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Collection
Prints and Drawings
84
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
60
Cooke, William Bernard, 1778–1855
23
Dawe, Henry E., 1790–1848
6
Allen, James C., active 1821–1831
4
Cooper, Edwin W. of Beccles, 1785–1833
4
Turner, Charles, 1774–1857
4
Havell, Robert, 1769–1832
3
Hill, John, 1770–1850
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Unknown artist
3
Cooke, George, 1781–1834
2
Cox, David, 1783–1859
2
Haygarth, William, active 1810–1816
2
Hodgetts, Thomas, active 1801–1846
2
Martin, John, 1789–1854
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Vigne, Godfrey Thomas, 1801–1863
2
West, William, of Clifton near Bristol, 1801–1861
2
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Creator
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Date
1791
717
1834
339
1867
255
1800
230
1836
200
1826
187
1827
183
1835
179
1814
172
1802
148
1830
139
1825
132
1764
122
1767
120
1833
118
1820
114
1793
111
1775
105
1818
105
1784
97
1832
93
1772
90
1803
87
1745
86
1816
[remove]
84
1758
82
1792
78
1837
75
1799
72
1801
69
1790
68
1819
68
1811
67
1829
67
1841
67
1828
65
1859
65
1850
62
1762
61
1808
61
1823
59
1795
58
1847
58
1805
56
1831
56
1789
55
1812
55
1821
55
1813
53
1860
51
1838
49
1993
49
1804
46
1810
46
1783
45
1786
45
1822
45
1857
44
2000
44
1780
42
1774
41
1782
40
1817
40
1824
40
1845
40
1797
39
1851
39
1776
38
1778
38
2003
38
1807
37
1777
36
1794
36
1839
36
1755
34
1771
34
1809
34
1992
34
1815
33
1864
33
1787
32
1840
32
1880
32
1785
31
1788
31
1796
31
1855
30
1861
30
1865
30
1896
30
1870
29
1844
28
1996
28
2002
28
2004
28
1842
27
1925
27
1994
27
1748
26
1742
25
On-site Access
Accessible by appointment in the Study Room
[remove]
84
Image Use
Free to Use
84
Image Available
Available
84
Classification
Prints
61
Drawings & Watercolors
23
Creator Gender
male
84
unknown
3
Collective Title
Liber Studiorum
20
Cooke's Views in Sussex
17
'History of Cassiobury Park,' 1816 and 1837
6
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
5
Cooke's Picturesque Views of the Southern Coast of England
3
Surtees' History of Durham
1
Period
19th century
83
18th century-19th century
1
Materials & Techniques
wove paper
53
etching (printing process)
49
brown ink
28
laid paper
23
line engraving
21
mezzotint
20
watercolor
16
graphite
15
pen
10
black ink
7
aquatint
6
gray ink
5
hand coloring
5
brown wash
4
gouache
4
engraving (printing process)
3
gray wash
3
chine collé
2
scratching out
2
card
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
6
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
60
Unknown
6
Work Type
intaglio print
61
drawing
23
watercolor
22
Genre
landscape
[remove]
84
architectural subject
27
genre subject
13
animal art
7
marine art
6
cityscape
4
sporting art
4
historical subject
2
religious and mythological subject
2
Subject Terms
landscape
20
trees
9
men
8
river
8
architectural subject
6
genre subject
6
landscape (representation)
6
dogs (animals)
5
bridge
4
fence
4
fox hunting
4
horseback riders
4
horseback riding
4
horses (animals)
4
hounds (dogs)
4
houses
4
hunt
4
hunters
4
hunting
4
sporting art
4
more
Subject Terms
»
Associated Places
United Kingdom
13
England
11
Europe
8
Alps
4
Devon
4
Arve
3
Bonneville
3
Cornwall
3
France
3
Tamar
3
Central America
2
Dunblane
2
Dunblane Cathedral
2
Jamaica
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Scotland
2
Africa
1
Aldbury
1
Ambleside
1
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
2
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Metropole London 1800 - 1840 (Kulturstiftung Ruhr, 1992-06-04 - 1992-11-08)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
81
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1816
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1
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
2
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
7
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
19
Joseph Mallord William Turner, 1775–1851
Leeds
1816
20
unknown artist
View of Swanage Bay, Dorset
1816
21
John Varley, 1778–1842
The Thames Near the Penitentiary, Millbank, London
1816
22
Print made by John Scott, 1774–1828
Harewood House
1816
23
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
24
Print made by George Cooke, 1781–1834
Gledhow
1816
25
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
26
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
27
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
28
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
29
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
30
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
31
John Harden, 1772–1847
From the Church Hill, Ambleside
1816
32
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
33
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
34
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
35
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
36
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
37
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
38
Print made by George Cooke, 1781–1834
Gledhow
1816
39
Print made by John Scott, 1774–1828
Harewood House
1816
40
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
41
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
42
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
43
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
44
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
45
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
46
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
47
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
48
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
49
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
50
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
51
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
52
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
53
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
54
Print made by John Martin, 1789–1854
A Classical City
1816
55
William West of Clifton near Bristol, 1801–1861
An Island with Returning Birds at Nightfall
undated
56
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
57
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
58
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
59
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
60
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
61
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
62
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Unkennelling the Pack
1816
63
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: The Death
1816
64
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
65
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
66
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
67
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
68
William West of Clifton near Bristol, 1801–1861
Bowmen at a Moonlit Lake Shooting Wildfowl
undated
69
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
70
Print made by John Scott, 1774–1828
Harewood House
1816
71
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
72
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
73
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
74
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
75
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
76
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
77
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
78
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
79
John Martin, 1789–1854
Classical City in Landscape
1816
80
unknown artist
Sheet of Composition Studies of River Scenes
after 1816
81
George Cumberland, 1754–1848
Near Weston-Super-Mare with Steep Holme Island
1816
82
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
83
Samuel Davis, 1760–1819
A Country House with Figures on the Drive
undated
84
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816