On-site Access: Accessible by appointment in the Study Room / Date: 1791 / Classification: Prints

George Stubbs, 1724–1806

Hay-Makers

1791

Print made by George Stubbs, 1724–1806

A Sleeping Leopard

1791

John Jones, ca. 1745–1797

Sylvia

1791

John Jones, ca. 1745–1797

Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

1791

John Raphael Smith, 1752–1812

Madona Col Bambino

1791

John Keyse Sherwin, c.1751–1790

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

1791

John Keyse Sherwin, c.1751–1790

Mary Isabella Manners (née Somerset), Duchess of Rutland

1791

Samuel William Reynolds, 1773–1835

A Young Lady

ca. 1796

Thomas Prattent, active 1780–1810

Newcastle House, Clerkenwell Close

1791

unknown artist

Sir Paul Pindar's Lodge...

1791

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Philip Dawe, ca.1750–ca.1790

Evening at Rest

1791

Charles Rosenberg, active 1790–1820

Mr. H. Angelo's Fencing Academy

1791

Isaac Cruikshank, 1764–1811

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)

1791

Isaac Cruikshank, 1764–1811

A Stroke at the Plenipo or Mary's Mistake

1791

Isaac Cruikshank, 1764–1811

A Disunion or the Family Compact Disturbed

1791

Isaac Cruikshank, 1764–1811

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)

1791

Robert Strange, 1721–1792

Sir Robert Strange

1791

unknown artist

A Bouilli in the Newest Taste a-la-Francois!

1791

William Dent, active 1784–1793

The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers

1791

Isaac Cruikshank, 1764–1811

Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!

ca. 1796

Print made by Thomas Rowlandson, 1756–1827

An Imperial Stride!

1791

Print made by unknown artist

Ride for Ride - A Concise Answer to Burke's Pamphlet

1791

unknown artist

An English Hobby Horse; or, Who Pays the Piper?

1791

unknown artist

The Russian Bear and her Invincible Rider Encountering the British Legion

1791

Isaac Cruikshank, 1764–1811

Symptoms of Affection, Or - A Specimen of Martial Prowess

1791

James Gillray, 1756–1815

The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"

1791

unknown artist

Lollard's Prison

1791

William Dent, active 1784–1793

An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]

1791

William Dent, active 1784–1793

Grand and Effectual Attack in the Baltic

1791

William Dent, active 1784–1793

Black Carlo's White Bust, or, The Party's Plenipo in Catherine's Closet

1791

William Dent, active 1784–1793

The Flattering Glass, or Nell's Mistake

1791

William Dent Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ....

William Dent, active 1784–1793

Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ...

1791

Published by William Holland, 1757–1815

Good News from Madras

1791

James Gillray, 1756–1815

The Introduction

1791

William Dent, active 1784–1793

Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay

1791

William Dent, active 1784–1793

Rare News from India, or, Things going on Swimmingly in the East

1791

unknown artist

Memorial in St. Mary's, Lambeth

1791

unknown artist

Pedlar and his Dog, St. Mary's, Lambeth

1791

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

John Jones, ca. 1745–1797

Rear Admiral Sir Charles Douglas

1791

unknown artist

A Memorial to Shakespeare

1791

John Jones, ca. 1745–1797

Admiral Edward Vernon

1791

John Chapman, active ca. 1792–1823

Black-George

1791

Print made by John Young, 1755–1825

Mrs. Bunbury

1791

Print made by Francesco Bartolozzi, 1728–1815

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by John Young, 1755–1825

Mrs. Gwyn

1791

Print made by Joseph Grozer, ca. 1755–1798

The Honorable Miss Harris

1791

Print made by John Keyse Sherwin, c.1751–1790

Mary Isabella, Duchess of Rutland

1791

Print made by John Raphael Smith, 1752–1812

Madona col Bambino

1791

George Siegmund Facius, 1750–1804

George III

1791

William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

William Hincks, 1752–1797

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water

1791

William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

William Hincks, 1752–1797

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it

1791

William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

William Hincks, 1752–1797

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

1791

William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

William Hincks, 1752–1797

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

1791

William Hincks, 1752–1797

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

1791

William Hincks, 1752–1797

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

1791

William Hincks, 1752–1797

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

1791

William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

William Hincks, 1752–1797

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

1791

William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

William Hincks, 1752–1797

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

1791

William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

William Hincks, 1752–1797

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

1791

William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

William Hincks, 1752–1797

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..

1791

James Gillray, 1756–1815

Les Trois Magots

1791

James Gillray, 1756–1815

French Democrats surprizing the Royal Runaways

1791

Francesco Bartolozzi, 1728–1815

Vignette: Four Putti, Two Holding Hands

1791

Francesco Bartolozzi, 1728–1815

Vignette: Four Putti, Two Holding Hands

1791

Bastiaen Stopendael, 1636/7–c.1708

Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Published 1791

Francesco Bartolozzi, 1728–1815

St. Paul

1791

Francesco Bartolozzi, 1728–1815

A Sacrifice To Diana The Goddess Of Hunting

1791

unknown artist

Pye Corner, Smithfield

1791

Francesco Bartolozzi, 1728–1815

Contemplation

1791

Francesco Bartolozzi, 1728–1815

Hebe

1791

Francesco Bartolozzi, 1728–1815

George, Prince of Wales

1791

John William Edy, 1760–1820

A View of Albion Mill on Fire

1791

unknown artist

London Stone in Cannon Street

1791

unknown artist

A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens

1791