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Collection
Prints and Drawings
78
Creator
Moore, James, 1762–1799
18
Parish, Henry William, active 1792
10
Girtin, Thomas, 1775–1802
9
Ellis, William, 1747–1810
7
Boydell, John, 1720–1804
6
Boydell, Josiah, 1752–1817
6
Browne, John, 1741–1801
6
Johnson, Joseph, 1738–1809
5
Witton, P. H. Jr., Active 1792
5
Daniell, William, 1769–1837
3
Smith, John, 1749–1831
3
Webber, John, 1752–1793
3
Daniell, Thomas, 1749–1840
2
Farington, Joseph, 1747–1821
2
Howitt, Samuel, 1756–1822
2
Porter, Robert Kerr, Sir, 1777–1842
2
Thirtle, John, 1777–1839
2
Aglio, Agostino, 1777–1857
1
Alexander, William, 1767–1816
1
Barnard, William Henry, 1767–1818
1
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Creator
»
Date
1791
717
1834
339
1867
255
1800
230
1836
200
1826
187
1827
183
1835
179
1814
172
1802
148
1830
139
1825
132
1764
122
1767
120
1833
118
1820
114
1793
111
1775
105
1818
105
1784
97
1832
93
1772
90
1803
87
1745
86
1816
84
1758
82
1792
[remove]
78
1837
75
1799
72
1801
69
1790
68
1819
68
1811
67
1829
67
1841
67
1828
65
1859
65
1850
62
1762
61
1808
61
1823
59
1795
58
1847
58
1805
56
1831
56
1789
55
1812
55
1821
55
1813
53
1860
51
1838
49
1993
49
1804
46
1810
46
1783
45
1786
45
1822
45
1857
44
2000
44
1780
42
1774
41
1782
40
1817
40
1824
40
1845
40
1797
39
1851
39
1776
38
1778
38
2003
38
1807
37
1777
36
1794
36
1839
36
1755
34
1771
34
1809
34
1992
34
1815
33
1864
33
1787
32
1840
32
1880
32
1785
31
1788
31
1796
31
1855
30
1861
30
1865
30
1896
30
1870
29
1844
28
1996
28
2002
28
2004
28
1842
27
1925
27
1994
27
1748
26
1742
25
On-site Access
Accessible by appointment in the Study Room
[remove]
78
Image Use
Free to Use
78
Image Available
Available
74
Unavailable
4
Classification
Drawings & Watercolors
61
Prints
17
Creator Gender
male
78
female
1
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
18
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
5
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
5
Views in the South Seas 1776-1780
3
Iconographie Anglaise par Reynolds et Autres
1
Views in the Province of Kiang Nan, China
1
Period
18th century
66
18th century-19th century
11
19th century
1
Materials & Techniques
graphite
54
wove paper
44
laid paper
34
watercolor
34
etching (printing process)
15
black ink
9
brown ink
9
line engraving
7
pen
7
aquatint
6
gray wash
3
soft ground
2
black chalk
1
brown wash
1
engraving (printing process)
1
gray ink
1
letterpress printing
1
scraping
1
scratching out
1
squaring (transferring technique)
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
69
Work Type
drawing
60
watercolor
36
intaglio print
15
relief print
1
Genre
landscape
[remove]
78
architectural subject
36
genre subject
20
marine art
12
animal art
4
cityscape
3
sporting art
2
portrait
1
religious and mythological subject
1
Subject Terms
landscape
46
trees
27
architectural subject
16
genre subject
14
river
12
marine art
11
men
11
hats
9
man
9
ruins
9
buildings
8
hills
8
costume
7
mountains
7
park (grounds)
7
woman
7
clouds
6
dog (animal)
6
house
6
staff (walking stick)
6
more
Subject Terms
»
Associated Places
United Kingdom
23
England
20
Europe
13
Birmingham
5
Devon
5
Greater London
3
Cymru
2
Dartmouth
2
India
2
Kingswear
2
Rio de Janeiro
2
Showell Green
2
Wales
2
Aberdeenshire
1
Asia
1
Banff
1
Baskerville House
1
Beddington
1
Beddington Park
1
Berkshire
1
more
Associated Places
»
Associated People
Apollo
1
Diana
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Niobe
1
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
John Glover and the Colonial Picturesque (Tasmanian Museum and Art Gallery, 2003-12-05 - 2004-02-01)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
75
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Paul Mellon Fund
1
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Date
1792
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landscape
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
3
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
4
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
5
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
6
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
7
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
8
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
9
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
10
John Glover, 1767–1849
River with Fishermen
1792
11
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
12
Print made by John Browne, 1741–1801
Evening
ca. 1797
13
Thomas Daniell, 1749–1840
Raji Pollum near Herlpetton
1792
14
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
15
Samuel Howitt, 1756–1822
Racing Scene
1792
16
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
17
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
18
William Ellis, 1747–1810
Beddington
1792
19
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
20
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
21
Samuel Howitt, 1756–1822
The Kill
1792
22
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
23
Print made by John Browne, 1741–1801
Morning
ca. 1797
24
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
25
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
26
Print made by John Browne, 1741–1801
Evening
ca. 1797
27
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
28
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
29
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
30
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
31
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
32
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
33
Figures engraved by William Sharp, 1749–1824
Niobe
1792
34
Sir Robert Ker Porter, 1777–1842
Caernarvon Castle
undated
35
James Moore, 1762–1799
Dunnottar Castle, Scotland
1792
36
James Moore, 1762–1799
Dunnottar Castle, Scotland
1792
37
James Moore, 1762–1799
Dunnottar Castle
1792
38
James Moore, 1762–1799
Inchdrewer Castle, Scotland
1792
39
James Moore, 1762–1799
Findlater Castle, Scotland
1792
40
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
41
James Moore, 1762–1799
Caslte Stalker, Scotland
1792
42
James Moore, 1762–1799
Dumbarton Castle, Scotland
1792
43
James Moore, 1762–1799
Dumbarton Castle, Scotland
1792
44
James Moore, 1762–1799
Glasgow Cathedral, Scotland
1792
45
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
46
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
47
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
48
James Moore, 1762–1799
Craigmillar Castle, Edinburgh, Scotland
1792
49
James Moore, 1762–1799
Edinburgh Castle, Scotland
1792
50
James Moore, 1762–1799
Stirling Castle, Scotland
1792
51
James Moore, 1762–1799
Linlithgow Palace, West Lothian, Scotland
1792
52
James Moore, 1762–1799
Deskford Castle, Scotland
1792
53
James Moore, 1762–1799
Elgin Cathedral, Scotland
1792
54
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
55
James Moore, 1762–1799
Kendal Castle, England
1792
56
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
57
Henry William Parish, active 1792
Fort Santa Cruz, Rio de Janeiro
1792
58
Henry William Parish, active 1792
Island of Mayo, Cape de Verde, 2 November
1792
59
Henry William Parish, active 1792
Off Rio de Janeiro
1792
60
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
61
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
62
Henry William Parish, active 1792
Marine sketch
1792
63
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
64
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
65
Henry William Parish, active 1792
Teneriffe, to the East of Santa Cruz, 22 October
1792
66
Henry William Parish, active 1792
St. Jago, Cape de Verde, 3 November
1792
67
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
68
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
69
Attributed to Agostino Aglio the elder, 1777–1857
Landscape with a Distant Ridge
undated
70
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
71
William Daniell, 1769–1837
Sankrydroog, Madras
1792
72
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
73
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
74
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
75
Print made by William Ellis, 1747–1810
Clapham
1792
76
Henry William Parish, active 1792
St. Jago, Cape de Verde and Port Praya from the Anchorage, November
1792
77
Henry William Parish, active 1792
Porto Praya, St. Jago, November
1792
78
Henry William Parish, active 1792
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
1792-1793