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Collection
Prints and Drawings
75
Creator
Varley, John, 1778–1842
18
Carter, John, 1748–1817
11
Moore, James, 1762–1799
9
Hastings, Thomas Capt., 1778–1854
6
Cockburn, James Pattison, 1779–1847
5
Girtin, Thomas, 1775–1802
5
Unknown artist
4
Alexander, William, 1767–1816
3
Tambat, Gangaram Chintaman, active 1790s
3
Farington, Joseph, 1747–1821
2
Harraden, Richard Banks, 1778–1862
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
Gore, Charles, 1729–1807
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
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Creator
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Date
1791
729
1796
367
1802
331
1800
329
1834
276
1546
247
1745
243
1835
180
1827
173
1785
138
1825
134
1818
133
1792
131
1833
131
1790
130
1836
117
1968
114
1799
112
1832
111
1803
104
1839
97
1811
93
1830
92
1700
91
1820
90
1795
85
1775
84
1831
81
1772
78
1793
[remove]
75
1814
74
1819
70
1767
67
1823
67
1780
66
1804
65
1705
60
1764
60
1812
59
1826
58
1781
57
1828
57
1794
55
1837
54
1815
52
1829
52
1813
47
1816
47
1797
46
1807
46
1817
46
1993
46
1806
45
1810
44
1822
44
1925
44
1770
42
1777
42
1798
42
1771
41
1788
41
1850
41
1929
41
1751
40
1805
40
1808
40
1809
40
1860
40
1912
40
1867
39
1916
39
1776
38
1789
38
1801
38
1900
38
2006
37
1824
36
1842
36
1563
35
1758
35
1998
35
1761
34
1765
34
1778
34
1897
34
1996
34
0
33
1784
33
1871
33
1964
33
1859
32
2002
32
1920
31
1927
31
1933
31
1740
30
1763
30
1782
30
1787
30
1840
30
On-site Access
Accessible by appointment in the Study Room
[remove]
75
Image Use
Free to Use
75
Image Available
Available
75
Classification
Drawings & Watercolors
71
Prints
4
Creator Gender
male
72
unknown
4
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
9
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
6
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
43
18th century-19th century
25
19th century
6
Materials & Techniques
graphite
52
wove paper
47
watercolor
30
laid paper
22
black ink
21
gray wash
10
gouache
8
pens
7
brown ink
5
black wash
3
brown wash
3
gray ink
3
pen
3
black chalk
2
board
2
etching (printing process)
2
line engraving
2
blue wash
1
card
1
cartridge paper
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
7
to
48
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
11
to
68
Work Type
drawing
70
watercolor
41
intaglio print
4
Genre
architectural subject
[remove]
75
landscape
16
genre subject
10
cityscape
8
figure study
1
marine art
1
Subject Terms
architectural subject
66
trees
18
landscape
17
figures
14
buildings
8
castle
8
clouds
8
houses
8
boats
7
church
7
men
7
river
7
ruins
7
windows
7
cityscape
6
genre subject
6
bridge (built work)
5
chimneys
5
walking
5
arches
4
more
Subject Terms
»
Associated Places
United Kingdom
35
England
33
Europe
15
London
13
City of Westminster
12
Palace of Westminster
12
Ellora
3
India
3
Wales
3
Asia
2
Barnard Castle
2
Battersea
2
Cambridge
2
Cambridgeshire
2
China
2
Clare College
2
Cymru
2
Durham
2
Greater London
2
Kent
2
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
74
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
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On-site Access
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Date
1793
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Genre
architectural subject
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
4
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
5
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
6
John Varley, 1778–1842
Norwich
undated
7
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
8
John Varley, 1778–1842
Barnard Castle, County Durham
undated
9
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
10
John Varley, 1778–1842
Merida, Spain
undated
11
pupil of John Varley, 1778–1842
A Village Street
undated
12
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
13
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
14
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
15
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
16
John Varley, 1778–1842
A Romantic Landscape
undated
17
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
18
John Varley, 1778–1842
Linlithgow Palace
undated
19
John Varley, 1778–1842
View of New Street, near London Bridge
undated
20
John Varley, 1778–1842
View of York
undated
21
John Varley, 1778–1842
Farm House with a Well
undated
22
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
23
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
24
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
25
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
26
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
27
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
28
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
29
unknown artist
Duke's Place
1793
30
unknown artist
Duke's Place
1793
31
Capt. Thomas Hastings, 1778–1854
Canterbury Cathedral
undated
32
Capt. Thomas Hastings, 1778–1854
Sketch of Figures Standing beneath a Stone Arch
undated
33
Capt. Thomas Hastings, 1778–1854
Priory Farm
undated
34
Capt. Thomas Hastings, 1778–1854
Sketch of a Roof with a Large Chimney
undated
35
Capt. Thomas Hastings, 1778–1854
Mrs. Bennet's on Shorwell, Isle of Wight
undated
36
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
37
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
40
John Varley, 1778–1842
Carnarvon Castle
undated
41
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
45
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
46
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
47
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
48
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
49
Capt. Thomas Hastings, 1778–1854
Poor Man's House, Beaulieu
undated
50
John Varley, 1778–1842
Ouse Bridge, York
undated
51
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
52
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
53
John Varley, 1778–1842
Castle
undated
54
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
55
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
56
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
57
James Moore, 1762–1799
Medmenham, England
1793
58
James Moore, 1762–1799
Church of St. Mary the Virgin, Hurley, Berkshire, England
1793
59
James Moore, 1762–1799
Church of St. Nicholas, Thames Ditton, Surrey, England
1793
60
James Moore, 1762–1799
Holy Trinity Parish Church, Cookham, England
1793
61
James Moore, 1762–1799
Unidentified Church
1793
62
James Moore, 1762–1799
Duff House, Scotland
1793
63
James Moore, 1762–1799
Duff House, Scotland
1793
64
James Moore, 1762–1799
Tonbridge Castle, Kent, England
1793
65
James Moore, 1762–1799
Uckfield Holy Cross Church, East Sussex, England
1793
66
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
67
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
68
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
69
James Pattison Cockburn, 1779–1847
Procession in a Church
undated
70
James Pattison Cockburn, 1779–1847
An Italian Fete: Figures on Terrace of a Palazzo
undated
71
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
72
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
73
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
74
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
75
James Pattison Cockburn, 1779–1847
Figures by a Tomb
undated