Print made by Joseph Mallord William Turner, 1775–1851
The Evening Gun
ca. 1825
46
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
47
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
48
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
49
Attributed to Joseph Mallord William Turner, 1775–1851
Whitchurch, Devonshire
1800
50
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
51
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
52
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
53
Edward Lear, 1812–1888
Albenga
1864
54
Edward Lear, 1812–1888
Garf Hassai, Malta
1866
55
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
56
Edward Lear, 1812–1888
Sketchbook of Shipping Scenes, from August 1845 to July 1846
1845 to 1846
57
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
58
Edward Lear, 1812–1888
A Weasel
1832
59
Edward Lear, 1812–1888
Catania
1847
60
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
61
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
62
Print made by William Blake, 1757–1827
The Lord Answering Job out of the Whirlwind
1825
63
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1825
64
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
65
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
66
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
67
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
68
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
69
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
70
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
71
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
72
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
73
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
74
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
75
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
76
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
77
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
78
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
79
Text by William Blake, 1757–1827
A Descriptive Catalogue of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
80
William Blake, 1757–1827
A Visionary Head
1819 to 1820
81
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
82
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
83
George Romney, 1734–1802
Study of a Horse's Hooves
undated
84
George Romney, 1734–1802
Study of Two Figures and a Face
undated
85
George Romney, 1734–1802
Charity
undated
86
George Romney, 1734–1802
Seated Woman
undated
87
George Romney, 1734–1802
Standing Figure
undated
88
George Romney, 1734–1802
Standing Figure with Upraised Arms
undated
89
Michel Jean Cazabon, 1813–1888
Trinity Church, Port of Spain
1851
90
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape Composition
1801
91
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
92
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
93
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
94
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
95
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
96
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
97
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
98
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
99
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
100
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance