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Collection
Prints and Drawings
37
Creator
Turner, Charles, 1774–1857
9
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Crome, John, 1768–1821
4
Hastings, Thomas Capt., 1778–1854
2
Howitt, Samuel, 1756–1822
2
O'Connor, James Arthur, 1792–1841
2
Vollweiler, Georg Jacob, active 1805–1807
2
Ward, James, 1769–1859
2
Beaumont, George Howland, Sir, 1753–1827
1
Boydell, John, 1720–1804
1
Constable, John, 1776–1837
1
Cristall, Joshua, 1768–1847
1
Earlom, Richard, 1743–1822
1
Edridge, Henry, 1769–1821
1
George, James Lt., ca. 1755–1795
1
Hassell, John, 1767–1825
1
Hayter, George, Sir, 1792–1871
1
Hills, Robert, 1769–1844
1
Hollis, George, 1792–1842
1
Ker, Henry Bellenden, active ca. 1812–ca. 1852
1
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Date
1791
717
1834
339
1867
255
1800
230
1836
200
1826
187
1827
183
1835
179
1814
172
1802
148
1830
139
1825
132
1764
122
1767
120
1833
118
1820
114
1793
111
1775
105
1818
105
1784
97
1832
93
1772
90
1803
87
1745
86
1816
84
1758
82
1792
78
1837
75
1799
72
1801
69
1790
68
1819
68
1811
67
1829
67
1841
67
1828
65
1859
65
1850
62
1762
61
1808
61
1823
59
1795
58
1847
58
1805
56
1831
56
1789
55
1812
55
1821
55
1813
53
1860
51
1838
49
1993
49
1804
46
1810
46
1783
45
1786
45
1822
45
1857
44
2000
44
1780
42
1774
41
1782
40
1817
40
1824
40
1845
40
1797
39
1851
39
1776
38
1778
38
2003
38
1807
[remove]
37
1777
36
1794
36
1839
36
1755
34
1771
34
1809
34
1992
34
1815
33
1864
33
1787
32
1840
32
1880
32
1785
31
1788
31
1796
31
1855
30
1861
30
1865
30
1896
30
1870
29
1844
28
1996
28
2002
28
2004
28
1842
27
1925
27
1994
27
1748
26
1742
25
On-site Access
Accessible by appointment in the Study Room
[remove]
37
Image Use
Free to Use
37
Image Available
Available
35
Unavailable
2
Classification
Drawings & Watercolors
21
Prints
15
Drawing & Watercolors-Architectural
1
Creator Gender
male
37
Collective Title
Liber Studiorum
9
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
2
Specimens of Polyautography
2
Liber Veritatis
1
Period
19th century
36
Materials & Techniques
graphite
21
wove paper
21
laid paper
15
etching (printing process)
13
watercolor
13
brown ink
12
mezzotint
9
pen
5
gray ink
4
black ink
3
black chalk
2
gouache
2
gray wash
2
lithography
2
scratching out
2
Asian paper
1
brown wash
1
cardboard
1
red ink
1
white chalk
1
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Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
56
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
12
to
65
Unknown
1
Work Type
drawing
21
watercolor
15
intaglio print
13
planographic print
2
Genre
landscape
[remove]
37
architectural subject
10
genre subject
9
animal art
4
marine art
3
sporting art
3
literary theme
2
religious and mythological subject
2
cityscape
1
Subject Terms
landscape
26
trees
21
architectural subject
7
bridge (built work)
5
genre subject
5
men
5
river
5
bushes
4
fences
4
house
4
man
4
resting
4
cattle
3
church
3
clouds
3
cows
3
grass
3
horses (animals)
3
hunters
3
hunting
3
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Subject Terms
»
Associated Places
United Kingdom
9
England
8
Europe
7
Asia
2
India
2
Bangor
1
Cornwall
1
County Down
1
Cymru
1
Dinton
1
East Sussex
1
Greater London
1
Hastings
1
Kenilworth
1
Kenilworth Castle
1
Kent
1
Monmouthshire
1
Norfolk
1
North Down
1
Northern Ireland
1
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Associated Places
»
Associated People
Jason
1
Exhibition History
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Thomas Rowlandson from the Paul Mellon Collection (National Sporting Library and Museum, 2005-04-14 - 2005-06-10)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Unto This Last (Watts Gallery) (Watts Gallery Trust, 2020-03-10 - 2020-11-01)
1
Unto this Last: Two Hundred Years of John Ruskin (Yale Center for British Art, 2019-09-05 - 2019-12-08)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
36
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965
1
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On-site Access
Accessible by appointment in the Study Room
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Date
1807
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Genre
landscape
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1
John Constable, 1776–1837
Two Figures by a River
between 1807 and 1809
2
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
3
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
4
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
5
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
6
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
7
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
8
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
9
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
10
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
11
Thomas Wright, 1773–1845
Ludlow Castle
undated
12
James Arthur O'Connor, 1792–1841
Bray Head and the F (cut-off)
undated
13
James Arthur O'Connor, 1792–1841
Bangor, Belfast Lough
undated
14
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree Study
1807
15
Lt. James George, ca. 1755–1795
Rendezvous Island, Solomon Islands
ca. 1812
16
John Hassell, 1767–1825
The Villa of - Groote Esq near Bromley Kent
ca. 1812
17
James Ward, 1769–1859
Mr. Thompson's Wire Mill, Tintern
1807
18
James Ward, 1769–1859
Kenilworth Castle
1807
19
Sir George Hayter, 1792–1871
Netting Deer in Richmond Park
undated
20
Print made by Richard Earlom, 1743–1822
A Landscape with Buildings
1807
21
George Hollis, 1792–1842
Christ Church from the Meadows
undated
22
attributed to John Linnell, 1792–1882
An Old Cabin on the Bank of a River
undated
23
Capt. Thomas Hastings, 1778–1854
A Mulberry Tree Near the Great Gate of St. Augustine's Monastery
1807
24
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
25
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
26
Print made by Henry Bellenden Ker, active ca. 1812–ca. 1852
Landscape with Large Tree, Castle on Left
1807
27
Capt. Thomas Hastings, 1778–1854
Part of St. Augustine's, Canterbury
1807
28
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
29
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
30
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
31
Studio of Sir Jeffry Wyatville, 1766–1840
Dinton House, Wiltshire: Perspective View
ca. 1812
32
John Crome, 1768–1821
Entrance to Earlham Park, near Norwich
between 1807 and 1808
33
Joshua Cristall, 1768–1847
Trees near Hastings
1807
34
Henry Edridge, 1769–1821
Stream with Trees and Cattle near Bromley Hill, Kent
1807
35
John White Abbott, 1763–1851
Trees in a Wood
1807
36
Print made by John Crome, 1768–1821
The Back of the Mills
ca. 1812
37
Print made by Robert Hills, 1769–1844
Cattle Resting
1807