Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
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4
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
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5
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
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6
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
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7
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
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8
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
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9
James Bruce, 1730–1794
Cisterns at Carthage
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10
James Bruce, 1730–1794
Corinthian Temple at Assuras
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11
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
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12
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
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13
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
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14
James Bruce, 1730–1794
XXII Side View of Temple at Dougga
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15
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
16
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
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17
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
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18
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
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19
Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-La-Mode, Plate I: The Contract
1745
20
James McArdell, ca. 1729–1765
Thomas Pelham-Holles, 1st Duke of Newcastle upon Tyne and 1st Duke of Newcastle under Lyme
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21
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
22
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 4
1745
23
Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-La-Mode, Plate VI: The Death of the Countess
1745
24
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
25
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
26
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to