The Sun rises ruddy, and turbid, and just touches the tops of the highest ground (Design for Plate 1)
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5
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
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6
Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
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7
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
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8
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
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9
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
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10
Francois Vivares, 1709–1780
Landscape with a man driving a mule
1739
11
Francois Vivares, 1709–1780
Artist Drawing Classical Ruins
1739
12
Francois Vivares, 1709–1780
Man Making Haystack Being Cottage. Two Buildings in Distance
1739
13
Francois Vivares, 1709–1780
Horseman Crossing Three Arched Bridge over River. Ruins in the Distance
1739
14
Francois Vivares, 1709–1780
Man Rowing Boat on River, Boy Fishing from Riverbank, House and Outbuildings Beside River
1739
15
Francois Vivares, 1709–1780
Shepherd with Flock Beside Which Winds under a Bridge Beside a Ruined Tower
1739-1750
16
Francois Vivares, 1709–1780
Two Men and a Grazing Horse in Front of a windmill and a Horse
1739
17
Francois Vivares, 1709–1780
Horseman About to Cross a Two Arched Bridge with Gateway and Buildings on Opposite Bank
1739
18
Francois Vivares, 1709–1780
Lovers in a Classical Ruin
1739
19
Francois Vivares, 1709–1780
Two Fisherman on Riverbank with Round Dovecote on Opposite Bank. Buildings in the Distance
1739
20
Francois Vivares, 1709–1780
Man on Two Path Pulling Covered Boat Along River. Ruin on Opposite Side
1739
21
Francois Vivares, 1709–1780
Horseman and Shepherd and Flock Beside Tree and in Front of Buildings and Dovecote
1739
22
Francois Vivares, 1709–1780
Plate 6: Man Standing in Archway of Classical Ruin. House Behaind and to Left of Ruin
1739
23
Francois Vivares, 1709–1780
Plate 4: Horseman, Shepherd and Flock Travelling on Road in Front of Classical Ruin
1739
24
Francois Vivares, 1709–1780
Women with Basket Walking Along Road Past Three Houses and a Dovecot
1739
25
Francois Vivares, 1709–1780
Coastal Scene with Lovers, Man and Dog Beside Ruin Overlooking Bay with Sailing Boats in Distance
1739-1750
26
Francois Vivares, 1709–1780
Horseman and Dog Leaving Stableyard of Inn and Riding Along Road Towards Village
1739
27
Francois Vivares, 1709–1780
Man Punting Along River Beside Huts. Woman and Child Sitting on Bank
1739
28
Francois Vivares, 1709–1780
Two Clerics Wandering Amongst Monastic Ruins Beside Sea or Lake
1739-1750
29
Francois Vivares, 1709–1780
Two Men, One Seated, Beside Classical Ruined Arch with Statue in Distance
1739
30
Francois Vivares, 1709–1780
Man with Stick Walking Along Lane Past Rustic Buildings
1739
31
Francois Vivares, 1709–1780
Classical Ruins with Columns and Arches
1739
32
Francois Vivares, 1709–1780
Man with Dog Shooting Ducks in a River. Building Beside River. Two Boats on River
1739
33
Francois Vivares, 1709–1780
Classical Ruins
1739
34
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruins with Obelisk in Center
1739
35
Francois Vivares, 1709–1780
Man Shewing Woman Classical Ruins
1739
36
Francois Vivares, 1709–1780
Man with Basket and Staff Beside Classical Ruins
1739
37
Francois Vivares, 1709–1780
Man Watering House in River in Front of Gateway with Tower, Village with Church in Distance
1739
38
Francois Vivares, 1709–1780
Windmill Beside Winding River with Two Buildings on Opposite Bank
1739
39
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruins, a Tomb (?) to the Right
1739
40
Francois Vivares, 1709–1780
Man and Woman with Bundle Looking at a Classical Ruin
1739
41
Francois Vivares, 1709–1780
Three Men and a Woman Looking at Classical Ruins
1739
42
Francois Vivares, 1709–1780
Gateway and Farmyard either side of River with Two Men Rowing a Boat
1739
43
Francois Vivares, 1709–1780
Man with Staff Walking Along Lane Towards Houses and Ruins
1739
44
Francois Vivares, 1709–1780
Woman Spinning Beside a Well and Group of Buildings
1739
45
Francois Vivares, 1709–1780
Woman and Three Men Looking at Classical Ruins
1739
46
Francois Vivares, 1709–1780
Three Arched Bridge over River with Town Along Riverbank. Three Men in Rowing Boat on River
1739-1750
47
Francois Vivares, 1709–1780
Woman on River Bank with Sailing Boat on River, Buildings on Opposite Bank, Windmill in Distance
1739
48
Francois Vivares, 1709–1780
Two Men Beside Ruined Arch Observing Farmyard Scene with Man Driving Horse and Wagon along Lane
1739-1750
49
Francois Vivares, 1709–1780
Woman, Cowherd and Two Cows on River Bank, Buildings on Opposite River Bank
1739
50
Francois Vivares, 1709–1780
Classical Ruin with Pillars and Steps, on River Bank with Buildings in Distance
1739
51
Francois Vivares, 1709–1780
Water Wheel and Buildings Beside Weir on River
1739
52
Francois Vivares, 1709–1780
Man Crossing Footbridge over Creek Beside Ruined Castle. Large Sailing Ship in Bay
1739
53
Francois Vivares, 1709–1780
Two Fishermen on River Bank Beside Ruined Inn. Buildings in Distance on Opposite Bank
1739
54
Francois Vivares, 1709–1780
Three Men in Sailing Boat on River Beside Classical Ruin. House in Distance on Opposite Bank
1739
55
Francois Vivares, 1709–1780
Two Men Looking at Classical Ruin Beside River. Two Men Rowing Boat in Distance
1739
56
Francois Vivares, 1709–1780
Shepherd and Flock Travelling on Past Church and House. Village And Windmill in Distance
1739
57
Francois Vivares, 1709–1780
Cow Standing on River Bank. Buildings on Opposite Bank. Windmill in Distance
1739
58
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
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59
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
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60
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
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61
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
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62
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
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63
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
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64
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
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65
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
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66
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
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67
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
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68
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
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69
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
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70
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
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71
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
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72
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
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73
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
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74
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
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75
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
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76
unknown artist
Map of the City of London with Parishes to the East and a Portion of Southwark
1739
77
Francois Vivares, 1709–1780
Man Playing Pipe to Shepherdess Beside River and Shack
1739
78
Francois Vivares, 1709–1780
Fisherman on River Bank in Front of House and Round Dovecote
1739
79
Francois Vivares, 1709–1780
Shepherd, Woman and two sheep in front of cottage with steps up to doorway
1739
80
Francois Vivares, 1709–1780
Fisherman on river bank by a fence and tree. Buildings with a round and smoking chimney on opposite bank
1739
81
Francois Vivares, 1709–1780
Cow being milked beside shed on river bank, cottage on opposite bank. Church tower in distance
1739
82
Francois Vivares, 1709–1780
Cow being milked beside shed on river bank, cottage on oposite side. Church Tower in distance
1739
83
Francois Vivares, 1709–1780
Galloping horseman and dog travelling on road past a well with two spectators. Buildings either side of road and herdsman and cows in distance
1739
84
Francois Vivares, 1709–1780
Duckshooters in a rowing boat on a river. Man with a staff on near bank. Houses on opposite bank
1739
85
Francois Vivares, 1709–1780
Shepherd driving flock along road pass cottages towards high bridge over river
1739
86
Francois Vivares, 1709–1780
Three travellers and a goat on a winding road passing three cottages. Other buildings in distance
1739
87
Francois Vivares, 1709–1780
Traveller approaching farm building, other buildings along roadside. Knarled tree at right side
1739
88
Francois Vivares, 1709–1780
Two figures on riverbank. Rowing boat on river. House on opposite bank. Buildings in distance
1739
89
Francois Vivares, 1709–1780
Inn Keeper feeding chickens from doorway of Inn - three men rowing boat on river
1739
90
Francois Vivares, 1709–1780
Traveller on winding road with horses on either side. Church in distance across river
1739
91
Francois Vivares, 1709–1780
Windmill and other small houses on river bank. Church and other buildings in distance on opposite bank. Two figures on near bank
1739-1747
92
Francois Vivares, 1709–1780
Man seated on river bank. Two fishermen in a boat hauling nets. Large house on opposite bank with walled garden
1739-1747
93
Francois Vivares, 1709–1780
Fisherman on river bank, rowing boat on river and buildings on oppposite bank
1739
94
Francois Vivares, 1709–1780
Man rowing a boat along river. Buildings with a round tower and walled garden on opposite bank
1739
95
Francois Vivares, 1709–1780
Shepherd and flock beside ruined arch. Cottgae in background
1739
96
Francois Vivares, 1709–1780
Shepherd and flock beside ruined arch. Cottage in background
1739
97
Francois Vivares, 1709–1780
Windmill, house with smoking chimney, and device for winding up rope on river bank. Houses in distance on opposite bank
1739
98
Francois Vivares, 1709–1780
Two mwn walking along road between buildings. Tree in centre of image
1739
99
Francois Vivares, 1709–1780
Man rowing a boat along river. Buildings with a round tower and walled garden on opposite bank
1739
100
Francois Vivares, 1709–1780
Man fishing from River bank. Three houses on right river bank