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Collection
Prints and Drawings
87
Creator
Waring, Frances Miss, active 1801–1826
34
Smirke the Younger, Robert, Sir, 1781–1867
12
Girtin, Thomas, 1775–1802
8
Collins, William, 1788–1847
6
Hayley, William, 1745–1820
5
Vernor, & Hood, active 1795–1807
5
Chinnery, George, 1774–1852
4
Greig, John, active 1803–1853
4
Daniell, William, 1769–1837
3
Lewis, Frederick Christian the Elder, 1779–1856
3
Storer, James Sargant, 1771–1853
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Byrne, William, 1743–1805
2
Stadler, Joseph Constantine, active 1780–1812
2
Varley, Cornelius, 1781–1873
2
Beaumont, George Howland, Sir, 1753–1827
1
Cotman, John Sell, 1782–1842
1
Cox, David, 1783–1859
1
Craig, William Marshall, 1763 or 1764–1829
1
Girtin, James, ca. 1780–after 1820
1
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Creator
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Date
1791
717
1834
339
1867
255
1800
230
1836
200
1826
187
1827
183
1835
179
1814
172
1802
148
1830
139
1825
132
1764
122
1767
120
1833
118
1820
114
1793
111
1775
105
1818
105
1784
97
1832
93
1772
90
1803
[remove]
87
1745
86
1816
84
1758
82
1792
78
1837
75
1799
72
1801
69
1790
68
1819
68
1811
67
1829
67
1841
67
1828
65
1859
65
1850
62
1762
61
1808
61
1823
59
1795
58
1847
58
1805
56
1831
56
1789
55
1812
55
1821
55
1813
53
1860
51
1838
49
1993
49
1804
46
1810
46
1783
45
1786
45
1822
45
1857
44
2000
44
1780
42
1774
41
1782
40
1817
40
1824
40
1845
40
1797
39
1851
39
1776
38
1778
38
2003
38
1807
37
1777
36
1794
36
1839
36
1755
34
1771
34
1809
34
1992
34
1815
33
1864
33
1787
32
1840
32
1880
32
1785
31
1788
31
1796
31
1855
30
1861
30
1865
30
1896
30
1870
29
1844
28
1996
28
2002
28
2004
28
1842
27
1925
27
1994
27
1748
26
1742
25
On-site Access
Accessible by appointment in the Study Room
[remove]
87
Image Use
Free to Use
87
Image Available
Available
48
Unavailable
39
Classification
Prints
52
Drawings & Watercolors
35
Creator Gender
male
53
female
34
Collective Title
Twelve Views in Scotland, Delineated by a Lady, in the Polyautographic Art of Drawing Upon Stone
34
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
12
The Life, and Posthumous Writings, of William Cowper
5
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
Views of the London Docks
3
Byrne's Britannia Depicta
2
Specimens of Polyautography
1
Period
19th century
87
Materials & Techniques
wove paper
71
lithography
35
graphite
33
watercolor
18
gouache
11
hand coloring
9
etching (printing process)
8
aquatint
7
line engraving
7
brown wash
6
laid paper
6
black ink
5
gray wash
3
pen
3
pens
3
soft-ground etching
3
gray ink
2
gum
2
black chalk
1
brown ink
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
2
to
71
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
7
to
104
Unknown
1
Work Type
drawing
35
planographic print
35
watercolor
28
intaglio print
17
Genre
landscape
[remove]
87
architectural subject
32
marine art
10
cityscape
8
literary theme
5
genre subject
4
animal art
2
Subject Terms
landscape
20
architectural subject
6
clouds
6
river
6
trees
6
marine art
4
genre subject
3
lake
3
mountains
3
beach
2
boats
2
cattle
2
coast
2
farm
2
figures
2
houses
2
sea
2
sky
2
temple
2
water
2
more
Subject Terms
»
Associated Places
Europe
9
France
8
Île-de-France
8
Acqueduct of Louveciennes
4
Charenton-le-Pont
4
Louveciennes
4
Marly-le-Roi
4
Pont de Charenton-le-Pont
4
Saint-Germain-en-Laye
4
Seine
4
Val-de-Marne
4
Yvelines
4
United Kingdom
3
Asia
2
England
2
Saint-Germain-en-Laye, Château de
2
Alps
1
Braan
1
Buttermere
1
Cader Idris
1
more
Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Through the Looking Lens - The Story of Artist Cornelius Varley and his Telemicroscope, 1800-1860 (American Philosophical Society, 2013-05-17 - 2013-12-29)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
86
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
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Accessible by appointment in the Study Room
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Date
1803
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landscape
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87
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1
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
2
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
3
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
4
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
5
William Collins, 1788–1847
Dartmouth
undated
6
William Green, 1760–1823
View of Lakes Buttermere and Crummock Water
1803
7
Charles Towne, 1763–1840
Woman with Cattle
1803
8
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
9
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
10
Sir Robert Smirke the younger, 1781–1867
View in the Suburbs of Messina
1803
11
Sir Robert Smirke the younger, 1781–1867
Terrace Before the Church of St. Bartholamew
1803
12
Sir Robert Smirke the younger, 1781–1867
Near Genoa - On the Riveira di Ponente
1803
13
Sir Robert Smirke the younger, 1781–1867
Mount Stromboli As It Appeared April 26th 1803
1803
14
Sir Robert Smirke the younger, 1781–1867
Patras, Greece
1803
15
Sir Robert Smirke the younger, 1781–1867
Patras, Greece
1803
16
Sir Robert Smirke the younger, 1781–1867
Remains of an Ancient Amphitheatre Near Corinth
1803
17
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
18
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
19
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
20
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
21
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
22
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
23
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
24
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
25
Sir Robert Smirke the younger, 1781–1867
Views Near the Town of Senta
1803
26
Sir Robert Smirke the younger, 1781–1867
The Plains of Senta
1803
27
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
28
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
29
Cornelius Varley, 1781–1873
View in Suffolk
1803
30
Sir Robert Smirke the younger, 1781–1867
Near San Pietro d'Arena on the Road to Milan
1803
31
Sir Robert Smirke the younger, 1781–1867
Terracina, Italy
1803
32
Sir Robert Smirke the younger, 1781–1867
The Coast of Calabria From Sicily
1803
33
Print made by Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Old Trees by Water
1803, published 1807
34
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
35
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
36
Attributed to William Collins, 1788–1847
Landscape with Man on Beach
undated
37
Attributed to William Collins, 1788–1847
Landscape with Fence
undated
38
Attributed to William Collins, 1788–1847
Landscape: Valley with Mountain in Distance
undated
39
Attributed to William Collins, 1788–1847
Landscape: House and Trees
undated
40
William Collins, 1788–1847
Paddling
undated
41
George Chinnery, 1774–1852
A Pipul Tree
between 1803 and 1825
42
David Cox, 1783–1859
Haymaking
ca. 1808
43
William Marshall Craig, 1763 or 1764–1829
Landscape with Lime-Kiln and Workmen
ca. 1808
44
attributed to John Sell Cotman, 1782–1842
Lake at Trentham, Staffordshire
ca. 1808
45
George Chinnery, 1774–1852
Figure Seated by an Indian Temple
between 1803 and 1825
46
George Chinnery, 1774–1852
Temple by the Lake
between 1803 and 1825
47
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
48
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
49
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
50
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
51
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
52
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
53
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
54
Print made by Miss Frances Waring, active 1801–1826
Queen's Ferry
1803
55
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
56
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
57
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
58
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
59
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld (Variant)
1803
60
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
61
Print made by Miss Frances Waring, active 1801–1826
Fascally
1803
62
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
63
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
64
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
65
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
66
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
67
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
68
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde (Variant)
1803
69
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Castle
1803
70
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
71
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
72
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
73
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
74
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
75
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde (Variant)
1803
76
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
77
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
78
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
79
Print made by Miss Frances Waring, active 1801–1826
Fascally
1803
80
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
81
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
82
Print made by Miss Frances Waring, active 1801–1826
Hermitage Bridge, Dunkeld
1803
83
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
84
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
85
Print made by John Greig, active 1803–1853
The Elms
1803-1804
86
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
87
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804