On-site Access: Accessible by appointment in the Study Room / Height [cm]: 15 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

On-site Access Accessible by appointment in the Study Room

Height [cm] 15

Vanessa Bell Dahlias

Print made by Vanessa Bell, 1879–1961

Dahlias

1918

Francis Danby Oberon and Titania

Francis Danby, 1793–1861

Oberon and Titania

1837

Robert Polhill Bevan A Harrow in the Orchard

Robert Polhill Bevan, 1865–1925

A Harrow in the Orchard

ca. 1896

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer Cornfield and Church by Moonlight

Samuel Palmer, 1805–1881

Cornfield and Church by Moonlight

early 1830s

Samuel Palmer Study of Waves

attributed to Samuel Palmer, 1805–1881

Study of Waves

undated

Samuel Palmer The Bright Cloud

Samuel Palmer, 1805–1881

The Bright Cloud

undated

Samuel Palmer The Rising Moon

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer Harvest under a Crescent Moon

Print made by Samuel Palmer, 1805–1881

Harvest under a Crescent Moon

ca. 1826

George Stubbs A Tyger (Sleeping Leopard)

George Stubbs, 1724–1806

A Tyger (Sleeping Leopard)

1788

Joseph Mallord William Turner Paestum

Print made by Joseph Mallord William Turner, 1775–1851

Paestum

ca. 1825

Joseph Mallord William Turner Shields Lighthouse

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

1820 to 1826

Joseph Mallord William Turner Shields Lighthouse

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

1820 to 1826

Joseph Mallord William Turner Bridge and Monument

Print made by Joseph Mallord William Turner, 1775–1851

Bridge and Monument

1820 to 1825

Joseph Mallord William Turner Catania, Sicily

Print made by Joseph Mallord William Turner, 1775–1851

Catania, Sicily

ca. 1825

Joseph Mallord William Turner Gloucester Cathedral

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

1820 to 1825

Joseph Mallord William Turner Weymouth

Joseph Mallord William Turner, 1775–1851

Weymouth

ca. 1811

Joseph Mallord William Turner Santa Lucia, A Convent near Caserta

Joseph Mallord William Turner, 1775–1851

Santa Lucia, A Convent near Caserta

ca. 1795

Joseph Mallord William Turner Teignmouth, Devonshire

Joseph Mallord William Turner, 1775–1851

Teignmouth, Devonshire

ca. 1813

Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore

Joseph Mallord William Turner, 1775–1851

From the Isola Borromena, Lago Maggiore

ca. 1795

Joseph Mallord William Turner Shields Lighthouse

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

between 1820 and 1826

Joseph Mallord William Turner Ship in a Storm

Print made by Joseph Mallord William Turner, 1775–1851

Ship in a Storm

between 1820 and 1826

Joseph Mallord William Turner Gloucester Cathedral

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

between 1820 and 1826

Joseph Mallord William Turner Paestum

Print made by Joseph Mallord William Turner, 1775–1851

Paestum

between 1820 and 1826

Edward Lear Peppering. 20 October. 1834

Edward Lear, 1812–1888

Peppering. 20 October. 1834

1834

Edward Lear Sheikh El Wachshee, El Luxor

Edward Lear, 1812–1888

Sheikh El Wachshee, El Luxor

1867

Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)

Edward Lear, 1812–1888

Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)

1867

Edward Lear Opposite Beni Hassan

Edward Lear, 1812–1888

Opposite Beni Hassan

1867

Edward Lear Avenue of Trees

Edward Lear, 1812–1888

Avenue of Trees

1867

Edward Lear Lago d'Iseo

Edward Lear, 1812–1888

Lago d'Iseo

1867

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

1794

William Blake Praying Child and Howling Dog (Plate 24)

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 24)

1794

William Blake Title Page, The First Book of Urizen (Plate 1)

Print made by William Blake, 1757–1827

Title Page, The First Book of Urizen (Plate 1)

1794

William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 7)

1794

William Blake From a Globe of Blood Rises Enitharmon (Plate 16)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 16)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

William Blake Urizen (Plate 22)

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

William Blake "In living creations appear'd..." (Plate 6)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

1794

William Blake Urizen (Plate 8)

Print made by William Blake, 1757–1827

Urizen (Plate 8)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)

Print made by William Blake, 1757–1827

Chapter IV, "Los smitten with astonishment..." (Plate 12)

1794

William Blake "In living creations appear'd..." (Plate 8)

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake "Los howld in a dismal stupor..." (Plate 10)

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 27)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 27)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

William Blake Los Falls through Fire (Plate 21)

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

William Blake The First Book of Urizen, Plate 28 (Bentley 27)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 28 (Bentley 27)

1794

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake Urizen (Plate 14)

Print made by William Blake, 1757–1827

Urizen (Plate 14)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

William Blake Chapter IX, "They lived a period of years..." (Plate 25)

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 25)

1794

William Blake The Book of Thel

Prints made by William Blake, 1757–1827

The Book of Thel

1789

William Blake A Woody Landscape

William Blake, 1757–1827

A Woody Landscape

ca. 1801

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

George Romney Figure Composition Study 18

George Romney, 1734–1802

Figure Composition Study 18

undated

George Romney Figure Study 9

George Romney, 1734–1802

Figure Study 9

undated

George Romney Figure Composition Study 14

George Romney, 1734–1802

Figure Composition Study 14

undated

George Romney Figure Composition Study 16

George Romney, 1734–1802

Figure Composition Study 16

undated

George Romney Landscape

George Romney, 1734–1802

Landscape

undated

George Romney Figure Composition Study 37

George Romney, 1734–1802

Figure Composition Study 37

undated

George Romney Figure Composition Study 35

George Romney, 1734–1802

Figure Composition Study 35

undated

George Romney Figure Composition Study 39

George Romney, 1734–1802

Figure Composition Study 39

undated

George Romney Figure Composition Study 30

George Romney, 1734–1802

Figure Composition Study 30

undated

George Romney Figure Composition Study 45

George Romney, 1734–1802

Figure Composition Study 45

undated

George Romney Dancers and Musicians, Probably for "L'Allegro"

George Romney, 1734–1802

Dancers and Musicians, Probably for "L'Allegro"

undated

George Romney Possibly "Descent of Odin" or "Bolingbroke and Apparition"

George Romney, 1734–1802

Possibly "Descent of Odin" or "Bolingbroke and Apparition"

undated

George Romney Hell

George Romney, 1734–1802

Hell

undated

George Romney Two studies for a male portrait

George Romney, 1734–1802

Two studies for a male portrait

undated

George Romney Initiation of a Rustic Nymph

George Romney, 1734–1802

Initiation of a Rustic Nymph

undated

George Romney The Temptation of Christ

George Romney, 1734–1802

The Temptation of Christ

undated

George Romney Slight Group of Figures

George Romney, 1734–1802

Slight Group of Figures

undated

George Romney Possibly One Reclining Figure and One Dancing Figure

George Romney, 1734–1802

Possibly One Reclining Figure and One Dancing Figure

undated

George Romney The Temptation of Christ

George Romney, 1734–1802

The Temptation of Christ

undated

George Romney A Pensive Lady

George Romney, 1734–1802

A Pensive Lady

undated

George Romney Sibyl

George Romney, 1734–1802

Sibyl

undated

George Romney Charity

George Romney, 1734–1802

Charity

undated