 7/8 inches (39.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Mill at Marino, near Rome

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 15/16 inches (34 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. MacBeth meeting the Witches

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving, proof before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 21 9/16 inches (40.6 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Middle Temple Hall, London

Creator:: James Peller Malcolm, 1767–1815
Date:: 1800
Materials & Techniques:: Steel engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 20 7/8 inches (43.2 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Stoke Poges Churches

Creator:: Douglas Morison, 1814–1847
Date:: undated
Materials & Techniques:: Lithograph on medium, smooth, beige wove paper
Dimensions:: Mount: 17 3/16 × 24 inches (43.7 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Kew: The White House, Orangery, and Temple of Arethusa

Creator:: Print made by William Elliot, active 1774, died 1792
Date:: ca. 1760
Materials & Techniques:: Engraving hand colored in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 14 1/2 x 21in. (36.8 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. View of Lake Nemi

Creator:: John Eginton, active 1763–1800
Date:: 1781
Materials & Techniques:: Aquatint, proof before letters
Dimensions:: Sheet: 16 9/16 x 20 7/8in. (42.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. John Masefield No. 3

Creator:: Print made by William Strang, 1859–1921
Date:: 1909
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper with beige chine-collé
Dimensions:: Sheet: 24 × 20 7/8 inches (61 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A View of Pont Neuf, the Mint, etc.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1802
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 8 1/4 × 21 inches (21 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Fishery

Creator:: Print made by William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Near the Caravan Bridge, Smyrna

Creator:: William James Muller, 1812–1845
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 20 3/4 inches (35.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. South Prospect of Prescot in Lancashire

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1744
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 14 1/4 x 21in. (36.2 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sir David Baird discovering the body of Tipu Sultan

Creator:: Print made by John Burnet, 1784–1868
Date:: 1843
Materials & Techniques:: Mezzotint, published state
Dimensions:: Sheet: 32 x 21in. (81.3 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Cross and Moot Hall at Ipswich

Creator:: John Bluck, active 1791–1831
Date:: 1812
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/2 x 20 3/4in. (41.9 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Great Britain Iron Steam Ship

Creator:: Thomas Picken, 1815–1870
Date:: 1846
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A View of Foots-Cray Place in Kent, The Seat of Bourchier Cleeve, Esq.

Creator:: William Woollett, 1735–1785
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 5/8 x 20 7/8in. (37.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight

Creator:: Francis Jukes, 1747–1812
Date:: 1785
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Windmill, Wandsworth Surrey

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 21 inches (28.6 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

95. Tinmouth Castle from the North with a View of the Haven

Creator:: Francois Vivares, 1709–1780
Date:: 1747
Materials & Techniques:: Engraving tinted with watercolor
Dimensions:: Sheet: 14 1/2 x 20 7/8in. (36.8 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A View of Walton Bridge, Venus's Temple...in the Garden of Sir Francis Dashwood, Bt. at West Wycomb, Bucks

Creator:: William Woollett, 1735–1785
Materials & Techniques:: Engraving
Dimensions:: Plate: 14 1/4 x 20 3/4in. (36.2 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

98. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

99. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

100. [Racing]: (1) Godolphin Arabian - "Scham"

Creator:: James R. Mackrell, c.1815–1846
Date:: 1842
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 3/4 x 20 7/8in. (42.5 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Width [cm] 53

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1. Design for Omega Workshops Fabric

2. Pistil Mawddach, North Wales

3. A Shepherd and his Flock under the Moon and Stars

4. Study of Waves

5. Tiger Skeleton, Lateral View

6. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

7. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

8. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

9. Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)

10. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

11. Tiger Body, Lateral View

12. Tiger Body, Lateral View

13. Turin, Italy

14. New Harbour, Malta

15. Howard Visiting a Prison

16. Howard Visiting a Prison

17. Prison Scene

18. Design for a Fan

19. Apollo and Daphne

20. Church of Notre Dame, Bruges

21. An English Man of War, Starboard Quarter View: Possibly the Victory

22. Cobham Hall, Kent: Section of a Turret

23. Cobham Hall, Kent: Plan of Parlor Floor

24. Album of 30 Views in the Tyrol and Italy: South View of the Barqello or State Prison and Spire of the Badia 3.d May 1842

25. The Ranger, Private Ship of War, with her Prizes

26. Gateway of an Old Fort, Benares

27. A Design of Masks

28. Nîmes from the Tour Magne

29. M. Kearney's "Brown Red"

30. M. Kearney's "Ginger Red"

31. Fisherman and Dog Sitting by the Coast

32. Album of 30 Views in the Tyrol and Italy: Entrance to the Barqello, Florence 1st. May 1842

33. Welsh Mountain Stream

34. View on the Thames at Battersea

35. Cape Aia and Balaklava Bay, 1854

36. Troops Disembarking

37. Unidentified Temple Faustana (?)

38. A View of the Chapel and Hall of Oriel College

39. No. 21 view from the North Angle of the peristyle of the temple

40. No. 25 drawing of temple remains at Baalbec or Palmyra

41. Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga

42. [Shooting] The Spanish Pointer

43. Le Havre and Le Manche: A Map of Le Havre

44. Shooting, Plate I

45. Shooting, Plate III

46. Shooting, Plate II

47. Shooting, Plate IV

48. [Racing]: (2) Darley Arabian - "Roxana"

49. A Road Near Bettws-y-Coed

50. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

51. Sir Charles Cotton

52. The Spanish Pointer

53. Sketch of Temple Ruins

54. River Landscape with Castles

55. Shops and Livery Stable, in Bishopsgate

56. Penmanmawr

57. South East View of St. Paul's Cathedral

58. A Red Throated Diver, June 1742

59. A Guillemot, June 1742

60. North East View of a House at Ringmer with Cattle and Sheep by a Pond

61. A Storm

62. Mountain Landscape

63. Landscape with River, Castle and Mountains

64. Pantheum Romanum nunc Mariae Cognomento

65. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

66. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

67. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

68. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

69. We Won't Fight Anybody

70. Reconstruction of the Second Theatre at Laodicea

71. Castle of Balzerrano, in Abbruzo

72. A Mill at Marino, near Rome

73. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

74. MacBeth meeting the Witches