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Giles Hussey Study of Physiognomy of face
Giles Hussey, 1710–1788
Study of Physiognomy of face
between 1730 and 1768
Giles Hussey Four Studies of heads from classical figures
Giles Hussey, 1710–1788
Four Studies of heads from classical figures
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Three studies of classical sculpture of Farnese Hercules
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
Giles Hussey Study of statue of an Egyptian man
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Studies of classical sculptures of Cesi Juno and Zingara
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figures
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
Giles Hussey Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
Giles Hussey Two studies of head from classical figure
Giles Hussey, 1710–1788
Two studies of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Four chalk studies of heads
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
Giles Hussey Study of classical scultpure of Castor and Pollux
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
Giles Hussey Two Studies of classical sculpture of Farnese Hercules
Giles Hussey, 1710–1788
Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head of man with helmet
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of head from classical figure
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
Giles Hussey Study of classical figure of man
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
Andrea Palladio A Collection of Proofs after Palladio (Seven published, from Fabbriche Antiche - five unpublished). London, 1730.
after Andrea Palladio, 1508–1580
A Collection of Proofs after Palladio (Seven published, from Fabbriche Antiche - five unpublished). London, 1730
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
unknown artist Collection of Proof Engravings after Palladio for Burlington
unknown artist
Collection of Proof Engravings after Palladio for Burlington
1730
Giles Hussey Six studies of heads from classical figures
Giles Hussey, 1710–1788
Six studies of heads from classical figures
between 1730 and 1768
John Brooks William Cavendish, 4th Duke of Devonshire, Marquess of Hartington
Print made by John Brooks, active 1730–1756
William Cavendish, 4th Duke of Devonshire, Marquess of Hartington
undated
Holt, Richard. A short treatise of artificial stone,
Holt, Richard
A short treatise of artificial stone,
1730
Ogilby, John, 1600-1676, cartographer. Britannia depicta, or, Ogilby improv'd :
Ogilby, John, 1600–1676
Britannia depicta, or, Ogilby improv'd
1749
Bazin, Germain. Peinture Anglaise 1730-1850.
Bazin, Germain
Peinture Anglaise 1730-1850
n.d
 Warwick waggons, and pack-horses, are removed from the Bell-Inn in West-Smithfield, to the Red-Lyon-Inn ... : where all gentlemen, merchants, tradesmen, and others, may be accomodated with carriage, at reasonable rates : performed (if God permit) by Nich. Rothwell ...
Warwick waggons, and pack-horses, are removed from the Bell-Inn in West-Smithfield, to the Red-Lyon-Inn ... : where all gentlemen, merchants, tradesmen, and others, may be accomodated with carriage, at reasonable rates : performed (if God permit) by Nich. Rothwell ..
ca. 1730]
Smith, John, fl. 1673-1680. Short and direct method of painting in water-colours /
Smith, John, fl. 1673–1680
Short and direct method of painting in water-colours
1730
Milton, John, 1608-1674. Le paradis perdu :
Milton, John, 1608–1674
Le paradis perdu
1730
Oakley, Edward, active 18th century. The magazine of architecture, perspective, & sculpture :
Oakley, Edward, active 18th century
The magazine of architecture, perspective, & sculpture
MDCCXXX [1730]
Seutter, Matthäus, 1678-1757. Recens edita totius Novi Belgii, in America Septentrionali siti /
Seutter, Matthäus, 1678–1757
Recens edita totius Novi Belgii, in America Septentrionali siti
[1730]
Gent, Thomas, 1693-1778. The antient and modern history of the famous city of York :
Gent, Thomas, 1693–1778
The antient and modern history of the famous city of York
1730
Orlandi, Pellegrino Antonio, 1660-1727. Repertorium sculptile-typicum:
Orlandi, Pellegrino Antonio, 1660–1727
Repertorium sculptile-typicum
1730
Halfpenny, William, d. 1755. Practical architecture, or, A sure guide to the true working according to the rules of that science, representing the five orders : with their several doors & windows taken from Inigo Jones & other celebrated architects ... /
Halfpenny, William, d. 1755
Practical architecture, or, A sure guide to the true working according to the rules of that science, representing the five orders : with their several doors & windows taken from Inigo Jones & other celebrated architects ...
1730
 A new drawing book engrav'd from the curious designs of that great master M. Poilly :
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
Pascoli, Lione, 1674-1744. Vite de' pittori, scultori, ed architetti moderni ...
Pascoli, Lione, 1674–1744
Vite de' pittori, scultori, ed architetti moderni ..
1730-1736
Artlove, Mrs. The art of japanning, varnishing, pollishing, and gilding. :
Artlove, Mrs
The art of japanning, varnishing, pollishing, and gilding.
1730
Langley, Batty, 1696-1751. The young builder's rudiments, or, The principles of geometry, mechanicks, mensuration and perspective, geometrically demonstrated :
Langley, Batty, 1696–1751
The young builder's rudiments, or, The principles of geometry, mechanicks, mensuration and perspective, geometrically demonstrated
1730
Sympson, Joseph, -1736, engraver. [Engravings of horses]
Sympson, Joseph, -1736
[Engravings of horses]
[ca. 1730?]