Charles James Fox, with Lady Sarah Lenox and Lady Susan Strangways
1762
11
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
12
Print made by Thomas Nugent, active 1785–1798
Mrs. Sheridan and Her Son
1800
13
Print made by Samuel Cousins, 1801–1887
Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
1832
14
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
15
Print made by James Walker, 1748–1808
Lady Isabella Hamilton
1782
16
Print made by William Dickinson, 1746–1823
Diana, Viscountess Crosbie
ca. 1779
17
Print made by Samuel William Reynolds, 1773–1835
Georgiana Elizabeth Duchess of Newcastle
1825
18
Print made by William Ward, 1766–1826
Henry Callender
1812
19
Print made by William Say, 1768–1834
Dorothea
1804
20
Print made by Charles Turner, 1774–1857
Admiral Lord Nelson
1806
21
Print made by Johann Jacobé, 1733–1797
The Honorable Miss Monckton
1779
22
Print made by Thomas Watson, 1743–1781
Elizabeth Lady Melbourne with Her Son, the Honourable. Peniston Lamb
1775
23
Print made by John Raphael Smith, 1752–1812
Lady Caroline Montagu as 'Winter'
1777
24
Print made by John Jones, ca. 1745–1797
The Honble Mrs. Tollemache, in the Character of Miranda
1786
25
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
26
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
27
James Heath, 1757–1834
William Henry West Betty
1806
28
Print made by William Miller, 1796–1882
The Grand Canal, Venice
1838
29
Thomas Watson, 1743–1781
Mrs. Theresa (née Robinson) Parker
1773
30
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
31
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
32
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
33
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
34
Print made by Graham Vivian Sutherland, 1903–1980
Owl
1968
35
Robert K. Thomas, 1816–1864
The "Meteor" and "Prince of Wales" Iron Steam Vessels
1844
36
Herbert Edward Sedcole, Born 1864
Leaving the Hills
1900
37
Print made by John Martin, 1789–1854
The Deluge
1828
38
William Say, 1768–1834
Crossing the Brook
1804
39
William Emmett, 1671–1736
The Front or West End of the Cathedral Church of St. Pauls, London
1702
40
James Ward, 1769–1859
The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
41
Print made by John McLean, 1939–2019
Cuthbert Cockalorum
1995
42
Print made by John Raphael Smith, 1752–1812
Mrs. Carnac
1778
43
Edward Scriven, 1775–1841
Julius Caesar: Act IV Scene III: Brutus' Tent ..
1802
44
Charles Bestland, 1763–ca. 1837
Portraits of the Royal Academicians
1802
45
Charles E. Wagstaff, 1808–
The Golfers. A Grand Match Player over St. Andrew's Links. By Sir David Baird...and Sir Ralph Anstruther...against Major Playfair and John Campbell
1850
46
William Ward, 1766–1826
Horne Tooke Esq
1811
47
John Raphael Smith, 1752–1812
Sir Harbord Harbord Bart
1783
48
Francesco Bartolozzi, 1728–1815
The Death of Chatham
1788
49
William Ward, 1766–1826
Industry and Economy
1794
50
William Ward, 1766–1826
[Golf] Henry Callender Esq're. To the Society of Goffers at Blackheath
1812
51
James Gillray, 1756–1815
Evacuation Before Resignation
1782
52
John Raphael Smith, 1752–1812
Portrait of Richard Arkwright
1801
53
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
54
Henry Moore, 1898–1986
Hommage à Rodin
1966
55
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
56
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
57
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
58
James Gillray, 1756–1815
Duke William's Ghost
1799
59
James Gillray, 1756–1815
The Injured Countess
1786-1788
60
James Gillray, 1756–1815
The Castle in the Moon
1782
61
James Gillray, 1756–1815
Wouski
1788
62
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
63
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
64
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
65
James Gillray, 1756–1815
Sawney in the Bog-House
1779
66
James Gillray, 1756–1815
The Fall of Phaeton
1788
67
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
68
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
69
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
70
James Gillray, 1756–1815
Patience on a Monument
1791
71
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
72
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
73
James Gillray, 1756–1815
Wha Wants Me?
1792
74
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
75
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
76
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
77
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
78
James Gillray, 1756–1815
National Conveniences
1796
79
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
80
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
81
James Gillray, 1756–1815
The Grand - Signior retiring
1796
82
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
83
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
84
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
85
James Gillray, 1756–1815
Brisk Cathartic
1804
86
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
87
James Gillray, 1756–1815
Palemon and Lavinia
1805
88
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
89
James Gillray, 1756–1815
Junction of Parties
1783
90
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
91
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
92
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
93
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
94
James Gillray, 1756–1815
Fashionable Jockeyship
1796
95
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
96
James Gillray, 1756–1815
Playing in Parts
1801
97
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797