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Collection
Prints and Drawings
22
Creator
Girtin, Thomas, 1775–1802
12
Lewis, Frederick Christian the Elder, 1779–1856
6
Girtin, James, ca. 1780–after 1820
3
Harraden, Richard Banks, 1778–1862
3
Bigg, William Redmore, 1755–1828
2
Gillbank, Haveill, 18th–19th centuries
2
Pickett, W., active 1792–1820
2
Blake, William, 1757–1827
1
Cox, David, 1783–1859
1
Dawe, George, 1781–1829
1
Hoppner, John, 1758–1810
1
Morland, George, 1763–1804
1
Northcote, James, 1746–1831
1
Stadler, Joseph Constantine, active 1780–1812
1
Young, John, 1755–1825
1
Date
1802
32
1803
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22
1835
21
1778
17
1779
14
1771
11
1797
11
1832
11
1770
10
1769
9
1574
8
1776
8
1795
8
1800
8
1780
7
1798
7
1748
6
1786
6
1791
6
1793
6
1796
6
1823
6
1972
6
1546
5
1774
5
1785
5
1826
5
1729
4
1766
4
1767
4
1772
4
1775
4
1783
4
1784
4
1790
4
1801
4
1836
4
1879
4
1932
4
1700
3
1736
3
1738
3
1764
3
1765
3
1768
3
1773
3
1781
3
1787
3
1792
3
1799
3
1804
3
1805
3
1807
3
1810
3
1811
3
1814
3
1815
3
1830
3
1847
3
1900
3
1960
3
1963
3
1987
3
1708
2
1733
2
1742
2
1745
2
1759
2
1761
2
1777
2
1782
2
1808
2
1809
2
1812
2
1824
2
1825
2
1827
2
1838
2
1839
2
1860
2
1864
2
1865
2
1882
2
1906
2
1908
2
1911
2
1927
2
1936
2
1938
2
1968
2
1969
2
2009
2
1639
1
1670
1
1675
1
1678
1
1682
1
1696
1
1719
1
1720
1
On-site Access
Accessible by appointment in the Study Room
[remove]
22
Image Use
Free to Use
22
Image Available
Available
22
Classification
Prints
19
Drawings & Watercolors
3
Creator Gender
male
22
Period
19th century
22
Materials & Techniques
wove paper
18
aquatint
12
soft-ground etching
12
etching (printing process)
3
graphite
3
laid paper
2
mezzotint
2
watercolor
2
black ink
1
gray ink
1
pen
1
red chalk
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
13
to
58
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
24
to
71
Work Type
intaglio print
19
drawing
3
watercolor
2
frontispiece
1
Genre
architectural subject
12
cityscape
10
genre subject
3
landscape
3
portrait
2
religious and mythological subject
1
Subject Terms
architectural subject
12
river
9
cityscape
5
horse (animal)
4
trees
4
barges (flat-bottomed watercraft)
3
genre subject
3
house
3
people
3
basket
2
boats
2
carriages
2
carts
2
children
2
coat
2
dog (animal)
2
domes
2
doorway
2
hats
2
houseboats
2
more
Subject Terms
»
Associated Places
Europe
12
France
12
Île-de-France
12
Seine
11
Paris
8
Pont Neuf
4
Cathédrale Notre-Dame de Paris
3
Acqueduct of Louveciennes
2
Bourse de Paris
2
Louveciennes
2
Marly-le-Roi
2
Panthéon
2
Pont de la Concorde
2
Quartier de Chaillot
2
Saint-Germain-en-Laye
2
Val-de-Marne
2
Yvelines
2
Bassin de l'Arsenal
1
Charenton-le-Pont
1
Choisy-le-Roi
1
more
Associated Places
»
Associated People
Joseph
1
Northcote, James (1746–1831), artist and author
1
Potiphar
1
Zuleikha, Potiphar's wife
1
Exhibition History
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
21
Yale Center for British Art, Paul Mellon Fund
1
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On-site Access
Accessible by appointment in the Study Room
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Date
1803
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Height [cm]
46
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1
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
2
Print made by John Young, 1755–1825
George Canning
1803
3
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
4
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
5
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
6
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
7
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
8
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
9
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
10
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
11
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
12
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
13
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
14
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
15
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
16
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
17
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
18
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
19
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
20
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
21
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
22
David Cox, 1783–1859
Haymaking
ca. 1808