'Disease invades the chastest temperence' (Page 10)
ca. 1797
3
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
4
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
5
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
7
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
8
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
9
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
10
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
11
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
12
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
13
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
14
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
15
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
16
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
17
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
18
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
19
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
20
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
21
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
22
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
23
James Sowerby, 1756–1822
A Dove
undated
24
James Sowerby, 1756–1822
A Bird
undated
25
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume I
undated
26
Charles Hamilton Smith, 1776–1859
Views of Polar Regions
undated
27
Peter Lanyon, 1918–1964
Battleship
ca. 1944
28
Print made by James Watson, 1740–1790
James Paine and his Son
1767
29
Print made by Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
30
Print made by James Watson, 1740–1790
Sir Joshua Reynolds, P.R.A., F.R.S., LL.D
c.1770
31
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
32
Print made by Johann Jacobus Haid, 1704–1767
La gouvernante
undated
33
Print made by William Dickinson, 1746–1823
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
34
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
35
Print made by James Watson, 1740–1790
Right Hon. John Hely Hutchinson, LL.D
1778
36
Print made by William Doughty, 1757–1782
Samuel Johnson, L. L. D
1779
37
Print made by James Watson, 1740–1790
Mrs. Henry Bunbury
1778
38
Print made by William Doughty, 1757–1782
The Honorable Augustus Keppel, Admiral of the Blue
1779
39
Print made by James Watson, 1740–1790
Frances Russell, Marquess of Tavistock
1767
40
Print made by Johann Jacobus Haid, 1704–1767
La benedicite
undated
41
Print made by Johann Jacobus Haid, 1704–1767
L'Antiquaire
undated
42
John Hamilton Mortimer, 1740–1779
York, "Henry IV", Part II, Act V, Scene IV
1775
43
John Hamilton Mortimer, 1740–1779
Edgar, "King Lear", Act III, Scene III
1775
44
Thomas Watson, 1743–1781
Lucy Hardinge (née Long)
1780
45
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
46
Valentine Green, 1739–1813
John Hamilton Mortimer, Esq
1779
47
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
48
Valentine Green, 1739–1813
John Boydell, Engraver
1772
49
John Blackmore, active 1740–1780
Samuel Foote
1771
50
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
51
Print made by John Blackmore, active 1740–1780
Samuel Foote Esq
1771
52
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
53
Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
54
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
55
Edward Scriven, 1775–1841
George Colman, The Elder
1813
56
Charles Howard Hodges, 1764–1837
Mrs. Williams Hope of Amsterdam
1788
57
Thomas Watson, 1743–1781
Henrietta, Countess of Rochester
1779
58
Thomas Watson, 1743–1781
Frances Teresa Stewart, Duchess of Richmond and Lennox
1779
59
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
60
James Mitchell, 1791–1852
Rat Hunters
1830
61
John Young, 1755–1825
The Flower Girl
1785
62
John Watts, active 1766–1786
Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
1780
63
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
64
James Watson, 1740–1790
Mrs.Catherine Bunbury (née Horneck)
1778
65
pupil of Francis Towne, 1740–1816
The Road to the Lake
undated
66
Print made by Richard Earlom, 1743–1822
James McArdell
1771
67
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
68
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
69
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
70
Charles Hamilton Smith, 1776–1859
Port Passages
undated
71
David Hockney, born 1937
Panama Hat
1972
72
Charles Hamilton Smith, 1776–1859
Salsona Catalonia
undated
73
Charles Hamilton Smith, 1776–1859
Bridge
undated
74
Charles Hamilton Smith, 1776–1859
Falls of the Chulilla
undated
75
Charles Hamilton Smith, 1776–1859
Entrance to the Hall of Ambassadors, Alcazar at Seville