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Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
Thomas Girtin View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
1802
Richard Newton Pluck'd Pigeons
Richard Newton, 1777–1798
Pluck'd Pigeons
1792
Francis Jukes View of O'Sullivans Waterfall, Lake of Killarney, Ireland
Francis Jukes, 1747–1812
View of O'Sullivans Waterfall, Lake of Killarney, Ireland
1801
Samuel Alken North East View of Fort Louis in the Island of Martinique
Samuel Alken, 1756–1815
North East View of Fort Louis in the Island of Martinique
1796
Giovanni Battista Borra Gierusalemme
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
unknown artist Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
unknown artist
Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
1793
Francis Haward Mrs. Siddons in the Character of the Tragic-Muse
Francis Haward, 1759–1797
Mrs. Siddons in the Character of the Tragic-Muse
1787
Sir David Low Sitting Up and Taking Nourishment
Sir David Low, 1891–1963
Sitting Up and Taking Nourishment
undated
Sir David Low Pacificism Is Not Enough
Sir David Low, 1891–1963
Pacificism Is Not Enough
undated
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
John Young Domestic Happiness
John Young, 1755–1825
Domestic Happiness
ca. 1799
Samuel William Reynolds Her Grace the Duchess of Bedford
Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
unknown artist The South Sea House
Print made by unknown artist
The South Sea House
between 1720 and 1728
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
Samuel William Reynolds William Windham
Samuel William Reynolds, 1773–1835
William Windham
undated
Richard Earlom The West Window of the Chapel, New College Oxford:
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
George Siegmund Facius The Shepherd's Offering: West Window of the Chapel, New College Oxford
George Siegmund Facius, 1750–1804
The Shepherd's Offering: West Window of the Chapel, New College Oxford
1785
George Siegmund Facius West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Fortitude
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Fortitude
1782
John Henry Robinson The Mantilla
John Henry Robinson, 1796–1871
The Mantilla
1838
Sir Richard Colt Hoare Amphitheatre at Pola in Istria
Sir Richard Colt Hoare, 1758–1838
Amphitheatre at Pola in Istria
1788 to 1819
William Ward Sailors in a Fight
William Ward, 1766–1826
Sailors in a Fight
1798
unknown artist A View of the Temple of Concord
unknown artist
A View of the Temple of Concord
1814
Sir Frank Short 'Twixt Dawn and Day
Print made by Sir Frank Short, 1857–1945
'Twixt Dawn and Day
1919
Nathaniel Sparks Shakespeare's Church from the Meads
Nathaniel Sparks, 1880–1957
Shakespeare's Church from the Meads
undated
Abraham Raimbach The Cut Finger
Abraham Raimbach, 1784–1868
The Cut Finger
1819
Abraham Raimbach The Errand Boy
Abraham Raimbach, 1784–1868
The Errand Boy
1825
Thomas Bowles III The Admiralty Office
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
Francis Haward Mrs. Siddons in the Character of the Tragic Muse
Francis Haward, 1759–1797
Mrs. Siddons in the Character of the Tragic Muse
1787
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Temperance
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Faith
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Charity
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Charity
1781
George Siegmund Facius West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Prudence
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Prudence
1782
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Justice
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
Jacques Christophe Le Blon Self-portrait of Antonie van Dyck
Jacques Christophe Le Blon, 1667–1741
Self-portrait of Antonie van Dyck
1738
Jacques Christophe Le Blon Self-portrait of Antonie van Dyck
Jacques Christophe Le Blon, 1667–1741
Self-portrait of Antonie van Dyck
1738
Willey Reveley Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
Willey Reveley, 1760–1799
Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
ca. 1785
William Say Crossing the Brook
William Say, 1768–1834
Crossing the Brook
1804
James Basire II View of Exeter College, All Saints Church, &c. from the Turl
Print made by James Basire II, 1769–1822
View of Exeter College, All Saints Church, &c. from the Turl
1806
James Basire II Inside View of the East End of Merton College Chapel
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
James Basire II Inside View of the Hall of Christ Church
Print made by James Basire II, 1769–1822
Inside View of the Hall of Christ Church
1807
John Goldar The Honey-moon from Modern Love III: Modern Love Pl. 2
John Goldar, 1729–1795
The Honey-moon from Modern Love III: Modern Love Pl. 2
1766
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
Louisa Augusta Greville Five People Praying
Louisa Augusta Greville, 1743–active 1762
Five People Praying
1760
R. F. Cahusac Athenaeum
Print made by R. F. Cahusac, active 1830
Athenaeum
1830
James Peller Malcolm The Middle Temple Hall, London
James Peller Malcolm, 1767–1815
The Middle Temple Hall, London
1800
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
William Pether A Hermit
William Pether, ca. 1738–1821
A Hermit
1770
William Henry Davis Ultima, One of Lord Maynard's Mares
William Henry Davis, active 1803–1849
Ultima, One of Lord Maynard's Mares
1815
Thomas Horner A Meet at Bachelors' Hall in the Vale of Neath, Wales
Thomas Horner, 1785–1844
A Meet at Bachelors' Hall in the Vale of Neath, Wales
undated
Samuel Howitt Foxhunting: Breaking Cover
Samuel Howitt, 1756–1822
Foxhunting: Breaking Cover
undated
Samuel Howitt Foxhunting: The Death
Samuel Howitt, 1756–1822
Foxhunting: The Death
undated
Thomas Rowlandson A Horse Sale in Hopkins's Repository, Barbican
Thomas Rowlandson, 1756–1827
A Horse Sale in Hopkins's Repository, Barbican
between 1798 and 1800
Alexander Befelein St. Paul's Cathedral
Alexander Befelein, born 1952
St. Paul's Cathedral
1988
John Buckler FSA North West view of Charlton House, Kent; The Seat of Lady Wilson
John Buckler FSA, 1770–1851
North West view of Charlton House, Kent; The Seat of Lady Wilson
1815
John Buckler FSA North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
John Buckler FSA, 1770–1851
North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
1812
Richard Gilson Reeve Plate 1. Woodcock Shooting
Richard Gilson Reeve, 1803–1889
Plate 1. Woodcock Shooting
1813
Charles Turner [Boxing] Mr. John Jackson. From am original in the possession of Sir Henry Smyth.
Charles Turner, 1774–1857
[Boxing] Mr. John Jackson. From am original in the possession of Sir Henry Smyth
1810
Charles Hunt Harkaway
Charles Hunt, 1803–1877
Harkaway
1839
unknown artist A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
Thomas Bowles III A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
Thomas Bowles III, ca. 1712–1767
A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
Matthew Dubourg The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
James Basire II Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire II Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
Thomas Langley The East Elevation of Windsor Castle, as built by Edward III
Thomas Langley, 1702–1751
The East Elevation of Windsor Castle, as built by Edward III
Lewis Vulliamy Design for a Chapel at Enfield: Longitudinal Section
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
Thomas Daniell Gumti River, Upper India
Thomas Daniell, 1749–1840
Gumti River, Upper India
undated
John Buckler FSA South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk
John Buckler FSA, 1770–1851
South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk
1810
Nathaniel Parr The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford
Nathaniel Parr, active 1742–1751
The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford
Paul Fourdrinier A Sea Engagement between the English and Algerines
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
Remi Parr The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Print made by Remi Parr, 1743–after 1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
Thomas Sutherland Set of four - Fox-hunting: Unkennelling
Thomas Sutherland, ca. 1785–1838
Set of four - Fox-hunting: Unkennelling
1813
Thomas Sutherland Set of four - Fox-hunting: Full Cry
Thomas Sutherland, ca. 1785–1838
Set of four - Fox-hunting: Full Cry
1813
Thomas Sutherland Set of four - Fox-hunting: Breaking Cover
Thomas Sutherland, ca. 1785–1838
Set of four - Fox-hunting: Breaking Cover
1813
Thomas Sutherland Set of four - Fox-hunting: The Death
Thomas Sutherland, ca. 1785–1838
Set of four - Fox-hunting: The Death
1813
Thomas Sutherland Set of four - Fox-hunting. Going to Cover
Thomas Sutherland, ca. 1785–1838
Set of four - Fox-hunting. Going to Cover
1818
Thomas Sutherland Set of four- Fox-hunting. Breaking Cover
Thomas Sutherland, ca. 1785–1838
Set of four- Fox-hunting. Breaking Cover
1818
Thomas Sutherland Set of four- Fox-hunting. Full Cry
Thomas Sutherland, ca. 1785–1838
Set of four- Fox-hunting. Full Cry
1818
Thomas Sutherland Set of four- Fox-hunting. The Death
Thomas Sutherland, ca. 1785–1838
Set of four- Fox-hunting. The Death
1818
unknown artist The Battle of Taniers, Part Second
Print made by unknown artist
The Battle of Taniers, Part Second
undated
unknown artist A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
unknown artist
A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
unknown artist The Battle of Ramillies MDCCVI
Print made by unknown artist
The Battle of Ramillies MDCCVI
undated
Paul Fourdrinier Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever
Paul Fourdrinier, 1698–1758
Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever
unknown artist A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
unknown artist
A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
unknown artist A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road
unknown artist
A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road
unknown artist A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford
unknown artist
A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford
unknown artist A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
unknown artist
A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
unknown artist A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
unknown artist
A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
unknown artist A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London
unknown artist
A View of the Bridge over the Thames at Walton in Surry, distance 20 miles from London
Remi Parr The Assault on the Main Body of the Palace;...
Remi Parr, 1743–after 1750
The Assault on the Main Body of the Palace;..
unknown artist The Royal Palace of Windsor
unknown artist
The Royal Palace of Windsor
unknown artist Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames
unknown artist
Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames
Remi Parr How Sallies are defended and repulsed;...
Remi Parr, 1743–after 1750
How Sallies are defended and repulsed;..
Remi Parr The Attack of Two Bastions, the Breaches being Made by the Miner
Remi Parr, 1743–after 1750
The Attack of Two Bastions, the Breaches being Made by the Miner
1760 to 1770