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Creator Gilpin, William, 1724–1804

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Rev. William Gilpin Landscape
Possibly by Rev. William Gilpin, 1724–1804
Landscape
undated
Rev. William Gilpin Pine Trees and Castle in a Landscape
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
Rev. William Gilpin Landscape with Castle, River and Mountain
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
Rev. William Gilpin Landscape with Church in Background
Rev. William Gilpin, 1724–1804
Landscape with Church in Background
undated
Rev. William Gilpin Landscape with Fisherman
Rev. William Gilpin, 1724–1804
Landscape with Fisherman
between 1762 and 1783
Rev. William Gilpin Landscape with Two Trees and Cliff
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Cliff
1769
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
1765
Rev. William Gilpin Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
Rev. William Gilpin Two Men Walking in a Landscape
Rev. William Gilpin, 1724–1804
Two Men Walking in a Landscape
1783
Rev. William Gilpin View of Castle Ruin
Rev. William Gilpin, 1724–1804
View of Castle Ruin
between 1762 and 1783
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
Rev. William Gilpin Landscape with Two Men on a Hill and a Castle in the Distance
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
Rev. William Gilpin Landscape with Trees in Foreground
Rev. William Gilpin, 1724–1804
Landscape with Trees in Foreground
between 1762 and 1783
Rev. William Gilpin Landscape with House at the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
Rev. William Gilpin A Castle at the Edge of a Lake
Rev. William Gilpin, 1724–1804
A Castle at the Edge of a Lake
between 1762 and 1783
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
Rev. William Gilpin Landscape with Large Cruciform
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
Rev. William Gilpin Landscape (unfinished)
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
Rev. William Gilpin View of Windermere
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
Rev. William Gilpin Landscape with Two Men
Rev. William Gilpin, 1724–1804
Landscape with Two Men
between 1762 and 1783
Rev. William Gilpin River Landscape with Castles
Rev. William Gilpin, 1724–1804
River Landscape with Castles
between 1762 and 1783
Rev. William Gilpin Landscape with Castle on Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
Rev. William Gilpin Landscape with Two Men and a Castle Ruin on the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Two Men and a Castle Ruin on the Riverbank
1783
Rev. William Gilpin Two Men Looking Into Landscape with Castle, River and Mountain Scene
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
Rev. William Gilpin Two Men in a Landscape and a Castle on a Hill
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
Rev. William Gilpin Tree and Lake
Rev. William Gilpin, 1724–1804
Tree and Lake
between 1762 and 1783
Rev. William Gilpin Sketch with a Castle on a Mountaintop
Rev. William Gilpin, 1724–1804
Sketch with a Castle on a Mountaintop
between 1762 and 1783
Rev. William Gilpin Two Trees in a Landscape
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
Rev. William Gilpin River Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
Rev. William Gilpin Landscape with Castle and River
Rev. William Gilpin, 1724–1804
Landscape with Castle and River
between 1762 and 1783
Rev. William Gilpin Landscape with Road Leading to Abbey
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
Rev. William Gilpin Landscape with Two Trees and Castle
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
Rev. William Gilpin Landscape with River, Castle and Mountains
Rev. William Gilpin, 1724–1804
Landscape with River, Castle and Mountains
between 1762 and 1783
Rev. William Gilpin Three Figures in a Landscape
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
Rev. William Gilpin Mountain Landscape
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
unknown artist Vale of Newlands, Cumberland
unknown artist
Vale of Newlands, Cumberland
undated
Rev. William Gilpin Bridge on the Malton Road from York
Rev. William Gilpin, 1724–1804
Bridge on the Malton Road from York
undated
Rev. William Gilpin Landscape with Lake and Mountains
Rev. William Gilpin, 1724–1804
Landscape with Lake and Mountains
undated
Rev. William Gilpin Mountainous landscape with winding river and castle
Rev. William Gilpin, 1724–1804
Mountainous landscape with winding river and castle
undated
Rev. William Gilpin River view with Ruins
Rev. William Gilpin, 1724–1804
River view with Ruins
undated
Rev. William Gilpin Knaresborough Castle, Yorkshire
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
Rev. William Gilpin Forest Scene
Rev. William Gilpin, 1724–1804
Forest Scene
1771
Rev. William Gilpin Fir Trees in a Mountain Landscape
Rev. William Gilpin, 1724–1804
Fir Trees in a Mountain Landscape
undated
Rev. William Gilpin Snowdon
Rev. William Gilpin, 1724–1804
Snowdon
undated
Rev. William Gilpin Mountain View
Rev. William Gilpin, 1724–1804
Mountain View
undated
Rev. William Gilpin Landscape with Mountain in Center Distance
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
Rev. William Gilpin Two Figures on Shore with Mountain Rising Behind
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
Rev. William Gilpin Landscape with Two Horsemen on a Road
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
Rev. William Gilpin Landscape with a Castle on a Hill at Right
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
Rev. William Gilpin Landscape with Castle on a Hill at Left
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
Rev. William Gilpin Landscape with a Castle on a Hill in Center Distance
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
Rev. William Gilpin Landscape with Four Figures
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
Rev. William Gilpin Landscape with a Castle and a Bridge
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with a River
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with River, Trees and Foliage in Foreground
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
unknown artist Cumberland Landscape
unknown artist
Cumberland Landscape
undated
Rev. William Gilpin A Lake with Mountains Rising Beyond
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
Rev. William Gilpin Two Figures on a Road with Castle in Center Distance
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
Rev. William Gilpin Two Figures on a Road by a Lake
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
Rev. William Gilpin View in Barnscliff, near Scarborough, when Overflowed by the Derwent
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
Rev. William Gilpin Landscape with a Ruined Castle
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
Rev. William Gilpin Rocky Landscape with Two Figures on a Path in the Center
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with a Lake
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
Rev. William Gilpin Three Figures in a Hilly Landscape with Ruins, beyond
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
Rev. William Gilpin Mountain Landscape with Two Figures on a Winding Road
Rev. William Gilpin, 1724–1804
Mountain Landscape with Two Figures on a Winding Road
undated
Rev. William Gilpin Castle above a Lake with Distant Mountain under Stormy Sky
Rev. William Gilpin, 1724–1804
Castle above a Lake with Distant Mountain under Stormy Sky
undated
Rev. William Gilpin The Artist's Bookplate and Pen Inscription from a Drawing Album
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
Rev. William Gilpin View Through the Trees
Rev. William Gilpin, 1724–1804
View Through the Trees
undated
Rev. William Gilpin Mountainous Landscape with Trees - High Crags to the Right
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Trees - High Crags to the Right
undated
Rev. William Gilpin Classical Landscape with Two Figures on Lake Shore
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
Rev. William Gilpin Shipping Scene with Three Figures on shore
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
Rev. William Gilpin Classical Landscape with Two Figures on Horseback at Right
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
Rev. William Gilpin Mountainous Landscape with Two Figures overlooking a Lake
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Two Figures overlooking a Lake
between 1780 and 1790
Rev. William Gilpin Classical Landscape with Ruin on Left, Two Figures on Right
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
Rev. William Gilpin A Rocky Landscape
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
Rev. William Gilpin Landscape with Two Figures on a Road
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
Rev. William Gilpin Landscape with a Ruined Castle on the Right
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
Rev. William Gilpin Landscape with Road in Foreground
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
Rev. William Gilpin Hilly Landscape
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
Rev. William Gilpin Landscape with Three Figures on a Road
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
Rev. William Gilpin Landscape with Classical Building at Left
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
Rev. William Gilpin Bridgnorth Bridge, Shropshire
Rev. William Gilpin, 1724–1804
Bridgnorth Bridge, Shropshire
1799
Rev. William Gilpin Mountainous Landscape with Rocky Crag at Right
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
Rev. William Gilpin Wooded Landscape Overlooking an Estuary
Rev. William Gilpin, 1724–1804
Wooded Landscape Overlooking an Estuary
undated
Rev. William Gilpin River Forth with the Town and Castle of Stirling in the Distance
Rev. William Gilpin, 1724–1804
River Forth with the Town and Castle of Stirling in the Distance
1780
Rev. William Gilpin The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
undated
Rev. William Gilpin The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
undated
Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
Rev. William Gilpin The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
Rev. William Gilpin As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
Rev. William Gilpin The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
undated
Rev. William Gilpin The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
Rev. William Gilpin Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
Rev. William Gilpin The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated