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Collection
Prints and Drawings
43
Creator
Blake, William, 1757–1827
9
Cozens, John Robert, 1752–1797
5
Cristall, Joshua, 1768–1847
5
Crome, John, 1768–1821
4
Davis, Samuel, 1760–1819
3
Grimm, Samuel Hieronymus, 1733–1794
3
Bartolozzi, Francesco, 1727–1815
2
Beaumont, George Howland, Sir, 1753–1827
2
Daniell, William, 1769–1837
2
Gainsborough, Thomas, 1727–1788
2
Burke, Thomas, 1749–1815
1
Cipriani, Giovanni Battista, 1727–1785
1
Cosway, Richard, 1742–1821
1
Durand, George, active 1780–1785
1
More, Jacob, 1740–1793
1
Sandby, Paul, 1731–1809
1
Towne, Francis, 1740–1816
1
Vincent, George, 1796–1832
1
West, Benjamin, 1738–1820
1
Wheatley, Francis, 1747–1801
1
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Date
1767
134
1800
115
1772
82
1764
72
1793
66
1745
65
1775
64
1789
61
1850
55
1762
51
1784
51
1791
51
1790
47
1797
47
1799
44
1783
[remove]
43
1792
42
1794
41
1814
37
1795
35
1859
35
1827
34
1860
34
1782
33
1804
33
1807
33
1830
33
1768
32
1778
32
1802
30
1813
30
1825
30
1805
29
1867
29
1771
28
1820
28
1841
28
1857
28
1810
27
1836
27
1787
26
1796
26
1780
25
1785
25
1786
25
1788
25
1821
24
1808
23
1826
23
1864
23
1770
22
1746
21
1774
21
1835
21
1674
20
1765
20
1759
19
1801
19
1817
19
1831
19
1742
18
1812
18
1840
18
1739
17
1749
17
1755
17
1818
17
1822
17
1855
17
1819
16
1823
16
1834
16
1863
16
1865
16
1917
16
1700
15
1740
15
1829
15
1861
15
1909
15
1773
14
1776
14
1779
14
1781
14
1803
14
1880
14
1748
13
1798
13
1815
13
1824
13
1811
12
1870
12
1877
12
1816
11
1915
11
1920
11
0
10
1747
10
1757
10
1828
10
On-site Access
Accessible by appointment in the Study Room
[remove]
43
Image Use
Free to Use
43
Image Available
Available
42
Unavailable
1
Classification
Drawings & Watercolors
28
Prints
13
Drawing & Watercolors-Architectural
2
Creator Gender
male
43
Collective Title
There Is No Natural Religion, Copy B
9
Period
18th century
34
18th century-19th century
6
19th century
2
Materials & Techniques
graphite
25
laid paper
22
wove paper
20
watercolor
19
gray wash
10
color printing
9
relief etching
9
black ink
6
black chalk
4
stipple engraving
3
white chalk
3
brown ink
2
brown wash
2
card
2
pen
2
scraping
2
etching (printing process)
1
gouache
1
gray ink
1
red chalk
1
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Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
5
to
49
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
72
Work Type
drawing
30
watercolor
25
relief print
9
intaglio print
4
frontispiece
1
Genre
landscape
24
literary theme
10
architectural subject
7
genre subject
7
religious and mythological subject
4
portrait
3
figure study
1
Subject Terms
trees
[remove]
43
landscape
24
men
10
hills
9
literary theme
9
text
8
Grand Tour
7
architectural subject
7
house
6
mountains
6
woman
6
women
6
branches
5
children
5
genre subject
5
buildings
4
clouds
4
fences
4
houses
4
seated
4
more
Subject Terms
»
Associated Places
Italy
6
Europe
4
Campagna
3
England
2
Rome
2
United Kingdom
2
Albano, Lago
1
Asia
1
Berkshire
1
Bihar
1
Blackwater
1
Castel Gandolfo
1
Derbyshire
1
Florence
1
Ganges
1
Ganges, River
1
Horace's Villa
1
India
1
Ireland
1
Lazio
1
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Associated Places
»
Associated People
Abington, Frances (1737–1815), actress
1
Cephalus
1
Procris
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
5
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
42
Yale Center for British Art, Gift of Peter Arms Wick
1
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1783
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1
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
2
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
3
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
4
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
5
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
6
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
7
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
8
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
9
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
10
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
11
Sir George Howland Beaumont seventh Baronet, 1753–1827
Mount Palatine
1783
12
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
13
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
14
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
15
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
16
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
17
Johan Joseph Zoffany, 1733–1810
A River by a Rocky Bank with Figures, Possibly in India
between 1783 and 1789
18
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
19
Paul Sandby, 1731–1809
The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
1783
20
Print made by Francesco Bartolozzi, 1728–1815
Georgiana, Countess Spencer
1783
21
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
22
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
23
Samuel Hieronymus Grimm, 1733–1794
View of Wingerworth Hall, Derbyshire
1783
24
Joshua Cristall, 1768–1847
Family Posed in Front of a Doorway
undated
25
Attributed to John Crome, 1768–1821
A House Among Trees
undated
26
George Vincent, 1796–1832
Willow Tree Near Mr. Weston's House
undated
27
Joshua Cristall, 1768–1847
Landscape with Cattle Watering
undated
28
Pupil of John Crome, 1768–1821
A Grove with Road and Haycart
undated
29
Joshua Cristall, 1768–1847
Study of a Man Holding a Stick
undated
30
Joshua Cristall, 1768–1847
Arcadian Shepherds by a Pool
undated
31
John Robert Cozens, 1752–1797
Lake of Vico Between Rome and Florence
1783
32
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
33
John Robert Cozens, 1752–1797
A View from the Inn at Terracina
1783
34
William Daniell, 1769–1837
Manickpur on the Ganges
ca. 1788
35
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures
ca. 1788
36
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
37
Benjamin West, 1738–1820
The Three Sisters
1783
38
William Daniell, 1769–1837
View of Monghyr, Bihar
ca. 1788
39
Samuel Davis, 1760–1819
The Temple of Wangdutse
1783
40
Samuel Davis, 1760–1819
Figures crossing a bridge over a ravine
1783
41
Samuel Davis, 1760–1819
Near Taussadon [Tashicho Dzong]
1783
42
John Robert Cozens, 1752–1797
Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress
1783
43
Print made by John Crome, 1768–1821
Three Landscape Studies
undated