Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
49
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
50
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
51
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
52
Attributed to Joseph Mallord William Turner, 1775–1851
Whitchurch, Devonshire
1800
53
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
54
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
55
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
56
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
57
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
58
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
59
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
60
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
61
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
62
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
63
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
64
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
65
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
66
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
67
Print made by William Blake, 1757–1827
The Lord Answering Job out of the Whirlwind
1825
68
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1825
69
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
70
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
71
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
72
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
73
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
74
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
75
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
76
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
77
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
78
William Blake, 1757–1827
A Visionary Head
1819 to 1820
79
Edward Lear, 1812–1888
Albenga
1864
80
Edward Lear, 1812–1888
Garf Hassai, Malta
1866
81
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
82
Edward Lear, 1812–1888
Sketchbook of Shipping Scenes, from August 1845 to July 1846
1845 to 1846
83
Edward Lear, 1812–1888
A Weasel
1832
84
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
85
Edward Lear, 1812–1888
Catania
1847
86
George Romney, 1734–1802
Study of Two Figures and a Face
undated
87
George Romney, 1734–1802
Study of a Horse's Hooves
undated
88
George Romney, 1734–1802
Standing Figure with Upraised Arms
undated
89
George Romney, 1734–1802
Seated Woman
undated
90
George Romney, 1734–1802
Charity
undated
91
George Romney, 1734–1802
Standing Figure
undated
92
John Baverstock Knight, 1785–1859
Portrait of a Youth in a Fur Hat
undated
93
John Martin, 1789–1854
Rocky River Landscape
undated
94
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
95
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
96
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
97
Francis Place, 1647–1728
View of Windsor Castle
undated
98
Charles Tomkins, 1757–1823
Shrewsbury House, Isleworth, Middlesex
undated
99
John Augustus Atkinson, 1775–1831
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo
1815
100
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815