On-site Access: Accessible by appointment in the Study Room / Height [cm]: 31 / Width [cm]: 31

Print made by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Sir Max Beerbohm, 1872–1956

Messrs. Carfax

undated

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

Joseph Cartwright, c.1789–1829

Single Brig with Union Jack and Three Figures

1821

Keith Vaughan, 1912–1977

Night Despatch Rider - Tea in a Café

1943

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827-1838

Print made by William Ward, 1766–1826

Elizabeth, Countess of Mexborough

1784

Print made by Charles White, active 1784

Le Moment de la Reflexion

1784

Print made by Thomas Jeavons, ca. 1800–1867

Knaresborough, Yorkshire

1827-1838

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1827-1838

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1827-1838

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1827-1838

Robert Price, 1717–1761

A Bridge in a Landscape

undated

Print made by Robert Brandard, 1805–1862

Dunstanborough Castle, Northumberland

1827-1838

Print made by Thomas Higham, 1796–1844

Ely Cathedral, Cambridgeshire

1833

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by E. J. Dumée, active 1790

Connubial Happiness

1786

John Faber the Younger, ca. 1695–1756

Alexander Pope

ca. 1744

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Rio Malibran

undated

William Say, 1768–1834

The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon

1811

Thomas Rowlandson, 1756–1827

Four O'Clock in the Country

between 1788 and 1790

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

unknown artist

South Front of the Bank

1798

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by John Doyle ('H.B.'), 1797–1868

An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

1847

Charles Samuel Keene, 1823–1891

An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

undated

Print made by Isaac Beckett, 1652/3–1719

Godfrey Kneller

1685

Print made by John Doyle ('H.B.'), 1797–1868

Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"

1847

Print made by John Doyle ('H.B.'), 1797–1868

The Rivals: Extremes Meet

1848

Print made by John Doyle ('H.B.'), 1797–1868

The Harpies Attacking the Daughters of Pandarus

1848

Print made by Rebecca Salter, born 1955

Quadra 2

2010

Print made by Rebecca Salter, born 1955

Quadra 4

2010

Print made by Rebecca Salter, born 1955

Quadra 3

2010

Print made by Rebecca Salter, born 1955

Quadra 1

2010

Thomas Rowlandson, 1756–1827

A High Waterfall

undated