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Credit Line Yale Center for British Art, Paul Mellon Fund

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Robert Smirke The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
John Blackmore Sigismonda
Print made by John Blackmore, active 1740–1780
Sigismonda
between 1769 and 1771
Philip Dawe Constantia
Print made by Philip Dawe, ca.1750–ca.1790
Constantia
1780
Jacob Gole The Dutch School
Print made by Jacob Gole, 1660–1737
The Dutch School
undated
Isaac Beckett The Dutch School
Print made by Isaac Beckett, 1652/3–1719
The Dutch School
between 1683 and 1688
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
John Bell The City of the Pestilence
Print made by John Bell, 1811–1895
The City of the Pestilence
between 1826 and 1852
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854