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On-site Access Accessible by appointment in the Study Room

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Date 1786

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Subject Terms religious and mythological subject

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Search Results

Moses in the Bulrushes
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 14 5/16 inches (29.8 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Enchantress
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1786
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Enchantress
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1786
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Guardian Angels
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1786
Materials & Techniques:
Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 16 3/4 inches (54.6 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Moses in the Bulrushes [Reclining Child]
Creator:
John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving with etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 × 7 1/2 inches (14.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection