Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
4
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
5
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
6
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
7
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
8
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
9
Cornelius Varley, 1781–1873
Ship Study
1823
10
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
11
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
12
Print made by Johann Jacobus Haid, 1704–1767
Men Playing Cards
undated
13
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
14
Samuel Howitt, 1756–1822
The Village Inn
1798
15
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
16
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
17
Peter Casteels, 1684–1749
Feeding Ducks
undated
18
Print made by Andrew Fairbairn Affleck, 1874/7–1936
The Rialto
undated
19
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
20
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
21
Print made by Austin, Robert, 1895-1973, 1895–1973
Cadore
1927
22
Print made by Charles William Cain, 1893–1962
Shortened Canvas
undated
23
Print made by Charles William Cain, 1893–1962
Before the Breeze
undated
24
Print made by Charles William Cain, 1893–1962
120 Degrees, Tigris
ca. 1926
25
Print made by Sir Muirhead Bone, 1876–1953
Salvage Men, World War I
1919
26
Print made by Charles William Cain, 1893–1962
Aka-Kuf
undated
27
Print made by Charles William Cain, 1893–1962
The Canoe Builders
undated
28
George Morland, 1763–1804
A Hop Kiln
1795
29
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
30
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
31
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
32
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
33
Paul Sandby, 1731–1809
Bayswater - London
undated
34
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
35
Print made by Jacob Gole, 1660–1737
The Quakers' Meeting
undated
36
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
37
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
38
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
40
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
41
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
42
Print made by James Caldwall, 1739–1819
The Macarony Brothers
1772
43
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
44
Print made by James Caldwall, 1739–1819
Now Sir, You're a Complete Macaroni
1772
45
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
46
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
47
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
48
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
49
Peter DeWint, 1784–1849
Building a Hayrick
undated
50
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
51
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
52
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
53
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
54
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
55
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
57
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
58
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
59
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
60
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
61
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
63
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
64
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
65
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
66
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
67
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
68
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
69
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
70
Print made by unknown artist
Harvest
undated
71
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
72
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
73
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
74
Richard Dadd, 1817–1886
Family Portraits
1838
75
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
76
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
77
Print made by Robert Spence, 1871–1964
The Next Day Wee Passed on..
between 1890 and 1911
78
Richard Cosway, 1742–1821
Supper at Emmaus
undated
79
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
80
attributed to Mauritius Lowe, 1746–1793
Study of Classical Figures
undated
81
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
82
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
83
Bruce Davidson, born 1933
Coal Miners Next to Work Horse
1965
84
Bruce Davidson, born 1933
Man Washing in Bucket of Water
1965
85
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
86
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
87
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
88
James McNeill Whistler, 1834–1903
Battersea Reach
1863
89
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
90
Lewis Morley, 1925–2013
Lonely Hearts Club
1960s
91
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
92
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
93
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
94
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
95
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
96
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll