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Work Type intaglio print

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Holy Island Cathedral
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Wind-Pump on Hayling Island
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1908
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Knighton, the Seat of George M. Bisset, Esq.
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
before 1781
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 11 1/8 inches (21.7 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Medway
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
ca. 1838
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, The Mint etc.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Landscape, with the Story of Europa
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1802
Materials & Techniques:
Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
The Island Opposite Boyle's Farm
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/16 x 11 9/16 inches (20.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1833
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Farne Island - Shipwreck
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1853-1874
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Karakakao Bay, Owhyee
Creator:
Matthew Dubourg, active 1786–1838
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene at Colgong on the Ganges
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
No cover image available
Creator:
Joseph Gray, 1890–1962
Date:
1926
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 11/16 x 14 13/16 inches (24.6 x 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery