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Date 1827

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J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
W. R. Smith Entrance to Fowey Harbour, Cornwall
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
James Tibbits Willmore Okehampton, Devonshire
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
W. R. Smith Entrance to Fowey Harbour, Cornwall
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
James Tibbits Willmore Okehampton, Devonshire
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
James Tibbits Willmore Alnwick Castle, Northumberland
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
James Tibbits Willmore Alnwick Castle, Northumberland
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
Augustus Welby Northmore Pugin Design for a Gothic Chair and Box
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Chair and Box
undated
Capt. Thomas Hastings Lord Henry Seymour's Estate
Capt. Thomas Hastings, 1778–1854
Lord Henry Seymour's Estate
1827
Capt. Thomas Hastings Milfield, East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Milfield, East Cowes, Isle of Wight
1827
James Tibbits Willmore Okehampton, Devonshire
Print made by James Tibbits Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
William Miller Great Yarmouth, Norfolk
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
James Tibbits Willmore Alnwick Castle, Northumberland
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
James Tibbits Willmore Kilgarren Castle, Pembroke
Print made by James Tibbits Willmore, 1800–1863
Kilgarren Castle, Pembroke
1827-1838
Edward Goodall Fall of the Tees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
Henry Heath A Complete Turn-Out among the Cabinet-Makers
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
Richard James Lane La Rosa Parlante (Volume of 102 lithographs)
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
Richard James Lane Impudence/ Impudence (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
Richard James Lane Modesty/ Modestie (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
Richard James Lane Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
Richard James Lane The Orphans (Volume of 102 Lithographs)
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
Richard James Lane Don Quixote and Sancho Panza (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
Richard James Lane Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
Richard James Lane Girl and Parrot (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
Richard James Lane A Girl at her Devotions (Volume of 102 Lithographs)
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
Richard James Lane Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
Richard James Lane Love, Jealously, Revenge and Despair
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827