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Collection
Prints and Drawings
135
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
135
Miller, William, 1796–1882
33
Brandard, Robert, 1805–1862
19
Goodall, Edward, 1795–1870
12
Willmore, James Tibbits, 1800–1863
12
Cousen, John, 1804–1880
11
Jeavons, Thomas, ca. 1800–1867
9
Pye, John, 1782–1874
6
Allen, James Baylis, 1803–1876
5
Armytage, James Charles, -1897
5
Bentley, Joseph Clayton, 1809–1851
5
Le, Keux Henry, 1787–1868
5
Horsburgh, John, 1791–1869
4
Finden, Edward Francis, 1791–1857
3
Wallis, Robert, 1794–1878
3
Cockerell, Charles Robert, 1788–1863
2
Smith, William R., active 1819–1851
2
Cadell, Robert, 1788–1849
1
Cooke, William Bernard, 1778–1855
1
Date
1834
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135
1835
63
1836
43
1833
38
1827
34
1818
33
1814
23
1828
23
1839
14
1821
13
1831
13
1830
12
1819
11
1820
10
1822
10
1823
10
1832
9
1838
8
1826
7
1811
6
1816
6
1824
5
1825
5
1837
4
1842
4
1841
3
1829
2
1844
2
1859
2
1887
2
1746
1
1800
1
1805
1
1812
1
1813
1
1815
1
1817
1
1840
1
1843
1
1845
1
1851
1
1854
1
1871
1
1893
1
1900
1
1933
1
On-site Access
Accessible by appointment in the Study Room
[remove]
135
Image Use
Free to Use
134
Under Certain Circumstances
1
Image Available
Available
134
Unavailable
1
Classification
Prints
135
Creator Gender
male
135
Collective Title
Turner's Annual Tour- The Seine
55
Scott's Poetical Works
28
Scott's Prose Works
18
Rogers's Poems
13
Picturesque Views in England and Wales
10
Finden's Landscape Illustrations to the Bible
3
Tilt's Illustrations to Scott's Poetical Works
3
Period
19th century
135
Materials & Techniques
line engraving
109
wove paper
42
etching (printing process)
24
engraving (printing process)
20
chine collé
6
graphite
2
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45
Unknown
20
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46
Unknown
20
Work Type
intaglio print
135
Genre
landscape
124
architectural subject
76
marine art
44
literary theme
41
cityscape
9
religious and mythological subject
8
animal art
7
military art
6
historical subject
5
Subject Terms
landscape (representation)
[remove]
135
river
102
architectural subject
43
château
33
literary theme
28
castle
27
abbey
26
church
23
bridge
21
rivers
16
ruins
14
military art
11
mountain
10
estate
9
cityscape
7
ruin
7
manor house
6
marine art
6
tower (building division)
6
amphitheater (built work)
5
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Subject Terms
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Associated Places
France
62
Europe
51
Seine
49
England
29
Normandie
29
Scotland
27
United Kingdom
25
Le Havre
19
Tweed
18
Scottish Borders
12
Seine-Maritime, Département de la
11
Château de Tancarville
10
Tancarville
10
Bolbec
9
Château à Lillebonne
9
Lillebonne
9
North Yorkshire
9
Château de la Mailleraye
7
Mailleraye-sur-Seine, la
7
Notre-Dame-et-Saint Mathurin Church
7
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
8
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
125
Yale Center for British Art, Gift of Chauncey Brewster Tinker
9
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Date
1834
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landscape (representation)
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1
Print made by William Miller, 1796–1882
Placenza
1834
2
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
3
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
4
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
5
Print made by William Miller, 1796–1882
St. Cloud
1834
6
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
7
Print made by Edward Francis Finden, 1791–1857
Corinth, Cenchrea
1834
8
Print made by Edward Goodall, 1795–1870
Carlisle
1834
9
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
10
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
11
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
12
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
13
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
14
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
15
Print made by William Miller, 1796–1882
Brienne
1834
16
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
17
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
18
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
19
Print made by John Cousen, 1804–1880
Harfleur
1834
20
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
21
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
22
Print made by Thomas Jeavons, ca. 1800–1867
Lillebonne, Château and Tower
1834
23
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
24
Print made by James Baylis Allen, 1803–1876
Caudebec
1834
25
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
26
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
27
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
28
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
29
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
30
Print made by James Tibbits Willmore, 1800–1863
Llanthony, Monmouthshire
1834
31
Print made by William Miller, 1796–1882
Norham Castle - Moonrise
1834
32
Print made by William Miller, 1796–1882
Brienne
1834
33
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
34
Print made by Edward Goodall, 1795–1870
Carlisle
1834
35
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
36
Print made by William Bernard Cooke, 1778–1855
Crichton Castle
1834
37
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1856
38
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
39
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
40
Print made by William Miller, 1796–1882
Loch Lomond
1834
41
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
42
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
43
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
44
Print made by William Miller, 1796–1882
Loch Lomond
1834
45
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
46
Print made by Robert Brandard, 1805–1862
Graville
1834
47
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
48
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
49
Print made by John Cousen, 1804–1880
Honfleur
1834
50
Print made by John Cousen, 1804–1880
Harfleur
1834
51
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
52
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
53
Print made by Robert Brandard, 1805–1862
Graville
1834
54
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
55
Print made by Thomas Jeavons, ca. 1800–1867
Lillebonne, Château and Tower
1834
56
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
57
Print made by John Cousen, 1804–1880
Honfleur
1834
58
Print made by John Cousen, 1804–1880
Honfleur
1834
59
Print made by Edward Goodall, 1795–1870
Carlisle
1834
60
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
61
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
62
Print made by John Cousen, 1804–1880
Harfleur
1834
63
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
64
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
65
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
66
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
67
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
68
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
69
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
70
Print made by John Cousen, 1804–1880
Harfleur
1834
71
Print made by John Cousen, 1804–1880
Harfleur
1834
72
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
73
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
74
Print made by James Charles Armytage, 1802–1897
Jumièges
1834
75
Print made by Robert Brandard, 1805–1862
Graville
1834
76
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
77
Print made by Thomas Jeavons, ca. 1800–1867
Lillebonne, Château and Tower
1834
78
Print made by Robert Brandard, 1805–1862
Château de Tancarville with Town of Quilleboeuf
1834
79
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
80
Print made by Robert Brandard, 1805–1862
La Chaise de Gargantua near Duclair
1834
81
Print made by William Miller, 1796–1882
Carew Castle, Pembroke
1834
82
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
83
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
84
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
85
Print made by William Miller, 1796–1882
Loch Lomond
1834
86
Print made by Edward Goodall, 1795–1870
Carlisle
1834
87
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
88
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
89
Print made by William Miller, 1796–1882
Dumbarton Castle
1834
90
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
91
Print made by William Miller, 1796–1882
Brienne
1834
92
Print made by William Miller, 1796–1882
Brienne
1834
93
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
94
Print made by William Miller, 1796–1882
St. Cloud
1834
95
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
96
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
97
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
98
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
99
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
100
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834, reprinted 1851
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