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Collection
Prints and Drawings
14
Creator
Bigg, William Redmore, 1755–1828
2
Chinnery, George, 1774–1852
2
Collins, William, 1788–1847
2
Gillbank, Haveill, 18th–19th centuries
2
Girtin, Thomas, 1775–1802
2
Boydell, John, 1720–1804
1
Cotman, John Sell, 1782–1842
1
Harraden, Richard Banks, 1778–1862
1
Pickett, W., active 1792–1820
1
Rowlandson, Thomas, 1756–1827
1
Smirke, Robert, 1752–1845
1
Thew, Robert, 1758–1802
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Varley, Cornelius, 1781–1873
1
White Abbott, John, 1763–1851
1
Date
1767
134
1800
115
1772
82
1764
72
1793
66
1745
65
1775
64
1789
61
1850
55
1762
51
1784
51
1791
51
1790
47
1797
47
1799
44
1783
43
1792
42
1794
41
1814
37
1795
35
1859
35
1827
34
1860
34
1782
33
1804
33
1807
33
1830
33
1768
32
1778
32
1802
30
1813
30
1825
30
1805
29
1867
29
1771
28
1820
28
1841
28
1857
28
1810
27
1836
27
1787
26
1796
26
1780
25
1785
25
1786
25
1788
25
1821
24
1808
23
1826
23
1864
23
1770
22
1746
21
1774
21
1835
21
1674
20
1765
20
1759
19
1801
19
1817
19
1831
19
1742
18
1812
18
1840
18
1739
17
1749
17
1755
17
1818
17
1822
17
1855
17
1819
16
1823
16
1834
16
1863
16
1865
16
1917
16
1700
15
1740
15
1829
15
1861
15
1909
15
1773
14
1776
14
1779
14
1781
14
1803
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14
1880
14
1748
13
1798
13
1815
13
1824
13
1811
12
1870
12
1877
12
1816
11
1915
11
1920
11
0
10
1747
10
1757
10
1828
10
On-site Access
Accessible by appointment in the Study Room
[remove]
14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Drawings & Watercolors
8
Prints
6
Creator Gender
male
14
Collective Title
Liber Studiorum, 1838
1
Period
19th century
14
Materials & Techniques
wove paper
11
graphite
4
watercolor
4
gray wash
3
soft-ground etching
3
aquatint
2
pen
2
black ink
1
brown ink
1
etching (printing process)
1
gouache
1
gray ink
1
gum
1
laid paper
1
scraping out
1
stipple engraving
1
stopping out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
71
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
104
Work Type
drawing
8
watercolor
8
intaglio print
6
Genre
landscape
6
genre subject
5
architectural subject
4
cityscape
2
literary theme
1
marine art
1
Subject Terms
trees
[remove]
14
landscape
6
architectural subject
5
river
5
genre subject
4
house
4
clouds
3
dog (animal)
3
buildings
2
children
2
cityscape
2
fence
2
hats
2
horse (animal)
2
people
2
shovel
2
water
2
As You Like It, play by William Shakespeare
1
Grand Tour
1
Indian
1
more
Subject Terms
»
Associated Places
Europe
3
France
2
Paris
2
Seine
2
Île-de-France
2
Alps
1
Asia
1
Cathédrale Notre-Dame de Paris
1
Cymru
1
England
1
India
1
Lakenham
1
Mer de Glace (glacier)
1
Monmouth
1
Monnow
1
Norfolk
1
Norwich
1
Panthéon
1
Pont Neuf
1
Pont Saint Michel
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
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On-site Access
Accessible by appointment in the Study Room
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Date
1803
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Subject Terms
trees
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1
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
2
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
3
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
4
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
5
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
6
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
7
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
8
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
9
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
10
George Chinnery, 1774–1852
A Pipul Tree
between 1803 and 1825
11
Attributed to William Collins, 1788–1847
Landscape with Fence
undated
12
Attributed to William Collins, 1788–1847
Landscape: House and Trees
undated
13
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
14
George Chinnery, 1774–1852
Figure Seated by an Indian Temple
between 1803 and 1825